Tony Vargas
Member

The Hector build Warlord passes up on some of the limelight of regular inspiring of allies in favor of battlefield control, which goes even beyond that of the Tactical Lord. They gain the Gifted Manipulator feature in place of Inspiring Word. Gifted manipulator grants extra move distance (not as much as the Mage Enchanter) and extra damage when you induce an enemy to harm their ally. (Friendly fire style attacks) - these are not massively on the Warlord list but new ones are in the works. But some powers like the following seem very very Hectorish and so I am wondering if I over did the benefit or if its too complicated to use... beware I can do that too @Tony Vargas. Usually the enemy aids you involuntarily but sometimes being ultimately convincing works even better 102207

Just for a comparison In HERO for agility skills they have Acrobatics - same skill Breakfall - subsumed in acrobatics Climbing - subsumed in athletics Combat Driving - combat riding feat Combat Piloting - more combat riding not differentiated Contortionist - subsumed in acrobatics Fast Draw ? independent ability allowing drawing a weapon as part of the Attack or drawing and sheathing as one minor action. Lockpicking - subsumed in thieving Riding - subsumed in nature usually but see combat riding feat Sleight Of Hand- subsumed in thieving Stealth - same skill Teamwork - not sure how this relates it is a combat teamwork bonus wrt coordinating with others enabling maybe simultaneous attacks? or something I thought HERO was supposed to be clear @Tony Vargas

... tell them to, move pieces (literal or notional) around maps in accordance with the D&D rules for doing so, etc. Until someone actually uses the guidelines of the RPG to create that adventure, there's nothing to really do with an RPG.This isn't true either. When I wanted to play Classic Traveller with my friends, we sat down and started playing: PC gen; world gen; patron gen; GO! (Further details here.) They're playing Against the Giants. They're playing whatever campaign they happen to be playing. We use RPG's to create the campaigns which is essentially the game that we play, whether it's some massive dungeon crawl or some high rp court intrigue game. Or combinations thereof. And the campaign that I play is distinct from the campaign you play. Unless we're using the same module, it's virtually impossible for two campaigns to share any points of similarity. Doesn't that mean, at that point, we're essentially playing different games?I mostly agree with Umbran and Tony Vargas on this. Was I playing chess, or the Sicilian defence? Presumably both. Was I playing D&D, or Against the Giants? Presumably both. Maybe there's a better analogy? I see RPG's as having three levels. At the top, you have the RPG itself which we use to build a campaign. At the next level, you have the campaign which, in my mind, is the game that this group is going to play, and at the third level, you have the session, which is roughly analogous to a single instance of the game. For most games though, you only have two levels. The game and the instance. You don't use charades, to use the example, to build a specific kind of pantomime game that players then play. You just play instances of charades. There's no higher level tier, such as what you get with RPG's.Does what you say apply to My Life with Master? DitV? Even The Dying Earth? And even for RPGs that have "the campaign", how is that different - in a structural sense - from dealing a hand? Or agreeing at a casu...

...eader ability. The solace in numbers element would need to be something else. Perhaps an ability enemy has bonus hit points per ally currently on the field. (and loses them when they die) I do like the idea of thinking morale is all in terms of hit points. Yeah, my thinking and practice has evolved through 4 stages: 1) 4e - there simply is no provision for morale as such, except for the highly broken Intimidate implementation (which is IMHO garbage). This indicated the lameness of having a system that breaks with the "get the enemy to 0 hit points and he's defeated" paradigm, which is a good solid paradigm. 2) Morale system v1 - This was just basically an adaptation of what happens in AD&D (which is how I would classify Lost Soul's mechanics too). It requires managing morale as a separate system and has the same disadvantage as the Intimidate system from 4e, it creates a 'second path' to defeating monsters, with attendant problems. 3) Morale system v2 - This was basically what Tony Vargas is proposing here, that morale is some sort of a hit point penalty which creatures take when certain conditions are met. This DOES fix the issues with #1 and #2, now you have one thing to worry about, hit points. I've already stated why it is unsatisfactory, as it is ESSENTIALLY just cutting monster's hit points. 4) Morale system v3 - (this hasn't been implemented) Model morale as a positive influence on creatures hit points when they are in favorable morale situations. Thus leaders effectively heal their allies, bolstering their hit points. This would most likely have to be coupled with a system like #3 where hit points could wane due to situational factors. However that might be able to be factored into a combination of initial hit points and the effects of at least some powers. As you can see, coming up with something that is both workable and satisfactory is hard. Mostly I have come to the conclusion that it is not really worth it. Instead simply downrate the levels of weak mora...

