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<blockquote data-quote="Umbran" data-source="post: 9103125" data-attributes="member: 177"><p>Hm.</p><p></p><p>If I want an author whose very prose is art, Hemmingway doesn't come to mind - his writing is clear, I grant you. It gets you the narrative and meaning with the least adornment possible, rather like his journalism from earlier in his career. But it is so simplified as to come off... blunt or clipped. </p><p></p><p>For example, this from <em>The Sun Also Rises</em>:</p><p><em>“In the morning I walked down the Boulevard to the rue Soufflot for coffee and brioche. It was a fine morning. The horse-chestnut trees in the Luxembourg gardens were in bloom. There was the pleasant early-morning feeling of a hot day. I read the papers with the coffee and then smoked a cigarette. The flower-women were coming up from the market and arranging their daily stock. Students went by going up to the law school, or down to the Sorbonne. The Boulevard was busy with trams and people going to work.”</em></p><p></p><p>It is almost more a list of <em>facts</em> than anything else, and might be well-represented as a bulleted list rather than a paragraph. The reader is told what is happening, but little about what those happenings are like. Heck, not even a lot of variation of sentence cadence, structure or length.</p><p></p><p>To find an author (in or near genre) for whom the prose itself is art, we might look to Ray Bradbury, in <em>Something Wicked this Way Comes</em>, or Harlan Ellison in <em>Deathbird Stories</em>. These are wordsmiths.</p></blockquote><p></p>
[QUOTE="Umbran, post: 9103125, member: 177"] Hm. If I want an author whose very prose is art, Hemmingway doesn't come to mind - his writing is clear, I grant you. It gets you the narrative and meaning with the least adornment possible, rather like his journalism from earlier in his career. But it is so simplified as to come off... blunt or clipped. For example, this from [I]The Sun Also Rises[/I]: [I]“In the morning I walked down the Boulevard to the rue Soufflot for coffee and brioche. It was a fine morning. The horse-chestnut trees in the Luxembourg gardens were in bloom. There was the pleasant early-morning feeling of a hot day. I read the papers with the coffee and then smoked a cigarette. The flower-women were coming up from the market and arranging their daily stock. Students went by going up to the law school, or down to the Sorbonne. The Boulevard was busy with trams and people going to work.”[/I] It is almost more a list of [I]facts[/I] than anything else, and might be well-represented as a bulleted list rather than a paragraph. The reader is told what is happening, but little about what those happenings are like. Heck, not even a lot of variation of sentence cadence, structure or length. To find an author (in or near genre) for whom the prose itself is art, we might look to Ray Bradbury, in [I]Something Wicked this Way Comes[/I], or Harlan Ellison in [I]Deathbird Stories[/I]. These are wordsmiths. [/QUOTE]
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