Tuesday, 29th March, 2011, 06:32 PM #1
Spellbinder (Lvl 16)
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A semi-brief history of D&D and some other RPGs: 1980-1989
Continued from: http://www.enworld.org/forum/general...67-1979-a.html
The Fantasy Trip by Jackson (of Texas) published by MetaGaming. Based on minigames Melee and Wizard, TFT included flexible, non-random, character creation for its two classes, three stats (Strength, Dexterity, and IQ), and combat played out on a hex-grid. MetaGaming founder Howard Thompson and Steve Jackson quickly part ways, with Thompson deriding TFT’s “complexity”. Jackson would successfully found Steve Jackson Games and release Car Wars that year, an autodueling game that would do for armed and armored cars what Melee did for fantasy fighters.
Arms Law by Fischer, Fenlon, and Charlton published by Iron Crown Enterprises. A highly detailed chart driven supplement that could be used to replace the combat system in D&D, or other games. In the coming years it will be joined by Spell Law—2000 spells—[u]Claw Law[u], Character Law, etc. These will ultimately be combined into the Rolemaster game system.
The Morrow Project by Dockery, Sadler, and Tucholka published by Timeline games. A first RPG focused on detailed modern combat, player charterers are frozen soldiers awakened 150 years after WWIII.
Top Secret by Rasmussen and Hammack published by TSR. The espionage RPG includes vestigial classes, percentile based attributes and skills and introduces “Fame and Fortune” points which characters can use to get out of otherwise deadly situations.
Deities and Demigods by Ward with Kuntz and Schick published by TSR. A total revamp of Gods, Demigods and Heroes, this book would include information for several historical pantheons (Greek, Norse, Egyptian, Sumerian, etc) plus Arthurian Heroes, and pantheons drawn from Fritz Lieber’s Newhon, Michael Moorcock’s Elric stories, and H.P. Lovecraft’s (and others) Cthulhu mythos. It would also introduce new “non-human” gods that would be some of the first deities created specifically for D&D. Entries were presented in Monster Manual style, implying that gods should serve as high level opponents. While there was an agreement with Chaosium to include the Cthulhu and Elric material, these were dropped from later printings.
World of Greyhawk by Gygax published by TSR. An expanded version of Gary Gygax’s home campaign setting, presented concisely and allowing DMs ample scope for expansion and modification. A mix of the quasi historical and purely fantastic, this is the setting for most early AD&D adventures.
…These include Gygax’s S2 Expedition to the Barrier Peaks, which allows the PCs to find a crashed spaceship and Sutherland’s and Gygax’s Q1 Queen of the Demonweb Pits, which allows the PCs to travel to other planes and fight a demon goddess. Others include 3 adopted from tournament play: A1 Slave Pits of the Undercity by Cook, C1 The Hidden Shrine of Tamoachan by Johnson and Leason and C2 The Ghost Tower of Inverness by Hammack. All have pre-generated characters and “boxed text” that the DM could use to quickly describe an area. Tamoachan also comes with a book of illustrations and impractically small encounter/battle maps.
Zork by Anderson, Blank, Daniels, and Lebling is released by Infocom. Originally named Dungeon, until receiving a notice of trademark violation from TSR, in this text based video game the player explores a sprawling labyrinth and ultimately earns the title Dungeon Master. It also includes grues. Ultima I by Garriott (aka Lord British) is released by Origin Systems and includes dungeon crawling and characters defined by ability scores, classes, level and race, one choice of which is Bobbit. It does however also have space combat. Trubshaw and Bartle at Essex University develop MUD (multi-user dungeon), and make it available on the ARPANet, the predecessor to the internet.
The Role-Playing Game Association is founded by Mentzer and TSR to facilitate tournament play of D&D and later other TSR games.
Call of Cthulhu by Peterson et al published by Chaosium. A masterful combination of 1920’s cosmic horror and innovative enough mechanics, CoC allows for relatively “normal” characters to become embroiled in the world of Lovecraft’s Cthulhu mythos, often disastrously so. CoC is based on Perrin and Stafford’s Basic Roleplaying system, which was also included in the box. This year Chaosium would also publish Stormbringer; based on Michael Moorcock’s Elric stories and also using the BRP system.
Champions by Mac Donald and Peterson published by Hero Games. Introducing a point buy system of advantages and disadvantages and “effect based” powers that allowed for the creation of highly custom and genre appropriate characters, Champions continues the trend to more detailed genre-simulation while becoming the most popular supers game.
Aftermath! by Charrette and Hume published by Fantasy Games Unlimited. A more complex and “realistic” take on the post apocalyptic struggle for survival. With truly detailed firearm rules and a number of flow charts and tables sometimes needing more advanced mathematics to resolve.
The Mechaniod Invasion by Siesmbieda published by Palladium Books. The PCs are colonists on another planet attacked by cybernetic aliens. Both an early “mecha” game and the debut of the class-level anything goes D&D variant system that will be expanded in latter Palladium products. No advanced math required.
Dungeons and Dragons Basic Rules Set by Moldvay and Expert Rules Set by Cook with Moldvay published by TSR. A streamlined presentation of original Dungeons and Dragons, the two box sets would now become a free-standing game, (legally) distinct from AD&D. While part of TSRs strategy to move from D&D the dorm to junior high, the game is complete, usable by adults (albeit often with other versions of D&D), and, with their Erol Otus covers, retaines the games weird sword and sorcery vibe. It would clarify “race as class” implied in Holmes Basic and place more explicit emphasis on wilderness exploration and founding settlements. B/X D&D would also have its own unique “Known World” sketched out in X1 Isle of Dread , the expert sets companion module.