@Tony Vargas Cyberpunk is, in many ways, cynical or dystopian. It is also, in many ways, utopian. Arguments about whether it is utopian or dystopian are standard critical fair. Quite frankly, in my opinion, cyberpunk is innately ambiguous more than anything else, at least when you examine any given set of texts synchronically. I believe that a diachronic analysis is required in order to make anything even resembling a clear interpretation of the genre as a whole or a specific set of texts from the genre tenable. All that, however, is beside the point. The point is: a romantic text can be hopeful, cynical, or both. Romanticism has virtually nothing to do with how hopeful or cynical a text is. Likewise, your claim that cyberpunk and steampunk are innately different on the level of spirit is not accurate either. Steampunk largely owes its existence to William Gibson and Bruce Sterling's The Difference Engine. That text is considered to be the foundational steampunk text. The text is, in many ways, a...

Think about what you just said Tony Vargas. You take the game, ok fine. Then you added a pre-deigned adventure. Whoops. Now I’m not playing just the rpg anymore. Now I’m playing that adventure. IOW, I can’t just play the rpg. The rpg is the game creation engine and operating system, but the actual game is that module. I don’t think you’re actually disagreeing with me.

Oh, come now, it was a triumph of expostulation...:cool:Despite how heated many of these threads get, I have increasingly found myself drawn to many such threads in General Roleplaying Games. Because a lot of the insight on game design, game theory, and play approaches provided by you, pemerton, Hussar, Maxperson, Lanefan, Manbearcat, Imaro, Bedrockgames, Tony Vargas, among many others unlisted, has been incredibly engaging for me, as it I can apply those insights and approaches to games outside of D&D.

Thanks for clearing that up Tony Vargas about character initiative ties was you. Sorry to have mixed you and iserith up.

Tony Vargas, Not to be rude, but let me say it again. I. Don't. Care.

Tony Vargas Thanks! Regarding "Judge", yep, the menu and GM registration page are titled "judging" and there are two registration options under "judging": "judges" (GMs who pay a registration fee and can both judge and play) and "Referees" (registration is free but the GMs can only run their own games, not participate in other events). http://conofthenorth.org/judging/

...y acting on it, does not make you invisible. It ONLY makes you unseen and/or unheard. I love how you are now claiming the discussion is about being unseen, when you were clearly arguing that it makes one invisible. Invisibility is defined in the 4e book and stealth does not fit the definition.You're wrong about 4e - it's in the rules for Stealth in the PHB2 that a succesful Stealth check makes you invisible to the person you're hiding from, which means that they can't see you with normal vision. (Depending on the circumstances, they may be able to see you with Blindsight or Tremorsense.) And as I've already said, 5e refers to being unseen - which in many circumstances is functionally equivalent to being invisible. I don't know what you think this whole discussion is in aid of, but I certainly don't need schooling from you in how 4e works, given that I've run far more of it than you; and I don't need schooling in the 5e skill rules, either. As I already said, but which only Tony Vargas has replied to - my take away from this is that non-magic users in 5e are significantly hosed compared to their 4e versions, and in many ways it seems even compared to their earlier edition versions. (Eg in AD&D hiding in shadows is as good as invisibility once you are hidden and assuming potential observers don't have infravision, although there are no very clear rules for moving and remaining hidden.)

