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<blockquote data-quote="chaochou" data-source="post: 7166692" data-attributes="member: 99817"><p>Without wanting to stifle discussoin on the initial framing, action and resolution (I really want to hear about those) I think it's interesting to consider what represents controlled, risky and desperate.</p><p></p><p>Each score is going to be intrinsically tense and dramatic - and I'd suggest even seemingly trivial changes might give our rogues considerably more opportunity, or more trouble. I took your initial description:</p><p></p><p></p><p></p><p>And I added at the end: "In the distance, echoing through the tunnels you can hear a woman singing a bittersweet lullaby."</p><p></p><p>Or alternatively; "In the distance, echoing through the tunnels you can hear the angry bark of hounds drawing closer."</p><p></p><p>And I was wondering whether I'd feel they had shifted the situation enough to change from one category to another. Certainly, my instinct would be that your initial framing is 'risky' and I might have added the singing to give our heroes a guide through enemy territory. Would the fact the enemy has a pack of hounds and a handler nearby make this desperate? Not sure, but very interesting to think about <img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite1" alt=":)" title="Smile :)" loading="lazy" data-shortname=":)" /></p><p></p><p>Interruption over - we return to the scheduled programme...</p></blockquote><p></p>
[QUOTE="chaochou, post: 7166692, member: 99817"] Without wanting to stifle discussoin on the initial framing, action and resolution (I really want to hear about those) I think it's interesting to consider what represents controlled, risky and desperate. Each score is going to be intrinsically tense and dramatic - and I'd suggest even seemingly trivial changes might give our rogues considerably more opportunity, or more trouble. I took your initial description: And I added at the end: "In the distance, echoing through the tunnels you can hear a woman singing a bittersweet lullaby." Or alternatively; "In the distance, echoing through the tunnels you can hear the angry bark of hounds drawing closer." And I was wondering whether I'd feel they had shifted the situation enough to change from one category to another. Certainly, my instinct would be that your initial framing is 'risky' and I might have added the singing to give our heroes a guide through enemy territory. Would the fact the enemy has a pack of hounds and a handler nearby make this desperate? Not sure, but very interesting to think about :) Interruption over - we return to the scheduled programme... [/QUOTE]
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