Fiend Folio edited by Turnbull published by TSR. Originally to be published by D&D UK Licensee Games Workshop, the Folio would reprint a number of monsters first published in White Dwarf, together with some from various D&D modules, and some submitted to Dwarf but not published. The book, which introduces the Githyanki, Slaad, and Flumph to the world, is criticized in two reviews in Dragon, to which Trunbull writes a rebuttal. Ed Greenwood’s is particularly critical.
TSR publishes 9 more (A)D&D modules. Together with X1, Cook also does I1 Dwellers in the Forbidden City, which introduces the yuan ti snake men. The new Expert set is also supported by Moldvay’s ambitious X2 Castle Amber. The slaver series continues with A2 Secrets of the Slavers Stockade by Johnson with Moldvay, A3 Assualt on the Aerie of the Slave Lords by Hammock, and A4 in the Dungeons of the Slave Lords by Schick. Two adventures for new characters featuring nearby villages are also released: L1 the Secrets of Bone Hill by Lafoka and U1 Sinister Secrets of Saltmarsh by Browne with Turnball (and considered British, like the Folio). This leaves…
B3 Palace of the Silver Princess by Wells (and Moldvay) published by TSR (twice). Jean Well’s original—the first product by a woman at TSR—is quickly recalled and replaced by a substantially revised module. The original’s art (which caricatures Gygax and other TSR staff) is considered in poor taste, the approach out of step with other products (fill in the blanks monsters as in B1) and it is basically considered just too odd as is.
TSR now has 200 employees and still expanding. It replaces (some of) its typewriters with a computer and terminals.
The Polyhedron newsletter is published by the RPGA.
Mazes and Monsters by Jaffa published by Delacorte Press. A quickly written highly fictionalized account of the James D. Egbert “steam tunnel incident”, the book would equate RPGs with mental illness and violent behavior. It is joined by Hobgoblin by Coyne and a growing undercurrent of hysteria.
Behind Enemy Lines by Keith et al published by FASA. Traveler (for which FASA published supplements) derived rules for WWII combat roleplaying. Its joined by Recon by Martin, where characters are Vietnam era special forces, and (in 83) FGUs contemporary Merc by Bader, Sangee, and Mark.
Star Trek: The Role Playing Game by McLimore, Poehlein, and Tepool published by FASA. Characters are Star Fleet officers exploring strange new worlds. Star Trek uses a variant of the now popular percentile based skill system with Traveler influence in character generation and includes rules for psionics and spaceship combat that allows the whole party to contribute. The game draws heavily from the first and animated series, and makes great effort to fill in various gaps in the Star Trek universe, briefly creating its own Star Trek “canon”.
Star Frontiers by Winter et al published by TSR. Action oriented and light in tone—rubbery amoeboids and gliding ape men as PC races, worm things as the main enemy—and with a now ubiquitous percentile skill system, the game is positioned to tap into TSR broad and every younger target demographic. However this is somewhat undermined by overly complex design by committee. The Knight Hawks supplement space combat rules become popular as a free standing war/board game.
Gangbusters by Krebs and Acres published by TSR. Focused on crime and corruption in the prohibition era, the game is notable for relatively concise and complete rules (with percentile skills) and individualized experience points for achieving career specific goals. In a similar 20’s/30’s pulp vein Daredevils by FGU stalwarts Charrette and Hume adds to that companies large and growing list of RPGs.
Worlds of Wonder by Perrin published by Chaosium. Building on Chaosium’s Basic Role-Playing, this includes three short adaptations emphasizing BRP universal potential: fantasy, supers, and science fiction; and a setting where the three meet.
A Campaign and Adventurers Guidebook for Middle Earth by Fenlon published by Iron Crown Enterprises. A generic supplement for any fantasy RPG (including D&D) with a very high quality poster map, this is the first Lord of the Rings RPG product. (ICE was the first to ask permission). ICE also starts publishing Middle Earth supplements for Rolemaster, though these would also be rules light (and hence usable with D&D). ICE generally avoids direct overlap with the Lord of the Rings, setting the supplements centuries earlier and often in areas distant from those focused on in the trilogy.
Fantasy Wargamming by Galloway published by Stein and Day/Doubleday. Distributed in book stores and by the Science Fiction Book Club, this is another “realistic” fantasy RPG; it includes possibly useful background material on medieval Europe and the rules of a barely playable RPG. FGU also adds the class and money-less Sword Bearer and SPI the complex Dragonquest to the fantasy pile.
TSR publishes a modest 8 adventures for its two D&Ds: B4 The Lost City, another ambitious Moldvay creation; S4 Lost Caverns of Tsojcanth and WG 4 The Forgotten Temple of Tharizdun , two linked adventures by Gygax, the first being the revised version of one of the first modules (from 76) that would introduce the Demonicon of Iggwiz; the second would introduce its namesake god, originally created by Kuntz. The others are Saltmarsh sequel U2 Danger at Dunnwater by Browne and Turnball, the not directly connected N1 Against the Cult of the Reptile God by Niles and I2 Tomb of the Lizard King by Acres, and the mystery X3 Curse of Xanathon also by Niles;….
…and Pharaoh by Hickman and Hickman. Originally written and self published by husband and wife Tracy and Laura in ‘77, the Egyptian themed adventure with its strong mix of atmosphere, story, and exploration was one of a series of adventures, and ideas, the Hickmans brought with them to TSR.
Mayfair Games issues “AD&D compatible” adventures in the Role Aids line, starting with half a dozen in 1982. The line would be prolific with dozens of products, but would not get an official license from TSR, in spite of Gygax apparently suggesting they receive one.
Dungeon of Dread by Estes published by TSR. The first of 36 books published in the Endless Quest line over the next 5 years, these are similar to Bantam’s Choose Your Own Adventure series, but longer, with somewhat more detailed characters, and of course D&D specific references.
Warlock of Firetop Mountain by Jackson (of England) and Livingstone published by Puffin. The first of 59 books in what would become the highly popular Fighting Fantasy Series, the Games Workshops founders added simple character stats and dice rolling to the Choose Your Own Adventure approach.