4e's reward system is magic items.I agree with Tony Vargas in having a different view of this. In 4e, you get XP for playing and (via the parcel system) get treasure for earning XP, so magic items aren't a reward either. The "rewards" in 4e (as in, stuff that isn't a guaranteed result of playing the game, and which is obtained, or not, based on player decisions) are either in the fiction ("story rewards"), or else the thrill of victory in some particular encounter or other circumstance. I'm not familiar with Traveller, is combat the primary mode of play? Is it how you advance your character? Generally speaking, RPGs tend to have a heavy focus on character advancement, either through unlocking new abilities with levels/XP/etc., obtaining loot, or a combination of both. I would say that the "victory condition" for most such RPGs, in as much as there can be a single defined victory condition in such games, is such advancement. That's how you know you're "winning" at D&DClassic Traveller doesn't have very much PC advancement in the D&D s...

...d the feedback helped. I enjoyed reading through your thoughts. If you are still thinking about the Rock Throw ability how about this alternative: Four-Arm Smash. With your Bullier you can use your action to smash the ground with all four fists. When the Bullier smashes the ground, pick a point up to 60’ away. Each creature within a 10’ radius of the chosen point must make a Dexterity saving throw. The DC for this saving throw equals 8 + your Strength modifier + your proficiency bonus. A creature takes 3d6 bludgeoning damage on a failed save, and half as much damage on a successful one. The damage increases to 4d6 at 5th level, 5d6 at 11th level, and 6d6 at 17th level. After you use your four-arm smash, you can't use it again until you complete a short or long rest. That way you don't need to have it be dependent on too many rocks being around or not enough. The mechanics stay the same. I added the bludgeoning damage because you didn’t indicate a type. That's a great idea! Tony Vargas Thanks for the reference. I haven't read the series but I've heard good things. I've updated the original post with more flavor text and history. I also changed the name Bullier to Bulliox. Other than that, I think at least for now I will keep the name until someone suggests something better. I'd like it to be something that would be two interesting names that can be smashed together, similar to how Bullymong can become Bulliox and Mongo.

Tony Vargas, You think 4E was better for new players, I don't. In my experience it may have been easier for the first few levels, but unless you used the online tool it became overwhelming. In my experience at mid-to-high level play 4E devolved into an unholy mess of conditions, interrupts and people trying to parse the wording of their powers like it was computer code. You also make a lot of assumptions and statements about my motivation, background, who I played with or not, that "old school" players rejected 4E simply because it was different. You keep stating things as facts that are nothing more than your opinion. It's insulting not only to me, but to everyone who didn't like 4E to say that the reason people didn't like 4E was because we couldn't get used to change. You liked the game. Good for you. I enjoyed it for quite a while myself but, like most people I played with, eventually burned out on it.

Doesn't it just work? Sorry for the pointless notification, @Tony Vargas. I just typed his name after the @. Huh. When I type @Tony Vargas, and do a preview it doesn't show...maybe when I submit? EDIT: Apparently that does work. I learned something new today, does that mean I can go home?

Doesn't it just work? Sorry for the pointless notification, @Tony Vargas. I just typed his name after the @.

What I think @Tony Vargas was saying wasnt worth it was the effort of of going through and recomputing all the individual elements of here it is without tool and ie all the rigor of going through and making sure after you remove those truly dependent on items bits and so on just isn't valuable as the purported benefit in comparison to just laying on a broad brush stroke like using weakened. The use of inherent bonuses and making heroes explicitly better at improvised weaponry would be a couple of things we can do to make sure they arent more impaired if taken in detail than the quick and dirty general rule.(Weakened being the QAD)

