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CERAMIC DM March 2012
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<blockquote data-quote="steeldragons" data-source="post: 5848428" data-attributes="member: 92511"><p><strong>Round I: Match 1 Steel Dragon's Judgement</strong></p><p></p><p>Round I: Match 1</p><p>phoamslinger's "Styx Freight, Inc"</p><p>vs.</p><p>FickleGM's "The Heart of a Kiwi"</p><p></p><p>1) Writing Style & Skill: Well, you both know how to write. <img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite2" alt=";)" title="Wink ;)" loading="lazy" data-shortname=";)" /> I saw nothing egregious in the way of spelling, typos or grammar. If anything, there were a few word choices in <em>Kiwi </em>I might have rethought and a run-on sentence here or there that I might have punctuated differently or broken into separate sentences. But nothing, blatantly "wrong."</p><p></p><p>Use of description is clear and, in several places, evocative, in both works. We know that Miss Hennessy is tired and fearful through shaky hands, voice and the subtle disheveled strands of hair before we are told, outright, that she is tired and fearful. Phoam's description of the "starting point/set piece" of the ferryman image, the look and feel...the odor of the river immediately pulls us into the story.</p><p></p><p>Characterization in both is solid. <em>Styx's</em> personification of the deities and the "disgruntled" Charon is humorous and, yet, gives us a lot of "behind the scenes" while sounding plausible and "making sense." The ambassador's motives are clearly understandable. <em>Kiwi's </em>trio cast is clear and simple, captor and captives. Their motivations aren't as immediately available for the reader. But done in such a way that spurs us on to read more and figure out what exactly the situation is.</p><p></p><p>I am inclined to say neither entry is an outright "winner" here. Perhaps, the slightest edge to phoamslinger. But we'll see how the rest pans out.</p><p></p><p></p><p>2) Use of Images: Both pieces have their strong places and both fall short a bit.</p><p></p><p>Already mentioned, in <em>Styx</em>, the use of the ferryman image is beautifully described as well as being the core character of the story. The use of the reflection in the teapot is a stroke of genius as well as making the image significantly relevant to the storyline, above and outside of its obvious use. But then, the kiwis are...yes, kiwis. Ok. And the ruins at Salamis seem to kind of be just thrown in there, as a bit of a shoehorn. They could have been taken anywhere else...why there? Why those ruins? They did not feel necessary or special, just getting a mention. Your "postscript explanation post" (which, to my mind, skirts the edge of an "editing" of sorts) is not being taken into account for this judgement. If it was relevant to the image's use in the story, then it should have been somehow worked into the story.</p><p> </p><p>Whereas in <em>Kiwi</em>, the use of the kiwi image as the pivotal character was a bit outside of the box and caught me as a pleasant surprise. The ruins as an example of the abominable condition Miss Hennessy has been forced to endure works fine. The teapot, again, fine, though not exactly creative. What really bothered me, though, was the use of the ferry/barge-man. It really seems a complete afterthought. There he goes off into the river on "the primitive canoe", of which we had no former mention or way of knowing was there.</p><p></p><p>I am giving phoamslinger the points here.</p><p></p><p>3) Personal Enjoyment: I liked both stories. They were both decent reads in different ways. Phoamslinger's "flashback" sequence caught me a bit off guard, but the change in tone to this unspoken seriousness that plays against the glib and grumbling Charon was thoroughly enjoyable. The further comings and goings and attempted dealings of gods trying to "fix things" fills my mind with possibilities.</p><p></p><p>FickleGM's story leaves me wanting more, which is a completely valid short story trick. What were they looking for...which the Colonel now has? How/why is this kiwi thinking? What can it smell? How did Miss Hennessy end up with it/him? What is that other "darker" smell?</p><p></p><p>My problem comes that the questions are a bit too many, for me. I get the world of <em>Styx Freight, Inc.</em> I know what has happened and what things are like now. In <em>The Heart of a Kiwi</em> we have guns and trains and planes, but they were staying in ruins...and no one, no where in all of these travels did Miss Hennessy get an opportunity to cry for help? I have very little understanding of the world in which I am supposed to become invested.</p><p></p><p>The other thing is, while I am intrigued and interested to read more of both stories, in <em>Styx</em>, I don't have to. It is a complete contained story as it is.</p><p><em></em></p><p><em>Kiwi </em>reads, to me, as a chapter of a larger work. Leaving me wondering is fine, but I have the feeling like I am supposed to know..too much that I do not. What this artifact is (or if it even is an artifact). How the Colonel came by his captives? What it is he's after? There are just too many questions left unaddressed.</p><p></p><p>At least, that is what I am assuming is leaving me with this feeling that it isn't a contained "short story", but a fragment of some larger book. Obviously, it<em> is</em> a fragment of a larger tale...but I will never know what that larger tale is.</p><p></p><p>Again, my points have to go for phoamslinger in this category.</p><p></p><p><span style="font-size: 10px">Which brings us to Steel Dragons' vote toward Round I: Match 1 Winner... <strong>phoamslinger</strong>.</span></p><p><span style="font-size: 10px"></span></p><p><span style="font-size: 10px"></span></p></blockquote><p></p>