Dungeons and Dragons is sold in 20 countries and is translated into French, the first of 16 languages (along with English) it would be sold in. TSR sales double, again, to $20 million (of which roughly $16 million is D&D), and it now has over 300 employees. As it turns out, this would be the most it would have for some time.
Mazes and Monsters is made into a TV movie starring Tom Hanks. His character is driven crazy by the game, forever believing that he is his cleric, Pardeux.
YouTube - Mazes and Monsters - Tom Hanks Freaks Out
In June, Irving Lee “Bink” Pulling kills himself. According to his mother Patricia, “hours after a D&D curse was placed on him during a game conducted at his local high school”. She sues the principal and then latter TSR over the death of her son.
Gary Gygax finds himself in Hollywood, president of TSR (later D&D) Entertainment. Kevin and Brian Blume are left in charge at HQ in Lake Geneva.
A January New York Times article speculates that D&D may become the game of the 1980s, in the way that Monopoly was the game of the 1930s.
James Bond by Klug et al published by Victory Games. Appropriately action oriented take on the books and movies. Includes rules for chases, gambling, and seduction. Tasks are resolved with a "quality results table"; the GM sets difficulty, and the result of a single percentile die roll determines how successful the action is. Bond is joined this year by Stackpole’s Mercenaries, Spies, Private Eyes, published by Flying Buffalo (and bearing clear vestiges of Tunnels and Trolls) and Hero Game’s Espionage by MacDonald and Peterson.
Lords of Creation by Moldvay published by Avalon Hill. This rules-simple RPG by the D&D Basic Set designer is a first by the war game publisher and allows powerful characters to travel through time, space, and genres, or experience them all mixed together. Avalon Hill also releases the complex fantasy RPG Powers and Perils by Snider.
Harn by Crosby published by Columbia Games. A “real fantasy world’ for “any” fantasy rpg, it is later supported by its own involved system, 86’s Harnmaster, as is the style of the time. It is joined on the ever growing fantasy RPG pile by the Palladium Role-playing Game by Siembieda, which bucks the trend towards detailed realism (though it does have a parry role), hewing closer to D&D in substance and tone and outlasting many contemporary games.
Dungeons and Dragons Basic Rules Set by Mentzer and Expert Rules Set revised by Mentzer published by TSR. The third basic set keeps the same rules but thoroughly revises presentation to make them more accessible to an ever younger target audience. The Keep on the Borderlands is replaced by a solo scenario. The Expert set also receives a mild update.
Monster Manual II by Gygax published by TSR. The third book of monsters for (A)D&D would reprint monsters from Dragon magazine and various modules including Dwellers in the Forbidden City (…Yuan-Ti…) and Lost Caverns of Tsojcanth (…Behir…) and introduce Devas, Mondrons, Duergar, and several others. Gygax also penns the World of Greyhawk Fantasy Game Setting, this box set is a much expanded version of 1980's folio, incorporating Greyhawk Deities and other material originally published in Dragon as well as some new details on the Flanaess.
TSR publishes 15 (A)D&D adventures, including flashbacks to the original Castle Greyhawk in Gygax’s Alice inspired EX1 Dungeonland and EX2 Land Beyond the Magic Mirror ; Bone Hill sequel and murder mystery L2 Assasin’s Knot by Lakofka; Saltmarsh finale U3 The Final Enemy by Brown and Turnbull and Uk1 Beyond the Crystal Cave also by Brown (with Kirby and Morris) another distinct “British” module with an emphasis on problem solving over fighting; Niles’ intro adventure B5 Horror on the Hill ; Cook’s X4 Master of the Desert Nomads and its sequel X5 Temple of Death; and 3 intended for solo or one on one play (MSOL1 Blizzard Pass, MSOL2 Maze of the Riddling Minotaur, and O1 The Gem and the Staff). Hickman’s Pharaoh sequels I4 Oasis of the White Palm and I5 Lost Tomb of Martek are also published, as is…
I6 Ravenloft. Another adventure that Hickman and Hickman would bring to TSR, the Gothic Horror inspired Ravenloft is a fusion of traditional dungeon, story, and theme that includes other novel elements, such as 3D maps of the castle and a fortune telling that randomly determined key parts of the adventure.
Gygax’s Hollywood adventures pay off when The Dungeons & Dragons Cartoon debuts September 17 on CBS. With 27 episodes over 3 seasons, the cartoon features the adventures of kids pulled from our world into the D&D world: Hank the Ranger, Sheila the Thief, Presto the Magician, Eric the Cavalier, Diana the Acrobat, and Bobby the Barbarian. There they meet Uni the unicorn and the kindly but enigmatic Dungeon Master, do battle with Venger and Tiamat, solve a range of problems, and get chased by orcs. The cartoon leads its time slot for two years but is cited as one of the most violent shows on children’s television.
The cartoon also spawns over a hundred licenses, including D&D toys made by LJN.
Strong game sales and licensing lead to…financial failure as the Blume brothers over diversify. TSR own attempts to manufacture toys, miniatures, and needlecraft kits (yes, that’s right) lead to multi-million dollar losses. TSR responds with what would become the first of regular and frequent layoffs by the company that makes D&D. Two waves of cuts would reduce the staff by more than half, to under 150 employees.
Over 40 new and revised RPGs are released and distributed nationally by catalog and through a burgeoning network of hobby game stores. These include those of the new Pacesetter games, one of a series of companies founded by former TSR employees: the horror game Chill, the Star Wars inspired Starace, and the time travel game Timemaster. The games by Acres, Sanchez, Spiegle, Hayday, Smith, and Williams, are light on rules and tone and would follow the lead of James Bond in using a single action table to resolve various tasks.