Now while I have been focusing on martial powers that do the disarm dance... but we can definitely have some spells which I think would complement the concept very well. Some very classic ones even. (A heat metal weapon one) I am actually considering making some of them somewhat pay for the value of multi-targetting with less tactical control.. Tony Vargas suggested disarms which allowed options ... perhaps options the target can decide on. This could be another way to establish some class based patterns to the disarming. Disarming Keyword Patterns of effects emerge for disarms what if they are a thing of there own then you can have magical items,elegant martial techniques and feats and so on which interact recovering from being proned by disarming attack as a free action with this glove or that loyal weapon or similar things perhaps ... Powers with the keyword can have there own finishing condition of cowed and mostly harmless in the immediate sense this like unconcious is a non-deadly alternative

Tony Vargas - Jay Verkuilen - first off, xp to both of you for a really interesting and civil discussion this last 20 posts or so. And then, a question: am I reading both of you correctly, when you're talking about how easy/hard it is/was to change or kitbash 4e, that it's relatively easy to drop things out you don't like but much harder to add things in you do like? For example, hit points and effects - if I'm reading you right you'll both say it would be way easier to drop or ignore the 'bloodied' mechanic than it would be to introduce a wound-vitality or body-fatigue system. Just curious... Lanefan

The orignal post seemed to be just INSISTING the secondary "effect" MUST have a save. I think, as Tony Vargas pointed out, that he was just a little confused about there being 2 effects. If you are used to reading the sort of muddy subjective descriptions of spell effects in games like AD&D, 3.x, and 5e, then you what you do is you sort of squint and try to get the 'gist' of what is being said and then figure out the questions in play somehow. AD&D is a game which is particularly like this, nothing in it actually just makes sense when you try to play it out at the table. You always have to step back and invent the actual mechanics from the ambiguous words. So when you come to 4e and you read a power, and you're used to playing some other D&D, you just automatically try to mentally construct some something in your head that 'sort of matches' with the gist of the words. But with 4e you don't need to do that. Instead if you literally read the words rote and don't add even the smallest bit of interpretation to them beyond "OK, this is what happens when X" then it is all just clear. You play it and...

That's really just begging the question. Why do you think WotC is more concerned with catering to the negativity of h4ters than carrying through with the idea of 5e being for all D&D fans? ... Somehow I think you know the answer

Hero is a tragic example of skill proliferation creating incompetence. Even as powers were consolidated & rationalized in the 4th ed BBB/HSR to create a true universal system, skills from the other hero games and open-ended background skills from Champions II made a mess of tge system. Steve Long's tenure has only made it worse. I am very much liking the Engineering as a replacement for Dungeoneering. Adding a Dex skill I do not think will be going down that path. That looking for more Con skills and Str skills is probably a foregone bust. But another Dex skill may be viable. It could give a nice consistency for skill stats that way.

...now, I was going to say that you can't play, say, Traveler with D&D rules, but there /are/ RPGs with which you could fairly accurately play other RPGs, by not only modeling all the same characters, challenges, and setting info, but also while aping the other game's system artifacts... ...it's a tad hilarious to do, actually. My name appears in the credits for d20 Traveller rules... T20 Traveller's Handbook. It's got some quirks, like it was playtested with half the XP rate given... so high-level play is not as well balanced as it should be. The game engine can be thought of as a system architecture, yes... but it's much more profound an impact than playing, say, Lego Star Wars on Playstation2 vs Game Cube vs Wii vs X-box. Still, lots of people talk about, "Lets go play some X-Box" without stating which software they're going to be playing.

There are at least two sides to every argument, sure. In here there are often about five, roughly equating to one per D&D edition. :)

The popularity of Prime Rib goes back to the industrial revolution. So we're talking "Little Wars." So Red Box. Huh! I would guessed 1st Edition.

