Ny, interesting new song, (though the vocals are much more muddy than your previous recordings, but I think that may because your voice is getting stronger). As usual I'm going to agree with Danny about your axe-man playing bass in the studio or finding a session guy for your recordings. Contact your label and find out if they have anyone available during that time, they want to help, maybe they have a session bassist (or multi-instrumentalist) in the closet.
Also, I'm not sure if your label has their own studio or if they are renting you time (either way, it's their money) so here are a few tips to make sure you ARE ready and help your label not go into fits about signing you.
1) Some of your stuff is loose in parts - make sure the studio has a click track available and use it. Yes, it sucks to have "click, click, click, CLICK" in your ear, but you are always on tempo...ALWAYS!!!
2) Unless they want you to, DON'T play studio live. Usually you will sound no better than a garage band and your engineer will have much more work (and you'll be doing more takes). There are very few bands that do well playing live in the studio, take my advice here, again, unless your label or the engineer wants something else - but make sure that the click track is in place even if they do want you to do live...or more to the point, ESPECIALLY, if they want it that way.
3) Don't play live for a week prior to going into the studio. Practice yes, keep a schedule as if you had gigs and require your mates to be there, but live play forces you to take chances with your equipment and more importantly your vocals, that you just don't need. Also, in your rehearsals, TURN DOWN and focus on the sound. Loud playing leads to easily missing mistakes that become glaringly obvious in the studio (and producers hate wasted time in the studio - trust me on this
) And if you feel tired or that your voice is feeling a little raw STOP!!!, The band can continue to play and you can even critique, ut for the love of Pete SHUT UP!! A singer with no voice makes producers a little nervous.
4) Have fun, but take it very seriously. When you play, play for the love of music. When you hear the play back - DON'T GO WOW WE'RE AWESOME, listen to your performances very intent on finding things that need work. Your producer/engineer will hopefully be doing the same and offering advice or possible telling you that something doesn't work or this part has to be done differently - don't argue, DO IT. Listen to both side by side and then make a decision. Often times your producer will have been a musician him/herself and knows more than you do so even if it is contrary to your vision, it may be a better direction - at least try it.
I really wish you the best of luck and hope that this gives you the confidence boost you need. You are ready for the studio, even if its not for a full feature length album, but I have this strange feeling that your label wants to see what your potential in the studio is before the completely invest in you. Remember what I said about projects a few months ago?
This may be their way of seeing what you're made of and how much your group figures into their company's future. This is where I tell you the bad stuff, you are playing with THEIR money, regardless of whether or not you are being paid - in music time IS money and the wind of the future blows... literally.
To you, your music is sacred, to them, it's pocketbook fodder - DON'T TAKE ANYTHING PERSONALLY - it's just business.
Welcome to the wonderful world of music Ny - you are about to get the education of a lifetime.
Thunderfoot
Seat of the Pants Productions
Button Fly Records
Hip-Pocket Studios