Other less serious releases include Toon by Costikyan and Spector and published by Steve Jackson Games and Paranoia, also by Costikyan and Gelber, Goldberg and Rolston and published by new to RPGs West End Games. The first allows for the play of immortal and zany cartoon characters; the second highly mortal trouble shooters looking for commie mutant scum who happen to be commie mutant scum. Fortunately when your character dies, his clone is waiting to take his commie mutant scum place.
Twilight 2000 by Chadwick with Astell, Harsham, and Wiseman published by GDW. Not particularly light or light hearted, this game by the Traveler publisher quickly establishes itself as the premier military RPG and is helped by its premise of limited apocalypse—Central Europe after (or technically during) a low grade nuclear exchange and conventional war—that allows for the use of modern heavy weapons with the freedom that RPGers tend to prefer.
Middle Earth Role Playing by Charlton with Ruemmler, Britton, and Fenlon published by ICE. MERP is a free standing game using a light version of the Rolemaster rules (though not light enough for some given the source material). A top-seller that is translated into 12 languages; as with ICE’s earlier LotR offerings, the game is set in a period other then the trilogy and supplements (about 21 not including adventures) are rules-light enough to be used with that other FRPG.
Das Schwarze Auge (The Dark Eye) by Kiesow published by Schmidt Spiel & Freizeit GmbH. The fantasy RPG rapidly becomes the biggest selling RPG in Germany and will be translated into Dutch, French, and Italian (It will be a few editions before an English translation is released). This edition has a complexity level slightly above that of Basic D&D: it grows rapidly with each subsequent iteration. One novel mechanic is spell casting, which requires the player to recite memorized formulas.
TSR enters the market for licensed properties with Marvel Super Heroes by Grub and Winter and The Adventures of Indiana Jones by Cook. Both are rules light games and neither really supports character creation: players are expected to play familiar fictional characters. Marvel Super Heroes, which also has a universal table called a Universal Table, becomes a popular alternative to Champions. Expanded rules, including for character generation, are presented in a ’86 Advanced Set. Indiana Jones is neither as successful nor enduring, and becomes most notable for its connection to the “Dianna Jones” game award trophy: a solid plastic pyramid that encase some burnt remains of the game that survived the destruction of unsold copies by TSR UK at the termination of the license.
The Dungeons and Dragons Companion Set by Mentzer released by TSR. This goes beyond the Expert set with rules for characters 15-25. It includes PC castle and domain management, tournaments, and the influential War Machine that allows for the resolution of mass battles with a few rolls of the dice.
TSR publishes 26 modules for (A)D&D, including more licensed properties: CB1 Conan Unchained by Cook and CB2 Conan against the Darkness by Rolston, with rules for Hyborian Age play and stats for Conan and some friends. WG5 Mordenkainen's Fantastic Adventure by Kuntz and Gygax, taken from Kuntz’s Maure Castle were Gygax’s wizard did some adventuring, is another module harkening back to the early days of D&D. N2 The Forest Oracle by Smith is arguable the worst adventure ever produced by TSR, though it does include a yeti.
4 of the adventures— Dl1 Dragons of Despair , Dl2 Dragons of Flame , DL 3Dragons of Hope , and DL4 Dragons of Desolation —are the outcome of yet another one of the ideas the Hickmans brought with them to TSR. Dragonlance, led by Tracy Hickman and including Dobson, Grubb, Johnson, Moore, Niles, and Williams, was a project supported by TSRs marketing department to bring more dragons to Dungeons & Dragons. Under the codename Project Overlord a new D&D world and series of linked adventures are developed that place more emphasis on participating in a high fantasy story, with the players encouraged to play pre-generated characters and the DM encouraged to move them through a number of predetermined milestones, sometimes regardless of the players’ actions.
The adventures would also be tied to a series of novels ultimately written by Tracy Hickman and Margaret Weis. Originally seen as supporting the first set of modules, Dragons of Autumn Twilight sells in the millions, is translated into a number of languages, and helps to spawn hundreds of games, books and licensed Dragonlance products.
When her case against TSR over the death of her son is thrown out of court, Patricia Pulling founds BADD (Bothered About Dungeons and Dragons) and spends the following years as an “expert” on the occult linking RPGs to real demons and devils. The occult link is accepted in parts of the religious community, and makes it into a Chick Tract, Dangerous Dungeons
DragonRaid by Wulf published by Adventures for Christ. The PCs are LigthRaiders who face inner conflicts and use the quotation of Bible scripture to fight dragons and other sinning monsters in the world of EdenAgain. They get to use a crystal d10 vs. the evil doing non-believers black d8. Combat is fairly detailed—including critical hits—and is used to subdue those that can be saved and slay “monsters” that have clear real life equivalents. Pulling et al denounce it as a RPG and hence innately bad. It remains in print.
The Dungeon Master: The Disappearance of James Dallas Egbert III by Dear reveals that the detective’s early conflation of D&D, steam tunnels, and Egbert’s death was just that. Its publication does nothing to deter Pulling and her growing number of fellow believers.
Dragon Magazine, edited by Mohan and published by TSR reaches its peak circulation of 118,000 (versus 60,000 in 82 and 20,000 in 1980)
While overall RPG sales begin to plateau after years of rapid growth, hobby gaming remains vibrant, with both old and new games sold through the network of stores built largely off the success of D&D. These include newly released Battletech from FASA, Supremacy from Supremacy Games, and Axis and Allies from Milton Bradely. Games Workshop’s Warhammer Fantasy Battles (1st ed in 83, 2nd ed in 84), would return to the roots of roleplaying with its rules and figures for fantasy miniature warfare.
With all the success of D&D as a brand and revenue source, TSR’s debt keeps growing and the company is forced to layoff 35% more staff, reducing the total to less then 100.
