What are you watching in (late 2025 and) 2026?

So Bleach is possibly my favourite anime ever, certainly for a certain value of favourite, and er assuming you skip some entire seasons.

So I was excited when I found out the guy who created it, and who isn't responsible for the bad seasons (they're filler), had done another manga that was set in the same universe, but in London (!!! the previous one was set in a small city in Japan and honestly raised a lot of totally unanswered questions about the rest of the world) and which was new-ish, called Burn The Witch.

Unfortunately...

Burn The Witch is pretty bad. For two main reasons:

1) The main characters are a non-entity (the lead!), a shrieking zero-charm sex pest, and "angry blonde anime girl: the stereotype".

Bleach had a really charming central pair in Ichigo and Rukia (who as a bonus, weren't romantically entangled), both with strong, clear personalities, both good-hearted and likeable but also at odds frequently. They had a nuclear ton of other characters most of whom were at least interesting. One stood out as dire - Kon, an animated stuffed toy who was also a sex pest and shrieked constantly. Dire but you just skipped any episode centered on him (which was very few). Some were a little weaker, like Ichigo's quasi-girlfriend Orohime, whose personality traits were basically "pleasant and soft-spoken" and "boobs" (she developed a bit over time, but never had the real arc you might expect despite going through insane peril, having unique and supposedly amazing powers, and fighting off some of the peril herself. Indeed her powers practically made her a "Potential Man"-type in a story which already had one with Hitsugaya).

And so who are the main characters here? Yes, it's a human boy who is basically Kon in human form, a creepy little guy with zero relatability, great, amazing, good work. And the lead? Why it's basically Orohime again, right down to "boobs" being her second main personality trait after "soft-spoken". There is a third character, but who most resembles another weaker Bleach character, Hiyori, in that she's a small very angry blonde girl who also complains and hits people constantly.

2) A perfect demonstration of how mindless-seeming "subverting expectations" can undermine your entire story and vibe.

In Bleach, they always, without fail, end up talking to their opponents (even if they kill them after that, though they often don't), and engaging with them, and it's half the charm and interest. In Burn The Witch, they just kill often-beautiful, sentient dragons, over and over, and repeatedly lampshade the fact that they're not talking to them, not trying to negotiate, not trying to reason with them - two characters do try, and they're just mocked and sneered at by their allies. But because the dragons are amazing, and seemingly fully sentient, this seems very weird and not in a good way (especially as they apparently use their body parts after they're dead, which brings in whaling comparisons).

Now, given the writer, it's entirely possible he's playing a long game and that we will find the people who want to kill the dragons are actually bad (not the main characters but the people in charge of them), and that the situation is more complex, but it's a very bad first impression because it looks like aggressive peeing on audience expectations, and makes the sneering main characters look kind of despicable, and it's lampshaded so hard and without any subtlety at all.
 
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On a Rowan Atkinson bender. Alternating between Mr. Bean and Blackadder episodes. I’ve seen most, if not all, of both before. I seemingly have large chunks of Mr. Bean committed to memory while my recollection of Blackadder is confined to snippets of dialogue.
 

So Bleach is possibly my favourite anime ever, certainly for a certain value of favourite, and er assuming you skip some entire seasons.
Never could get into any of the mega-long anime series. I remember rather liking Bleach at the start, but once the basic worldbuilding is established and it turns into an endless series of escalating fights I sort of tuned out.
Now, given the writer, it's entirely possible he's playing a long game and that we will find the people who want to kill the dragons are actually bad (not the main characters but the people in charge of them), and that the situation is more complex…
It’s one of the problems with pulling this kind of twist - you can’t wait too long or the viewers/readers get put off. I full believe that, for instance, Kvothe isn’t supposed to be a smug insufferable Gary Stu. But if you save the twist that recontextualizes everything for the end of the third book (or episode 475), not many folks are going to stick around to find out.
 
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After catching up on The Gilded Age with my niece,we now watching Downton Abbey,she's never seen it, while we wait for the next season of the gilded age.
 

I full believe that, for instance, Kvothe isn’t supposed to be a smug insufferable Gary Stu. But if you save the twist that recontextualizes everything for the end of the third book (or episode 475), not many folks are going to stick around to find out.
I used to believe that but the more I found out about the author the less I believed it. If it was true, I think if Doors of Stone had come out any time less than five years after the second book, Rothfuss could have pulled it off. But I think in his case part of the delay may be him realising everyone thinks Kvothe is a super-unreliable narrator but that was an accident.

However, either way, it has been 15 years. Jesus.

Honestly it is bizarre that all three of perhaps the most hyped fantasy authors in 2011 have failed to continue their main series for those 15 years. Rothfuss, Lynch and Martin all just cursed by whatever djinn gave them such success in the first place. I cannot offhand think of a single fantasy author before or since who had an issue to remotely the same degree. Honestly a supernatural explanation is the one that makes the most sense now imo.
 

Back on what we're watching, I watched the whole first season of Sugar, in which a somehow only more handsome Colin Farrell plays a very man-out-of-time (and out of more than that) private detective in LA, with a somewhat bizarre subplot which could honestly have been swapped out with a number of other subplots for the same overall effect (surprisingly unimportant spoiler - he's a an alien, but he might as well be a clone or genetically engineered or a cyborg or whatever Solid Snake is or a superspy or elf from the Celtic Otherworld or a fictional character become real or whatever - I note these in part because think they'd all have had a bit more energy and been less trope-y than the alien thing but I don't hate it- the show does lampshade this a little which I respect in this case).

I really enjoyed it and definitely recommend it. It's actually interesting on a variety of levels, has the kind of editing I like and has a lot of energy. Also it caused Matt Colville to once more reveal his terrible taste level by saying "a detective show needs to be more than a vibe" about it (it is, but apparently he missed that) and then talking about an incredibly mediocre British detective show as if it was great lol, which for me is a confirmation that this is good.
 

Last Sunday we finished season one of Invincible. Wow! That was...incredibly graphic for a superhero cartoon. It kind of reminded me of the big fight scene in the Miracleman (Marvelman) comic that showed the aftermath of a superhero battle in London, with body parts all strewn about and such.

This coming Sunday we'll watch the "Atom Eve" special episode since it's kind of a standalone story taking place between seasons one and two. That'll leave us an even number of episodes of season two, so we can watch two per Sunday with our pizza.

I've already been warned by a co-worker that the artwork in season three takes a rather steep downturn, but the storylines are still very good. We'll probably have to pick that up for a family Christmas present.

Johnathan
 

Getting caught up on The Rookie. Seemed like the obvious choice to get to work on next after finishing up Family Law. If you know you know.
 


Agent from Above was fun, in a Supernatural-Chineese-ghost-and-demon kind of way. Some rather dark thoughts and events. No soapy love story.
 
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