There's a reason that having a GM seems like one of the big, obvious, distinction between TTRPGs and CRPGs/MMOs and non-RPGs: because a GM who overrides the rules as a matter of course (see other threads on 'fudging,' 'balance,' &c), is helpful when the rules are lacking, and the more the rules lack, the more necessary the GM. Yet there's no distinction at all, in that a CRPG/MMO still has the equivalent of a GM sitting there in the background: a combination of the programmers who write the game and the program they actually wrote. The difference is that in a TTRPG the players can (usually) interact with the GM on a personal level, where in a CRPG/MMO they cannot. Can anyone think of an RPG where the GM seems almost superfluous? Yeah, mine, some nights; when all they want to do is argue among themselves. :) Hussar - you're getting pushback upthread on your use of the word "engine" to describe what an RPG is; might I suggest "chassis" instead. Lanefan

BTW, I don't suppose there's an easy way to format a table in the board's markup that others could easily fill in, is there? Create a thread and check the 'wiki' option, then anyone can edit any post. The table markup is just basically the same as in HTML with the usual square brackets (I believe you also MUST specify a table width if you want vBulletin to render it reliably).

The structure could be as simple as X successes before 3 failures, Intimidate primary, advantage: each bloodied standard enemy counts as a success... Interesting ... I kind of missed that thought.

I know that both as player and DM I sometimes roll dice if I'm stuck for something, just to give me a nudge (even if that nudge is saying "that's a really stupid idea, don't do it!"). Completely outside the rules, and as the results of such rolls are not relevant to anyone except me I'm free to ignore 'em anyway.OK, but that's not what I'm talkking about (and I think obviously not what I'm talking about). I'm talking about a game in which - in virtue of the GM being free to narrate anything at any time regardless of rolls - no dice roll is anything more than a "suggestion" to the GM. Like buy a movie ticket?That's certainly one possibility!

I don't think there is spectrum between a "sandbox" and a "railroad". One is a game and the other is a story.I think this is a slighlty tendentious way of putting it!, but I tend to agree with the underlying claim I call this the players railroading themselves - the GM, knowing the characters and what motivates them, can put down fifty adventure hooks and know exactly which one will be chosen.Why use the phrase railroading themselves? Isn't it just clearer to say choosing? specifying where the authorship comes from is superfluousMaybe I missed the broader context in which this comment was embedded - but given that the principal activity of a RPG is narrating events that involve fictional elements, I don't see how it can be superfluous to talk about how authors those elements and those events! If the GM authors everything that matters, what is the funtion of the players? Pure audience? One thing I've noticed too is that the player's perspective on the level of freedom available to t...

Just like Spot & Search in 3e, really. Ah, not familiar with 3e but good to know.

I guess it comes down to faith in the rules governing what the dice mean, vs faith in the GM. If you grok the rules and find them worthy, abiding by the dice even when a result seems, in the moment, to be off somehow is reasonable. If you find the rules impenetrable or inadequate, such trust would be misplaced. Of course all that's a little overblown (as is much concern for the topic), unless you are pretty deeply invested in the RPG expeeience.It's not about being deeply invested, or otherwise. It's that if I wanted someone to tell me a story, I'd go about it some other way than rolling dice to make suggestions as to what they should tell me.

I've known it to happen in AD&D, 1e too, but don't think it was in the spirit that Gygax intended, rather the 'player knowledge' objection was part of the rapid shift from wargames to RPG, that had little to do with the mechanics or presentation.I agree absolutely that it wasn't intended by Gygax, which is why I used 2nd ed AD&D - which formalises the shift from wargaming to "storyteller" RPGing - as my touchstone. (The idea that it's a shift from wargaming to RPG I reject: playing D&D as a wargame is one very traditional mode of RPGing, not something that contrasts with it.)

Dungeon World is a well known RPG that, if played in accordance with the rules, is neither railroad nor sandbox. I was obliquely asking for more examples of how Dungeon World was "both railroad and sandbox." That sounded interesting. Though he said: "...neither railroad nor sandbox"; except that I am interested in how that works also.Like dragoner said, neither railroad nor sandbox. Not both railroad and sandbox. Here's a rough account of what a railroad is: Railroad: The main events of the shared fiction are determined by the GM, either in advance, or perhaps by improvisation in the course of play. By determining and event I mean deciding what fictional elements it will include (or at least the main ones) and deciding how it starts and what important consequences flow from it. (Speaking loosely, this is "the story".) The function of player contributions to the fiction is largely to add colour (often by way of characterisation) and perhaps to determine some minor details of events...