Gary Gygax is again the CEO of TSR, relieving Kevin Blume of the position. He is looking to prevent out and out bankruptcy. He brings someone he met in Hollywood with him: A new investor and manager, and non-gamer, Lorraine Williams is heiress to the “Buck Rogers” fortune.
Last edited by TerraDave; Thursday, 7th April, 2011 at 08:36 PM.
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ø Ignore TerraDave
King Arthur Pendragon by Stafford is released by Chaosium. The first truly Arthurian RPG, the game uses elements of Chaosium’s BRP system combined with innovative systems for character personality traits and passions and dynastic campaigns that can span many years. It has no orcs or fireballs, Picts are optional.
The trend towards licensed games continues with DC Heroes by Gordon published by Mayfair, Teenage Mutant Ninja Turtles and other Strangeness by Wujcik published by Palladium, Judge Dread by Priestly published by Games Workshop, and The Doctor Who Role Playing Game by Wheeler et al published by FASA. TMNT is particular popular, but is undermined by the later television show, which makes the Turtles too cute and undermines the games appeal to teenagers.
The large number of fantasy RPGs also continues to grow with Fantasy Hero by Peterson with McDonald released by Hero Games, Atlantis/The Arcanum/Talislanta by Sechi and Taylor from Bard Games, and Skyrealms of Jorune by Lekers, Teves, and Lekers from Sky Realms Publishing. The last is entirely elf free.
TSR also releases more licensed products with the Conan Roleplaying Game by Cook, combat heavy and skill based and supported by 3 modules and Lankhmar, City of Adventures , by Nesmith, Niles, and Rolston, a campaign setting for the AD&D game set in Fritz Lieber’s Newhon city.
Dungeons & Dragons Master Set by Gygax and Mentzer released by TSR. One of a number of products that will have Gygax’s name on it in ‘85, the set extends the Mentzer edited version of the game to level 36. It introduces rules for weapon mastery to D&D and describes how to manage high level parties and the small empires they may possess.
TSR publishes three AD&D hardbacks: Unearthed Arcana and Legends and Lore are composed primarily of previously published material. Arcana by Gygax is mostly taken from earlier Dragon articles and includes the Barbarian, Cavalier, Thief-Acrobat, an incredibly generous way of generating ability scores, non-human deities and a description of all those pole-arms. Lore is a repacking of the later printings of Deities and Demigods, which had already removed the Cthulhu and Elric/Melnibonean mythi. The rational is that changing the name would help appease the religious right, one of the first concessions to the BADD crowd.
Oriental Adventures has Gygax’s name on it, was supposed to be written by François Marcela-Froideval, but is actually written by David “Zeb” Cook. It includes new classes, races, spells and systems for martial arts. It also introduces non-weapon proficiencies, mostly non-adventuring skills with a roll under ability score mechanic, to AD&D. As the first AD&D products with player oriented content since the PHB, OA and Arcana are some of the best selling products in recent years.
Battlesystem by Niles with Winter is released by TSR. Bringing (A)D&D back to its miniature warfare roots, this big box set has rules and scenarios for mass battles and hundreds of counters along with a mini painting guide and fold up 3-D terrain. Designed to allow standard monsters, characters, spells, and magic items to be used in big battles, results are mixed.
Twenty adventure modules are released for the two versions of D&D by TSR. This includes several more in the Dragonlance saga (DL 6-DL 10). T1-4 Temple of Elemental Evil by Gygax and Mentzer, which includes the long released Village of Homlett and its long anticipated sequel, is the first “super adventure” for D&D and the largest dungeon yet released for it. Gygax’s WG6 Ilse of the Ape is a King Kong inspired adventure first used in his Castle Greyhawk campaign. In H1 Bloodstone Pass , by Niles and Dobson, the party defends a town from attack using the Battlesystem. Dobson’s X10 Red Arrow, Black Shield also uses Battlesystem and the War Machine from the Companion Set. X9The Savage Coast by Rasmussen, Rasmussen, and Gray introduce a new region to the D&D known world.
Inspired by the success of the Dragonlance novels (but with a style much closer to the pulp fantasy that inspired D&D) Gygax’s “Gord the Rogue” debuts in a short story in the special 100th issue of Dragon Magazine. Gord appears in novel form shortly thereafter in Saga of Old City .
A report on the CBS television program 60 Minutes highlights the potential “link” between D&D and teenage murder and suicide. Patricia Pulling and Gary Gygax are both included, with Pulling arguably appearing more sympathetic.
It is estimated if 3-4 million people play D&D and other TSR RPGs. Strong sales of about $30 million stave off bankruptcy for TSR.
Perhaps in retaliation for removing Kevin as CEO, the Blume brothers sell their controlling stake in TSR to Loraine Williams. Gygax fights the move in court. After losing the suite, Gygax is removed as President and Chairmen by the TSR board, and Williams takes full control. He leaves TSR at the end of the year. More lawsuits follow.
GURPS Basic Set by Jackson (of Texas) with Creede and Lambard published by Steve Jackson Game. Descended from the The Fantasy Trip and Jackson’s minigames from the 70’s, the Generic Universal Role-playing System is a flexible implementation of the now popular point buy/advantage-disadvantage/skill based RPG. Capable of varying levels of complexity—from medium to very high—the system becomes known in part for its many supplements that often include substantial non-mechanical information and support play across a range of genres, with or without the GURPS rules.
Ghostbusters by Peterson and Willis with Stafford published by West End Games. Based on the movie, Ghostbusters is innovative and influential, if not a huge commercial hit. With relatively simple, action oriented rules, Ghostbusters introduces both the dice pool and a “roll high” universal check: the player gets a number of dice equal to their score in a trait (ability) or talent (skill, based on a trait), rolls them, and adds together. If the total exceeds a difficulty number, it’s a success. This would evolve into the “D6 system” used in other West End games.
