I draw the occasional D&D map

Vault of the Cave Morphs!

Based on the cave work I did for the Descent into the Depths of the Earth tunnels and passages, here are five cave geomorphs that can be used to link up to any existing tunnels. They are all 2 squares wide at the entrances just like the existing encounter area maps for that adventure, so they mesh best with the secondary tunnels but can be used as constrictions in primary passages or widened areas in tertiary tunnels.

These were my first experiment using a sharpie marker as the foundation of my map drawing – for a number of these geomorphs the outer walls were drawn using a dying marker instead of my usual felt-tipped technical pens. They were drawn using a 07 gel pen for most details and hatching (the same pens I used back when I first started drawing maps), and the sharpie marker for the walls. I used a Squarehex PoGI (Pad of Geomorphic Intent) and drew them while watching “The New Girl” on TV with MissGladiator (and while digging through my Twilight 2000 materials, as you can see in the photo below).

This experiment with a sharpie marker in February (I drew these in February and am finally posting them now? WTH?) is what inspired me to buy a bunch more Sharpies which has lead to my current line of “Daily Doodles” that you can follow along with if you follow any of my social media feeds (on Twitter, FaceBook, or Google+).

Pushing out of the cliff face like a partially exposed egg, this small dungeon complex was evidently not built here but transported in some manner. Either that, or the craftsmen were purposefully annoying in the design as the whole interior structure is at an uncomfortable 7 degree angle with the right edge of the map being slightly more than 36 feet above the height of the entrance doors.

In addition to the awkward angle, the interior of the structure bears a strong scent like a mix of musk and nutmeg. The walls and floors are painted gold, but are scratched up badly enough that most floors and west walls appear to be grey stone with gold streaks on them. Doorways, where open, have golden hair on them from some mighty beast having to squeeze through.

Prowling this space, of course, is the Golden Wolf – an extraplanar beast that must squeeze to push through the 4 foot doorways and is much more comfortable in the wide circular hall of the complex. All doors here open as it approaches, but are often stuck for others. The Golden Wolf guards its treasure jealously – the carcasses of seven platinum geese, each with its neck snapped.

Dyson Logos said:

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Pushing out of the cliff face like a partially exposed egg, this small dungeon complex was evidently not built here but transported in some manner. Either that, or the craftsmen were purposefully annoying in the design as the whole interior structure is at an uncomfortable 7 degree angle with the right edge of the map being slightly more than 36 feet above the height of the entrance doors.

Click to expand...

The layout itself reminded of that episode of Star Trek TNG with Riker's old ship phaseshifted into an asteroid. The description just seals the deal.

Satyrn said:

The layout itself reminded of that episode of Star Trek TNG with Riker's old ship phaseshifted into an asteroid. The description just seals the deal.

Click to expand...

I could just not get into TNG. I tried again about six years ago, and got through Season 1 and part of Season 2 before I just couldn't anymore.

Foul things are afoot in the town of Melad Crossings. One of the two mills has stopped, the smell of death creeps by in the wind from many buildings, the streets are barren, and those who live are not likely to be out of doors except as is necessary.

The water along the west fork of the river is running milky white, and none of the fishermen are among the living, struck dead two weeks ago just as the river began to change. But that doesn’t explain all the deaths – something else must be working it’s way through the townfolk… while the headsman says it is disease and begs for the church to send healers or paladins, others believe something far more sentient and sinister is behind the continued deaths.

Or, you know, it could just be a pleasant little town for your adventuring party to chill out at en route to their next adventure.

Two hundred years ago the foul giant Auruxvor terrorized the lands along the western shore of the Krumpt Basin from his fortified lakeside “manor”. Padreth Warcton and a group of mercenaries and adventurers put an end to the giant’s reign of terror and with powerful magics they tore his house asunder.

Two of Padreth’s acolytes remained at the site of the old manor and assisted the locals in building a few small fortifications from the stony debris left behind. Over a few years the fortifications and homes became the southern portion of Warcton Hold. The walls and tower on the south side of the hold have many massive stones that still bear the markings of the giant Auruxvor as well as the magical violence that ended his time.

