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Alea Iacta Story Hour: A Mythic Rome Campaign (Baby Announcement: 8/17)
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<blockquote data-quote="Orichalcum" data-source="post: 2919671" data-attributes="member: 3722"><p><strong>Alea Iacta XI: Romantic Comedy Chp. 4: The Price of Quicksilver</strong></p><p></p><p></p><p></p><p>Thanks. Sadly, that's the last appearance of Mamerca to date, I should warn readers - the PCs just weren't interested in her! And after I had spent hours generating stats for all of her magic items, too...In case of future sessions, however, I will not reveal any details of what she might or might not be up to...</p><p></p><p>***</p><p>Meanwhile, Marcus and Heilyn decided to form a rare alliance and go investigate the mysterious explosion of the Master of Naxos' smithy, and whether Publicola was at all involved. Logically, their investigation began with the Master of Naxos himself.</p><p></p><p>"So, where exactly did you get this quicksilver from?" Heilyn asked.</p><p></p><p>"Oh, it was delivered. From my friend in the tavern," the smith helpfully answered.</p><p></p><p>"What's your friend's name?" Marcus questioned.</p><p></p><p>"Oh...um...we never really exchanged names. But he was so friendly and helpful - many people are surprisingly uninterested in hearing me talk about the difficulties of arcane smithing of lightning bolts, but he sat and chatted with me for hours, and even bought me wine from back home in Sicily."</p><p></p><p>"Did he now?" Marcus makes a small gesture to Heilyn, who discreetly casts Detect Magic. There is indeed the slightest of traces of enchantment magic on the Master of Naxos, although it is impossible to tell any more. </p><p></p><p>"And then he suggested that if I was trying to keep metal at liquid temperatures, maybe I should mix the iron with a liquid metal - quicksilver. And then I spent some time working out the proper divine ratios - because naturally the elements must still remain in balance with each other, and quicksilver adds an aspect of water which would need to be countered by an equal addition of a fiery substance..." the Master of Naxos begins to wax eloquently here on issues of alchemical and magical metallurgy. On the one hand, both Heilyn and Marcus, the amateur eclectic philosopher are fascinated: the smith is clearly a genius at designing new properties for metals. However, they have three days to gain evidence against Publicola - and less if they wish to stop Meloch from being tortured, which Heilyn at least would feel vaguely guilty about. </p><p> </p><p>"So, ah, where did the quicksilver actually come from?" Heilyn interrupts at a convenient moment.</p><p></p><p>"Oh, well, my friend said he happened to know of a merchant who had an excess supply, and could get me two large amphorae' worth for 600 sestertii. I wasn't sure I'd need that much, but he pointed out that it would be useful for subsequent experiments, if necessary. So we met at the same tavern two nights later, and I paid him the coins I offered to just give him a gladius I had made instead, which would be worth a little more and easier for me, but he said the merchant preferred hard currency. And then the next morning a wagon delivered the amphorae, and I set to work. And later that afternoon...the explosion."</p><p></p><p>"Can you describe your 'friend'?" Marcus asks.</p><p></p><p>"Medium height, olive skin, brown eyes...he didn't have the hands of an artisan or a warrior. Some slightly odd stains and burn marks on his fingers, I remember, though."</p><p></p><p>"Well, thank you, Master. if it's all right, we'd like the name of the tavern, and to have a look around, well, what's left of the smithy." Heilyn says. The Master goes back to polishing an intricate pewter water-bowl, and soon is lost in concentration.</p><p></p><p>After extensive searching and use of spells, Marcus and Heilyn determine a couple of different things from their search of the smithy. First of all, it appears to have been an extremely sudden and abrupt explosion, rather than a slow-moving fire. Indeed, it appears to have extinguished itself almost immediately. Nevertheless, it was hot enough to melt or scorch most of the weapons and tools within a 10-foot radius. There is no trace remaining in the smithy of quicksilver. Eyewitnesses on the street remember a pillar of flame reaching almost thirty feet into the sky, then ceasing utterly in less than a minute. While it seems clear that the fire did not spread within the smithy itself, they do not have the chance to investigate the purported damage to the four nearby smithies, as they see several journeymen and even a master or two hostilely watching them. From a distance, however, it appears more like black scorch marks than any serious structural damage. The Master of Naxos says that he and two of his slave journeymen were the only ones in his smithy to suffer significant burns, both of which were healed relatively quickly by a priest of Vulcan. </p><p></p><p>Upon a visit to the tavern, they find that while everyone remembers the Master of Naxos being unusually loquacious and jovial that night, no one has a strong memory of his companion, who they assumed to be an old friend based on the length and conviviality of the conversation. The "friend" paid in small, ordinary silver sestertii for both the smith's and his own wine, which was the second-best vintage from behind the counter.</p></blockquote><p></p>