The hot trend of giant fighting robots spawns the official Battletech tie in, FASA’s Mechwarrior , very much an adjunct to the popular board/minis game. Palladium releases Robotech by Siembieda; based on the Japanese cartoon (a.k.a Macross) it uses Palladium’s standard class and level approach.
Warhammer Fantasy Role Play by Halliwell et al published by Games Workshop. Set in the same universe as the minis game, this extensive and detailed RPG takes a grim, dangerous, and British approach to fantasy. Its career system allows a ratcatcher to someday become a giant slayer, assuming he can live that long.
Dungeons and Dragons Immortals Set by Mentzer published by TSR. The final piece of the Moldvay/Cook/Mentzer version of D&D allows the characters to ascend to godlike beings. In many ways a new RPG were the characters are overseen by even more powerful and established divine beings, in a somewhat dry and abstract megaverse.
The Dungeoneer’s Survival Guide by Niles and the Wilderness Survival Guide by Mohan are published by TSR for AD&D. These include non-weapon proficiencies, and adds more fiddly subsystems to AD&D. In spite of the DSG’s Ravenloft inspired 3D mapping tips, they are are some of the worst selling AD&D hardbacks, and are available at deep discount for years to come.
TSR releases 25 modules for its two D&Ds. These include DA1 Adventures in Blackmoor and DA2 Temple of the Frog . Coauthored by Dave Arnenson (with David Ritchie) and based on the D&D co-creator’s original Blackmoor campaign setting; Arneson had done the project at Gygax’s urging, when the later was still in charge.
Oriental Adventures OA1 Swords of the Daimyo and OA2 Night of the Seven Swords by Cook et al, introduce the eastern land of Kara-Tur. Pulp fiction adventures include CA1 Swords of the Undercity by Smith, Nesmith, and Niles and CA2 Swords of Deceit by Bourne, Rolston, Ecca, and Dobson, each set in Lankmar and RS1 Red Sonja Unconquered by McCready. Sadly, they are not wildly popular.
More Battlesystem compatible adventures include H2 The Mines of Bloodstone by Dobson and Niles and two of the years three Dragonlance modules DL12 Dragons of Faith by Johnson and Heard and DL14 Dragons of Triumph by Niles. DL 11 Dragons of Glory is not technically an adventure, but a wargame set in Krynn.
In IM1 The Immortal Storm by Mentzer, junior gods face various test and, well, a powerful storm that takes them to a plane of musical notes and staves and, as the cosmos is at stake, New York and Chicago.
I10 Ravenloft II: The House on Gryphon Hill , by Hickman, Hickman, Cook, Grub, Johnson, AND Niles is a disappointing sequel to the classic. Wilderness and town adventure B10 Night’s Dark Terror by Bambra, Morris, and Gallagher is considered one of the best of recent years.
In the back of Dragon 117 (January 1987), at the end of multi-contributor column, David “Zeb” Cook mentions that work has started on the second edition of AD&D. In Dragon a few months later, Gygax, who has not appeared in its pages for some time, is allowed to provide a final column were he notes his leaving TSR and the creation of New Infinities Productions.
Ars Magica by Tweet and Hagen is published by Lions Rampant. Players are powerful wizards and their retainers in a mythical 13th century France. Magica includes innovations from games like Ghost Busters and Pendragon, and some major ones of its own. In addition to a well presented and coherent, near historical setting, the game includes a simpler, standard “roll high” check with a single die; a highly flexible magic system with spells built up from underlying elements; multiyear campaigns with rules for seasons, spell and magic item research, and the wizards home base (covenants); and the possibility of troupe style play with players sharing game mastering duties. The idea of sharing “story control” is also found in Ramparts first publication, Whimsy Cards , with allow the player to influence the plot beyond his characters direct control.
Star Wars by Costikyan with Smith and Rolston published by West End Games. Fast paced and action oriented, Star Wars uses the D6 system prototyped in Ghost Busters. Includes rules for making droids and very, very powerful force users. As with FASA’s Star Trek, the 120+ supplements published for the game over the coming years will become an important source of Star Wars lore.
Cyborg Commando by Gygax, Mentzer, and Mohan published by New Infinities Productions. Players are cyborgs defending Earth from alien invaders in 2035. Gygax would bring Mentzer and Mohan with him from TSR (Mohan would latter return). NIPs first CEO would engage in fraud, and its second would force early printing of Cyborg, leading to a product considered by many who managed to see it to be amateurish and incomplete. NIP would shortly enter bankruptcy.
Forgotten Realms by Greenwood with Grubb and Martin published by TSR. The Realms actually predate D&D, being a setting for short stories by Ed Greenwood. Greenwood had long been a freelance contributor to Dragon, and many of his articles allude to the Realms and include its most famous denizen, Elminster. The initial box set still leaves substantial room for development by the DM, but the details start to be filled in, first with F1, Waterdeep and the North , and FR2, Monshae (by Niles and originally a separate product). The “Festhalls” on some Realms maps are called something else in Greenwood’s campaign.
TSR also releases the first D&D hardback for a campaign setting, Dragonlance Adventures , by Hickman and Weis. Manual of the Planes by Grubb is another AD&D hardback. The book goes to great lengths to make sense of AD&Ds cosmology as it has developed and includes details for the many planes of existence.
GAZ1The Grand Duchy of Karameikos by Allston published by TSR for (BEMCI) D&D. Describing the part of D&D’s Known World were the Keep on the Borderlands and other classic adventures could be set, this is the first of 4 Gazetteers published this year and 13 overall. Later Gazetteers would include new rules, AD&D conversions, and, in the Orcs of Thar, a simple boardgame of warring bands of monstrous humanoids (also published in Dragon).
