Woe's disguise is complicated by the fact that he refuses to be parted from his spear and armor. Hacker's efforts suffice to hide the armor beneath filthy rags, and loose twigs bound with twine turn the spear into something that resembles a broom, if you don't look too closely. Woe does throw himself enthusiastically into the role of a foul-mouthed, diseased beggar, though, pausing every few moments to scratch himself vigorously in socially unacceptable places. The overall effect is not likely to confuse a perceptive observer, particularly one who knows Woe, but it may suffice to keep the rumors of his whereabouts from spreading too quickly for a while.
Hacker's efforts, by contrast, are superlative, and one ample-bosomed merchant's wife actually bursts into tears as she passes him, and presses on him a handful of silver and a small box of cold roast fowl, perhaps the remains of a picnic lunch. Her sour-faced husband, rolling his eyes, happens to pass downwind of Woe and hurries her quickly onward.
Mikara and Tristan follow behind, losing themselves in the afternoon shadows and blending seamlessly with the sparse crowd.
The trip into Overgrowth is largely uneventful. Hacker receives a handful of dirty looks from the street urchin there, particularly the beggars that aren't quite so sickly-looking as he. Woe is hit at one point with a coordinated volley of soft and stinking missiles, which actually improves his disguise, at least the foul-smelling and profanity-spewing parts of it.
Skivean's directions lead to a shabby old church, not quite so broken down as he led you to believe; or perhaps the repair efforts have been bearing fruit. All four walls and the roof are largely intact, if patched with boards in places. There are wooden doors in all the entrances, though they don't look like they would keep out much in the way of bad weather. The church's side doors are open, revealing a simple kitchen, in which an elderly man scrubs dishes energetically while humming snatches of an old hymn.