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Ed Greenwood is Contributing to A Sourcebook About Thay
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<blockquote data-quote="Ibrandul" data-source="post: 8426671" data-attributes="member: 6871736"><p>Oh, it’s definitely not just you!</p><p></p><p>I just think that, while there are commonalities (it’s the same guy writing in both modes, after all), the experience of reading a Greenwood setting guide is radically different from the experience of reading a Greenwood novel; the latter has its charms but also a lot of annoyances that it seems to me are mostly absent from the former.</p><p></p><p>I find Greenwood’s fiction storytelling style to be so jump-aroundy and so filled with tangential longueurs as to be at its worst almost unreadable. You’re right that it’s a lot of work to read him, and personally if I’m going to read something with those characteristics it’s going to be, say, Proust or Woolf—something where putting in that work is actually necessary to the payoff I get out of reading the novel.</p><p></p><p>Greenwood’s setting books are much easier to read, and they allow his particular genius, which is all about injecting a certain kind of baroque and very idiosyncratic “realism” into high fantasy (interconnected trade routes, psychosocial effects of pervasive magic and interventionist deities, ever more bizarre spell interactions and magical effects, etc. etc.), to shine through without having to follow the threads of a sometimes almost pasted-on narrative that progresses so obliquely that I cannot follow it. (His best novels aren’t quite like that, by the way, but the worst totally are, IMHO.)</p></blockquote><p></p>
[QUOTE="Ibrandul, post: 8426671, member: 6871736"] Oh, it’s definitely not just you! I just think that, while there are commonalities (it’s the same guy writing in both modes, after all), the experience of reading a Greenwood setting guide is radically different from the experience of reading a Greenwood novel; the latter has its charms but also a lot of annoyances that it seems to me are mostly absent from the former. I find Greenwood’s fiction storytelling style to be so jump-aroundy and so filled with tangential longueurs as to be at its worst almost unreadable. You’re right that it’s a lot of work to read him, and personally if I’m going to read something with those characteristics it’s going to be, say, Proust or Woolf—something where putting in that work is actually necessary to the payoff I get out of reading the novel. Greenwood’s setting books are much easier to read, and they allow his particular genius, which is all about injecting a certain kind of baroque and very idiosyncratic “realism” into high fantasy (interconnected trade routes, psychosocial effects of pervasive magic and interventionist deities, ever more bizarre spell interactions and magical effects, etc. etc.), to shine through without having to follow the threads of a sometimes almost pasted-on narrative that progresses so obliquely that I cannot follow it. (His best novels aren’t quite like that, by the way, but the worst totally are, IMHO.) [/QUOTE]
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