20 modules are published for the two D&Ds by TSR. This includes DA3City of the Gods by Arneson and Ritchie, were the characters can find alien technological devices and DA4 Duchy of Ten , by Ritchie which gives more background on the first D&D campaign setting. DQ1 The Shattered Statue by Jaquay with Ritchie and Klug is one of the first set in the Realms and can also be used with the Dragonquest game (acquired when TSR bought SPI). I12 Egg of Phoenix by Mentzer and Jaquay, and based on 4 previous, unlinked, RPGA tournament adventures, introduces a new continent to Oerth, and includes dungeon and wilderness adventure, time travel, planer travel, slavers, elemental evil, puns and odd cultural references, “Docs Island”…
The RPGA introduces the Living City in its Polyhedron newsletter and at the Gencon game fair. Ravensbluff is set in the Realms and is developed largely by fans as a single shared campaign setting.
Cook and Steve Winters begin work on second edition AD&D. This is explained as mostly a project to clean up and clarify the rules. In practice, more radical options, like eliminating character classes, or even, gods forbid, ascending AC, are considered, at least briefly. In Dragon 118, a little more then halfway back in the magazine, in a column entitled “Who Dies”, Cook confirms that the assassin won’t be in 2nd edition, that the monk, barbarian, and cavalier, won’t be in the PHB, and bard, druid, and ranger are also suspect. Also mentioned are proficiencies/skills and a “special book devoted entirely to fighters”. He also confirms he likes paladins and asks for letters from fans.
Cyberpunk by Pondsmith et al published by R. Talsorian Games. Inspired by Blade Runner, the works of William Gibson, the Road Warrior and other near future dystopias, the game would be both topical—stealing the zeitgeist from giant fighting robots—and forward looking to the wired, angsty 90’s. Characters are hackers—with sometimes game stopping rules for hacking—assassins, road warriors, corporate flacks, etc. Includes common game elements like the fairly elaborate—but relatively fast—development of background, skills with a common “roll high” resolution mechanic, and templates (professions in this case) instead of classes. Combat is lethal and the emphasis is on neo-noir investigation, though 1980’s action violence can also be part of the game, especially if pcs have armor or cybernetics.
Lighter toned games include TSRs’ Rocky and Bullwinkle , an “RPG” that doesn’t have many rules, but does have hand puppets, and Space: 1889 by Chadwick from GDW, in which the characters are British Imperialist exploring other planets—inhabited of course—in Ether Flyers.
The City System by Grubb and Greenwood published by TSR. The box set provides ever greater detail on Waterdeep, with 11 or so maps.
Greyhawk Adventures by Ward et al published by TSR. The first major post Gygax work on Greyhawk, it is also the thirteenth and final book for first edition AD&D. Based on hundreds of letter Jim Ward solicited from the public and nominally meant to transition to second edition, it would include rules for level 0 characters. It does not include the word “gygax”.
TSR releases only a handful of adventure modules. One of these would be the other Greyhawk product: WG7 Castle Greyhawk. While it has the “WG” code shared with various Gygax penned adventures, this is not his Castle, the long anticipated first dungeon for D&D. While some of its related eleven levels are done by prominent designers—Steve Perrin, Paul Jaquay--WG7 is a spoof adventure and references Star Trek, Col. Sanders, the Pillsbury Doughboy, the Temple of Really Bad Dead Things…
Speaking of which, H4, The Throne of Bloodstone , by Niles and Dobson, allows really high level characters to enter the abyss and fight Orcus. FRC1 Ruins of Adventure by Breault, Cook,Ward, and Winter ties into the first (A)D&D computer game…
Pool of Radiance published by SSI. The “Gold Box” game allows the player to create a party of AD&D characters and explore around the Realms city of Phlan. This would become the model for a number of AD&D games, and characters could be created in one Gold Box game and used in another.
Drizzt Do’Urden, the duel scimitar wielding drow ranger (based on Unearthed Arcana), makes his debut in Bob Salvatore’s The Crystal Shard . Drizzt will feature in many, many books to come.
Advanced Dungeons & Dragons 2nd Edition hits the shelves with new Players Handbook and Dungeon Master Guide , both by Cook with Winters and Pickens. Consistent with Cooks ‘87 column, there are no monks, assassins, cavaliers, or barbarians, or half orcs for that matter in the new PHB. The bard is now a standard class, the ranger has been substantially revised into a light armor wearing duel wielder (this is not a coincidence) with a single favored enemy, the druid is a kind of specialty priest, and the illusionist a kind of specialty wizard. Wizards come out well, now having access to all illusionist spells and many of those from Unearthed Arcana. Clerics also do well in the spell department, though not quite as well as some think (clerics don’t get access to all of the spells in the “priest” list, which include druid spells). Paladins are still there.
As are level and class limits for demi-humans, odd pole-arms (which the new PHB says are not very good weapons), THAC0—introduced in later first edition as an alternative to combat tables, various not entirely compatible ways to sneak, and pretty everything and more needed to keep 2nd Edition backwards compatible. A small number of the more baroque elements are removed or simplified. The PHB also introduces a primitive firearm, the arquebus, with its own special mechanics, and makes a nod to non-cleric specialty priests, but provides little detail on how these should work.
The PHB does now have more of the game’s rules. It also has a number of non-weapon proficiencies. As is the style of skill systems at this time, these are wide ranging: cobbling, cooking, and dancing…direction sense, riding, swimming, and survival…and must takes like healing and blind fighting. These are resolved with a “roll under” d20 mechanic that joins AD&Ds “roll high” d20 mechanic(s), roll low on %s mechanic for other skills, and roll high and or various numbers on a d10 mechanics and on 2d10 mechanics. The NWP are optional, and the new rules do make clear what is an add-on, what is not, and encourages flexible use and interpretation of the rules.
While the PHB is bigger, the DMG is smaller. It still has general DM advice, hirelings (including historical notes on mercenaries), magic items, and other bits and pieces, like horse quality! But standard encounter tables, random dungeon generation, artifacts, castle construction and sieges, and much of the original DMGs arcana are not included. It is somewhat better organized.
