Christian Aurem
Name: Christian Aurem
Concept: Talent agent
Seeming: Fairest
Kith: Muse
Court: Spring
Virtue: Hope
Vice: Pride
Attributes:
Intelligence: 3
Wits: 2
Resolve: 2
Strength: 1
Dexterity: 3
Stamina: 2
Presence: 2
Manipulation: 3
Composure: 3
Skills:
Academics: 2
Computer: 1
Crafts (evaluating): 4
Athletics (running): 1
Brawl: 1
Firearms: 1
Larceny: 1
Empathy: 1
Expression (evaluating): 3
Intimidation: 1
Persuasion: 3
Socialize: 1
Subterfuge (spot lies): 2
Merits:
Mantle (Spring): 1
Resources: 3
Contacts (entertainment industry): 1
New Identity: 2
Harvest (emotions, clients at the agency): 1
Contracts:
Hearth: 2
Vainglory: 2
Fleeting Spring: 1
Health: 7
Willpower: 5
Glamour: 5
Wyrd: 1
Clarity: 7
Size: 5
Defense: 2
Initiative: 6
Speed: 4
Appearance:
Christian stands about 5'8" and weighs around 140 lbs. He wears nice clothes all the time, even when not working, focusing on classic styles in a dressing, but still casual way. He keeps his reddish-blond hair cut short, letting his bangs go forward in an almost Roman style. His features are sharp, and he seems to maintain a perpetual golden tan even in the dead of winter. He has no facial hair (indeed, no body hair to speak of at all), and his movements have a sort of unnatural elegance about them. Not gracefulness exactly, but as though each movement was calculated for effect.
In his Changeling aspect, Christian seems to almost literally be a moving statue. His tanned skin takes on a metallic, golden sheen, and his eyes change color to silver, his pupils and irises becoming mere variations in luster. His hair becomes a mixture of gold and copper. He does not take on any of the durability of metal, just the appearance of it.
Personality:
Christian really wants to help people. But, in many ways, he doesn't understand them any more. He can't help but see most normal people as a collection of skills. And so, he tries to steer them into something they could do well. But just as he's unsatisfied with his own abilities, he often comes across as overly blunt and critical. He's better around his fellow changelings, but he can still come across as abrasive or phony. He has absolute faith in his own judgment in his areas of expertise. He also feels that his current efforts at his old abilities are never as good as he once was, whether that assessment is true or not. It has become almost a perverse point of pride with him that he will never be as good as he wants was, and he holds himself to an impossible standard.
Background:
His parents shouldn't have given him a name that meant servant. Sometimes Christian thought that, at odd moments while he was trapped in the Gilded Tower where the Masque took place. He can only remember bits and pieces of life before. He knew he had been a prodigy, a natural artist and performer. He could paint, he could sing, he could act, it all came to him with no effort. He remembered being called on to perform, growing to resent his ability, wishing it away. Sometimes he thinks it was that wish which drew the monster to him.
His time in Arcadia is remembered more clearly, to his horror and pain. He remembers playing to a hall full of monsters, only to have the talent in his hands and voice stripped from him slowly and painfully. His performances were auctions, not for his time, but for his talent. Different Lords and Ladies had different ways of collecting, of removing his skills from him and grafting them into favored servants. Needles, energy, heat, the tang of metal in his mouth and the stench of burning in his nostrils as he became...less. He could recognize talent, but he could not duplicate it. His skill was gone, and he was nothing but a shell.
And so he was put to work in a new task. The Thousand-Faced Judge had set him to work "auditioning talent." He would select those who were to perform, knowing that if those he chose failed to entertain, he would be punished with them. Even his rewards were painful: a return of talent for a short time, always fading just as he began to feel joy. And when he was not at work, he had to watch himself around the others, as those he did not choose were often punished, and sometimes they wanted revenge. But, over time, he learned to play the system, and manipulated others into creating a distraction during a performance at The Market, a distraction he used to open cages and escape into the Hedge. After stumbling blindly, he was able to convince a Hobgoblin to lead him to a place where the trees thinned and the world became something real again.
Once he was back, he managed to find his footing in the real world the same way he had in Arcadia, by manipulating people. He was able to work his way into Hollywood in a low end agency, and used contacts there to get a more solid new identity. Following that, he decided it was time for a change of pace, to get away from his old life (and some unusual people he noticed watching his movements. Agents of his former Keeper? Detectives hired by angry rejects? He never found out). He made his way to Australia, and set up a small talent agency, using his connections to get a few key introductions.
He now works steadily. Keeping a mid profile, he is able to consistantly place clients, but not draw too much attention to himself and his business in the process, quickly shifting over those who prosper to bigger agencies. He also cycles between desperately trying to recapture his old talents (covertly hiring coaches and taking lessons) and disgust at his own attempts during which he drops all attempts to regain that part of himself.