[QUOTE="Orichalcum, post: 2919671, member: 3722"] [b]Alea Iacta XI: Romantic Comedy Chp. 4: The Price of Quicksilver[/b] Thanks. Sadly, that's the last appearance of Mamerca to date, I should warn readers - the PCs just weren't interested in her! And after I had spent hours generating stats for all of her magic items, too...In case of future sessions, however, I will not reveal any details of what she might or might not be up to... *** Meanwhile, Marcus and Heilyn decided to form a rare alliance and go investigate the mysterious explosion of the Master of Naxos' smithy, and whether Publicola was at all involved. Logically, their investigation began with the Master of Naxos himself. "So, where exactly did you get this quicksilver from?" Heilyn asked. "Oh, it was delivered. From my friend in the tavern," the smith helpfully answered. "What's your friend's name?" Marcus questioned. "Oh...um...we never really exchanged names. But he was so friendly and helpful - many people are surprisingly uninterested in hearing me talk about the difficulties of arcane smithing of lightning bolts, but he sat and chatted with me for hours, and even bought me wine from back home in Sicily." "Did he now?" Marcus makes a small gesture to Heilyn, who discreetly casts Detect Magic. There is indeed the slightest of traces of enchantment magic on the Master of Naxos, although it is impossible to tell any more. "And then he suggested that if I was trying to keep metal at liquid temperatures, maybe I should mix the iron with a liquid metal - quicksilver. And then I spent some time working out the proper divine ratios - because naturally the elements must still remain in balance with each other, and quicksilver adds an aspect of water which would need to be countered by an equal addition of a fiery substance..." the Master of Naxos begins to wax eloquently here on issues of alchemical and magical metallurgy. On the one hand, both Heilyn and Marcus, the amateur eclectic philosopher are fascinated: the smith is clearly a genius at designing new properties for metals. However, they have three days to gain evidence against Publicola - and less if they wish to stop Meloch from being tortured, which Heilyn at least would feel vaguely guilty about. "So, ah, where did the quicksilver actually come from?" Heilyn interrupts at a convenient moment. "Oh, well, my friend said he happened to know of a merchant who had an excess supply, and could get me two large amphorae' worth for 600 sestertii. I wasn't sure I'd need that much, but he pointed out that it would be useful for subsequent experiments, if necessary. So we met at the same tavern two nights later, and I paid him the coins I offered to just give him a gladius I had made instead, which would be worth a little more and easier for me, but he said the merchant preferred hard currency. And then the next morning a wagon delivered the amphorae, and I set to work. And later that afternoon...the explosion." "Can you describe your 'friend'?" Marcus asks. "Medium height, olive skin, brown eyes...he didn't have the hands of an artisan or a warrior. Some slightly odd stains and burn marks on his fingers, I remember, though." "Well, thank you, Master. if it's all right, we'd like the name of the tavern, and to have a look around, well, what's left of the smithy." Heilyn says. The Master goes back to polishing an intricate pewter water-bowl, and soon is lost in concentration. After extensive searching and use of spells, Marcus and Heilyn determine a couple of different things from their search of the smithy. First of all, it appears to have been an extremely sudden and abrupt explosion, rather than a slow-moving fire. Indeed, it appears to have extinguished itself almost immediately. Nevertheless, it was hot enough to melt or scorch most of the weapons and tools within a 10-foot radius. There is no trace remaining in the smithy of quicksilver. Eyewitnesses on the street remember a pillar of flame reaching almost thirty feet into the sky, then ceasing utterly in less than a minute. While it seems clear that the fire did not spread within the smithy itself, they do not have the chance to investigate the purported damage to the four nearby smithies, as they see several journeymen and even a master or two hostilely watching them. From a distance, however, it appears more like black scorch marks than any serious structural damage. The Master of Naxos says that he and two of his slave journeymen were the only ones in his smithy to suffer significant burns, both of which were healed relatively quickly by a priest of Vulcan. Upon a visit to the tavern, they find that while everyone remembers the Master of Naxos being unusually loquacious and jovial that night, no one has a strong memory of his companion, who they assumed to be an old friend based on the length and conviviality of the conversation. The "friend" paid in small, ordinary silver sestertii for both the smith's and his own wine, which was the second-best vintage from behind the counter. [/QUOTE]
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