...ard becomes both the wealthiest (it's nearly unavoidable) and the longest-serving - meaning she's made herself the star in that most of the story continuity is going to end up going through her. So, one of my old gaming buddies, before he went off D&D entirely (he became a GURPS fanatic), ended up 'stuck playing the cleric' one time and managed really well. First of all, he played an evil cleric, then he'd heal the party /very/ selectively, engineering things so that they'd all end up dead at convenient points in the adventure, and he could collect all the treasure, all the exp, and head out to recruit a bunch of new 1st level dupes to do it all over again... ...what you describe, and what he experienced, were, IMHO, degenerate cases of D&D play, they illustrate how badly wrong the game can go with the wrong DM, an embittered player, or even with the table just acquiring some bad habits.I was going to post that what Lanefan describes seems rather pathological to me, and then saw Tony Vargas's post doing the work for me! Even if one pulls back from words like "pathological" and "degenerate case", there are so many assumptions built into what Lanefan describes - about how the GM handles scene framing, about how players decide what PCs to roll up, about how the group handles party formation, about how treasure works in the game, about how "story continuity" works - that it's not worth trying to unpack them all. I'll just say that I think none of the assumptions being made there holds at my table, except for the assumption about treasure, which did hold in one of our old RM campaigns set in GH. Replacement characters seem like an issue if there's going to be this conceit that survival is a key objective. In 1e (and, I assume the other classic versions of that period), your replacement character was freshly-rolled, new stats, 1st level. But, the 'skilled play' paradigm of the day /did/ expect you to use the knowledge you'd gained in playing that character when playing...

I do like that idea. It's one less odd-rule-out (Intimidate is unusual working the way it does in combat), and one more thing to do with SCs. i have been thinking most every man skill actions like the recently conceived Distract and adjusted Aid Defense and ANY skill applied in combat as a standard action need to balance directly against At-wills due to action economy or they will not get used or will get over used...

...but, I was obliquely asking for more examples of how Dungeon World was "both railroad and sandbox." That sounded interesting. Though he said: "...neither railroad nor sandbox"; except that I am interested in how that works also.

I do get weirdly hung up on facts, which can be really problematic in a lot of internet discussions, I find. i give you hilarity points for that one, given previous choices you have made in this conversation. you also gets points for form. enjoy.

Well, as long as it's easy...Here's another take: If people want to post about playing D&D, and issues that have come up playing D&D, go to town! If they want to wonder how those issues might be resolved, that sounds sensible. If they don't want to consider any of the resources that are out there, and easily discoverable, that might help solve those issues, well that's a bit odd but their prerogative. If they're going to assert that those issues can't be solved, or - based on experience only with D&D and variants - are present in all RPGs, some contradictions can be expected!

So, the only way a choice matters is if it makes you 'better' than the next guy in some hands-down, way? Kinda zero-sum, i'n't? You mean add another layer of 'concern,' don't you? Because that is /also/ the case, still in 5e (albeit, less so than in 3.5, and more so than in 4e). If the imbalances harmonize, sure. ;) Party vs 'known' undead: the cleric turns them, and can preps spells just to deal with them, the wizard, likewise, can prep the best spells he knows, the 'known' casters can spam the spells they do know that work best in the situation, etc... You're getting into Class Tiers with that question, really. It's potentially additive, at least, sure. You saw it in AD&D modules. The undead encounters would be huge compared to other sorts of monsters, because the cleric would turn/destroy some of them, but there'd still be an encounter left. Does it always make sense to have more zombies than gnolls in a dungeon? Yep, definitely getting into Class Tiers with that point. Y...