Both PHB and DMG acknowledge Gygax and Arneson and confirm that these are derivative of original AD&D. While somewhat more user friendly then the originals, they are also verbose while striving to be non-offensive, hence the lack of half orcs, assassins, or some of the more interesting art from the earlier books. The tone is dry, the art mostly functional. The language is also simpler, aiming for a younger target audience. “In spite” of these concessions, sales never approach those of the first edition PHB, which is such a strong seller it is kept in print in ‘89 even as its sequel it being rolled out.
The PHBs safer tones extends to the monsters, which no longer include ones called demons and devils, in concession to the BADD crowd. There is no monster manual, instead a Monstrous Compendium . This is a binder that has each monster on a loose-leaf page. Each monster has a picture and an extensive write up. The 144 pages in MC1 are missing many obvious monsters. Conveniently MCs 2, 3, and 4 are also published. Monster stats are mostly similar, except for giants and dragons, which are given a major power boost.
Hero System Rulebook by MacDonald, Roberston, and Bell published by Hero Games and Iron Crown Enterprises. Released jointly with the expansive fourth edition of Champions, this includes identical content, except for the supers’ stuff, and becomes the basis for a new generic system.
Prince Valiant, the Storytelling Game, by Stafford et al published by Chaosium. Chaosium’s second Arthurian RPG, the setting is clearly grounded in the comic; with several illustrations from it and simple, novel, rules: to make a check, the sum of your relevant attribute (there are two) and skill determine the number of coins you flip (aka a coin pool) with success determined by the number of heads flipped. The GM is called a storyteller.
Shadowrun by Charrette, Hume, and Dowd published by FASA. A dark, cyber, future takes a strange turn when magic returns and many people are transformed into elves, dwarves, orks, and trolls. The cyber pseudo reality of the game is called the Matrix.
PHBR1 The Complete Fighters Handbook by Allston and PHBR2 The Complete Thieves Handbook by Nephew, Sargent, and Niles published by TSR. The solution to the “subclass” problem, these introduce “kits” that can be used to customize a class: Amazon, cavalier, swashbuckler, assassin, burglar, spy, etc. Each has some small changes to the base class, usually to the net benefit of the character taking the kit. That benefit will vary greatly across the kits in these and the 13 PHBR “Complete” books that follow. These also include a fair amount of non-mechanical information—some of which is better written and less obvious, some not so much—and other class related rules, like special combat maneuvers for fighters and rules on poison for thieves. New equipment is also included, notably the deadly great spear in PHBR1. They are strong sellers.
The City of Greyhawk by Niles et al details the famous city and is joined by the third Waterdeep supplement FR8 Cities of Mystery by Rabe and LC1 Gateway to Ravensbluff , detailing the RPGAs shared Realms city.
Spelljammer by Grubb published by TSR. Both a new campaign setting, and a way to link AD&D’s burgeoning campaign settings together, Spelljammer’s Aristotelian-Fantasy physics allows characters to sail around space in ships. Space faring mindflayers and beholders, star pistol wielding wizards, gith space pirates, and giant space hamsters all play a prominent role. It spawns the now requisite line of adventures, accessories, novels, and comics.
TSR publishes 16 modules for the various D&Ds. 2 for Basic, 2 for Oriental Adventures, 3 for Dragonlance, 4 for the Realms, and 5 for a revived Greyhawk, though besides being set on Oerth, adventures like Gargoyle and Child’s Play have little in common with their Gygax penned predecessors.
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Excellent work, it touches on all the moments of my early days in gaming minus two years. (started in 78). I remember BADD - my step-dad was a deacon in a Southern Baptist Church, so you know, we didn't have a great relationship after 1984...
Even with all that, this was a great trip down memory lane - thanks.
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"I may be unconscious, but at least I still look good!" - - Me (at the Halfling Musketeers game GenCon '06)
On one hand, taking away their weapons is a dead giveaway that they will need them. On the other hand, by the time conflict starts the players will already have opened the rulebooks and found the parts that deal with bare-handed combat, performing disarm moves, and using improvised weapons. Players may blunder through dialog with shocking ineptitude, forget the name of the country they are in, or get confused about which side they are on, but once it comes time to roll for initiative they all turn into Sun Tzu. - Shamus Young DM of the Rings
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Excellent stuff. I've only one minor comment - whereas WSG and DSG non-weapon proficiencies were roll-under-ability-score (as you say), Oriental Adventures had fixed target numbers with roll-high resolution. (And some of the target numbers were ridiculously high - 18 for horseriding, for example.)
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It merits mentioning that the WORLD OF GREYHAWK set released in 1980 was the folio edition. 1983 saw the boxed set. They're two similar but different products. Pursuant to that, Gary's "home" GREYHAWK campaign was markedly different than what was published. His campaign shared people and place names, but used a different map. Darlene Pekul's map for the 1980 (and 1983) sets was made specifically for those products.
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Parenthetically, photostat copies of the manuscript rules were made, and when the commercial game was published, fans not willing or financially unable to expend the princely sum of $10 for the product did likewise, copying the material on school (mainly college/university) machines. We were well aware of this, and many gamers who had spent their hard-earned money to buy the game were more irate than we were. In all, though, the 'pirate' material was more helpful that not. Many new fans were made by DMs who were using such copies to run their games. - Gary Gygax
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Cthulu and Pendragon mentioned but not RuneQuest.
You mention Cthulhu and Pendragon but no mention of RuneQuest.
There should be some mention of RuneQuest and the purchase by Avalon Hill of the RuneQuest system.
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Since RQ was released in the late 70's, its in the first part (see link at top).
Since the focus is mostly on D&D, I generally don't mention other games after their release, with a very few exceptions. For example, neither Traveller 2300 nor MegaTraveller are here, but Traveller is, again in the first part.
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