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This is possibly the most idiotic, irresponsible thing I've seen since...well, we live in the era of idiotic irresponsibility, so maybe since yesterday. But still!

As long as the psion is in a separate book that I can avoid, I'm happy for those who wanted it - best of both worlds!

And here I thought you were referring to Gygax's brief parachute pants era.

yes, I inadvertently wrote Greyhawk when I meant Chainmail.

Exactly. Like, if you want to horrify yourself, consider how many infants and very young children would have been suddenly locked in a home by themselves in a world collapsing in panic, and the grim fate that awaited many of them. I don't think a single one of the films or shows has mentioned...

This is kind of a problem that is inherent to superhero comics as a genre and carries over into the films: there are science fiction trappings but zero interest in exploring consequences; almost everything is written with short term impact in mind. So the plots almost always involve these...

I don't like characters being played like they have detailed knowledge of a creature's exact strengths and weaknesses unless there is good reason for it, because it leads to extreme metagaming and we like to emphasize story first. I know this is a perennial debate and there are various valid...

,,,and then taking it back, again, later still. A choice I really dislike. So far there has only been one permanent character death in Critical Role that I can think of, and it's the one from Season 3. The one from Season 2 is debatable.

Ooo I just noticed this. Seems like my jam. Generally I prefer different systems for horror games, but this could be handy for adding the occasional horror plot into our ongoing D&D campaign.

Anyone else watching this? It feels substantially different from the Martha Wells novels to me, but I still quite like it as its own thing.

This flame drake from Bones 6 was an exercise in painting over translucent plastic, which I am still trying to get the hang of:

Was thinking the same thing - love the elevator pitch!

I like both. I agree that the characters are more unique in the Mighty Nein, and more archetypal in Vox Machina. However, I like the way the campaign is structured into more distinct story arcs in camapign 1. Campaign 2 starts that way but by the end evolved into this long arc that took forever...

Are we talking about ? Because if so, that was a very conscious choice by Mercer. Maybe we are discussing someone else?

She could skip it. I've never seen the film The Road because the book was too intense for me. There's no shame in it.

Eh, the MCU mostly pretends the Blip never happened, except when it is needed for a plot point. Even the name for it: "the Blip." Because half of all life being wiped out for five years and then suddenly returning instantly is just a minor thing. Not to mention the untold millions who would...

Yeah making fun of folks with autism is pretty funny. I'm sure my son sees the humour.

More expensive but still relatively cheap: thin disc-shaped magnets are easy enough to find and have the added bonus of adhering to terrain trays such as the ones sold by DF, or any battle mat placed over a cookie sheet.