The hold continued to grow. The initial farmers who moved to the hold would leave the town walls to work their fields and herd their animals. Over the years the hold became the centre of local activity and farmers from further away would come to town to trade goods and eventually to acquire fish for a change in their diet once a few local families moved from agriculture to fishing in the Krumpt Basin.

Today there are few farmers who live within the hold itself. A few families who maintain very large farms that are then worked by local tenants are now ensconced here, along with two merchant clans, the local fisher families (who have to clean their catch at an island in the Basin to keep the smell out of the hold), a retired adventurer or two, and of course a number of worshipers of the church that originally brought Padreth Warcton and company here.

The three most obvious details a traveller notes when visiting Warcton Hold for the first time are the walls, the watchtower and the u-shaped building attached to it.

The walls are of mixed hard stone, much of it worked by the giant Auruxvor and his kin prior to it being repurposed by the locals, and stand fourteen feet tall with battlements mostly along the outer edge. Access to the wall top is via a number of small stone towers built into the wall that are of the same height but have ladders within them to the walls themselves. The walls on the north side of the hold are primarily made of field stone, but share the same construction style.

The octagonal watch tower is a stout four-story affair also primarily made of the giant’s stonework. It is connected by a wall and walkway (with an archway to pass under it) to the large wooden U-shaped structure which acts as the home to the local church and the acolytes sent here to maintain it from the distant capital.

Nestled into the Shadow Woods is Guimond’s Tower – a crumbling multi-story stone and wood structure that looks ready to slide down into the woods at a moments notice. Up on the top of the aged stone is a wooden house-like construction looking down on the tree tops in the area. Some believe that the ageless druid-lich (who goes by various names in various stories) of the Shadow Woods lives in the small house at the top of the tower – which explains both how the wooden structure seems to be outlasting the stone tower, and why the stone tower has not collapsed yet.

Like most rumours and sage’s tales, there is more than a small kernel of truth to this. The wooden house is indeed maintained by an ancient nearly-blind hermit who lives here unmolested because the druid-lich lives quite nearby – under the tower in fact.

The tower’s dungeon cannot be reached from within the tower, but by a secret trap door in the grounds just outside the tower. The druid-lich keeps the trap door well hidden by controlling the growth of grass over it, so it is always entirely overgrown and concealed.

The secret door leads to old stone stairs, and in turn to the crypts under Guimond’s Tower. From the old crypts, caves lead deeper underground towards the sound of dripping water and to earthen and stone caves with tree roots hanging from the ceiling and working down the walls. A small pond is back here, and a smaller altar where the druid-lich worships and works in darkness and near-silence.

I've got the perfect spot for that tower in my game. The druid-lich and blind hermit, too.

The ruins of Saurguard Haunt are but burned stones and bits of rain-cleaned charcoal. But it is a harder task to burn down the small dungeon that sat beneath it.

Used as a traditional dungeon to hold prisoners under Saurguard – the dungeon was being expanded to include a temple to the proscribed lords of damnation when construction breached into a a cave slightly beneath the level of the temple and proceeded down through the limestone to the hillside beneath the Haunt.

Of course, you can’t just leave places like this open and unguarded and not expect foul things to move in… The lower entrance to the savage caves has been claimed by giant spiders who have killed off the entire bat population that once lived here, and who knows what foulness has taken over the ancient dungeons?

Old Wharton Mine was a small local source of onyx in its prime, but its location deep in the jungle made it nigh impossible to maintain supply lines or defenses. In the end the mine was abandoned because of prowling beasts and the difficulty in maintaining a workforce out here.

But onyx is a troubling stone. It is the standard material component for animating the dead, and it seems some dark magic is present in the old mine as well as many chips and bits of black and white banded onyx. Now the dead crawl the mine, waiting for prey to kill and try to consume. Animals that came here to get out of the heat were the first victims, but the other beasts of the area have learned to avoid it.

Now the dead wait for those foolhardy enough to try to reopen the mine, or to claim the onyx that remains.