[QUOTE="steeldragons, post: 5848428, member: 92511"] [b]Round I: Match 1 Steel Dragon's Judgement[/b] Round I: Match 1 phoamslinger's "Styx Freight, Inc" vs. FickleGM's "The Heart of a Kiwi" 1) Writing Style & Skill: Well, you both know how to write. ;) I saw nothing egregious in the way of spelling, typos or grammar. If anything, there were a few word choices in [I]Kiwi [/I]I might have rethought and a run-on sentence here or there that I might have punctuated differently or broken into separate sentences. But nothing, blatantly "wrong." Use of description is clear and, in several places, evocative, in both works. We know that Miss Hennessy is tired and fearful through shaky hands, voice and the subtle disheveled strands of hair before we are told, outright, that she is tired and fearful. Phoam's description of the "starting point/set piece" of the ferryman image, the look and feel...the odor of the river immediately pulls us into the story. Characterization in both is solid. [I]Styx's[/I] personification of the deities and the "disgruntled" Charon is humorous and, yet, gives us a lot of "behind the scenes" while sounding plausible and "making sense." The ambassador's motives are clearly understandable. [I]Kiwi's [/I]trio cast is clear and simple, captor and captives. Their motivations aren't as immediately available for the reader. But done in such a way that spurs us on to read more and figure out what exactly the situation is. I am inclined to say neither entry is an outright "winner" here. Perhaps, the slightest edge to phoamslinger. But we'll see how the rest pans out. 2) Use of Images: Both pieces have their strong places and both fall short a bit. Already mentioned, in [I]Styx[/I], the use of the ferryman image is beautifully described as well as being the core character of the story. The use of the reflection in the teapot is a stroke of genius as well as making the image significantly relevant to the storyline, above and outside of its obvious use. But then, the kiwis are...yes, kiwis. Ok. And the ruins at Salamis seem to kind of be just thrown in there, as a bit of a shoehorn. They could have been taken anywhere else...why there? Why those ruins? They did not feel necessary or special, just getting a mention. Your "postscript explanation post" (which, to my mind, skirts the edge of an "editing" of sorts) is not being taken into account for this judgement. If it was relevant to the image's use in the story, then it should have been somehow worked into the story. Whereas in [I]Kiwi[/I], the use of the kiwi image as the pivotal character was a bit outside of the box and caught me as a pleasant surprise. The ruins as an example of the abominable condition Miss Hennessy has been forced to endure works fine. The teapot, again, fine, though not exactly creative. What really bothered me, though, was the use of the ferry/barge-man. It really seems a complete afterthought. There he goes off into the river on "the primitive canoe", of which we had no former mention or way of knowing was there. I am giving phoamslinger the points here. 3) Personal Enjoyment: I liked both stories. They were both decent reads in different ways. Phoamslinger's "flashback" sequence caught me a bit off guard, but the change in tone to this unspoken seriousness that plays against the glib and grumbling Charon was thoroughly enjoyable. The further comings and goings and attempted dealings of gods trying to "fix things" fills my mind with possibilities. FickleGM's story leaves me wanting more, which is a completely valid short story trick. What were they looking for...which the Colonel now has? How/why is this kiwi thinking? What can it smell? How did Miss Hennessy end up with it/him? What is that other "darker" smell? My problem comes that the questions are a bit too many, for me. I get the world of [I]Styx Freight, Inc.[/I] I know what has happened and what things are like now. In [I]The Heart of a Kiwi[/I] we have guns and trains and planes, but they were staying in ruins...and no one, no where in all of these travels did Miss Hennessy get an opportunity to cry for help? I have very little understanding of the world in which I am supposed to become invested. The other thing is, while I am intrigued and interested to read more of both stories, in [I]Styx[/I], I don't have to. It is a complete contained story as it is. [I] Kiwi [/I]reads, to me, as a chapter of a larger work. Leaving me wondering is fine, but I have the feeling like I am supposed to know..too much that I do not. What this artifact is (or if it even is an artifact). How the Colonel came by his captives? What it is he's after? There are just too many questions left unaddressed. At least, that is what I am assuming is leaving me with this feeling that it isn't a contained "short story", but a fragment of some larger book. Obviously, it[I] is[/I] a fragment of a larger tale...but I will never know what that larger tale is. Again, my points have to go for phoamslinger in this category. [SIZE=2]Which brings us to Steel Dragons' vote toward Round I: Match 1 Winner... [B]phoamslinger[/B]. [/SIZE] [/QUOTE]
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