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For the EN World Metalheads. Introducing new bands.
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<blockquote data-quote="Kurashu" data-source="post: 4505751" data-attributes="member: 41198"><p>Gojira: French groovy death with sludge and doom and robot vocals and flying whales and environmentally friendly lyrics.</p><p></p><p>Deathspell Omega: French avant garde black metal. Think Gorguts meets Emperor.</p><p></p><p>Psycroptic: Good old fashioned brutal technical death metal from Aussieland.</p><p></p><p>Cult of Luna: Doom-Sludge meets post-rock, commonly called Post-Metal, except not the standard stuff.</p><p></p><p>Animosity: Deathcore except better. Animal went beyond the standard deathcore formula and came dangerously close to being a tech death album.</p><p></p><p>Ansur: Pink Floyd meets Emperor meets Between the Buried and Me except without the regular progressive baggage of doing something just because people expect you. I found myself saying "who put country in my black metal"</p><p></p><p>Baroness; Mastodon on 'roids.</p><p></p><p>Benighted; Another French band -- must be something in the wine; brutal deathgrind dealing with psychology. Apparently all 14 of the vocalist's vocal cords are active instead of the normal 12.</p><p></p><p>Beneath the Massacre: Completely atonal, extremely technical and brutal death metal that uses breakdowns from Canada.</p><p></p><p>Cephalic Carnage: Experimental and Progressive grindcore with doom, sludge, thrash, death, black and pretty much every genre of metal ever. Pretty much one of the best bands ever.</p><p></p><p>Circle of Dead Children: Deathgrind, brutal and uncompromising.</p><p></p><p>Daughters: Grind-noise-mathcore. </p><p></p><p>Engineer: Sludgey mathcore, which at first doesn't make sense but is awesome nonetheless.</p><p></p><p>Genghis Tron: Genghis. Tron. Think about it. Brutal and electronic grindcore.</p><p></p><p>Goatwhore: Blackened death metal from NOLA. Sounds exactly like that, too.</p><p></p><p>His Hero Is Gone: Eyehategod wrote an album called Southern Discomfort. HHIG made a band. Pissed off sludge-crust with the rising south behind them. Disbanded.</p><p></p><p>The Human Abstract: Classically influenced technical metalcore. The classical elemental has fallen off with their latest album.</p><p></p><p>Mistress & Raging Speedhorn: Sludgegrind from Britian. Both are awesome as possums (okay, maybe not; not at all, actually). </p><p></p><p>Origin: Technical deathgrind from Kansas. Apparently people in cornfields have nothing better to do except create lifecrushing music.</p><p></p><p>The Red Chord: I won't say they are the best band ever, or they are extremely technical, or even that good. Except they're catchy. Somewhere between death metal and deathcore.</p><p></p><p>Tragedy: The phoenix to His Hero Is Gone's ashes. Less sludgey and more crusty and powerviolence, but nothing else was lost in translation.</p><p></p><p>Zao: One of the grandfathers of modern hardcore -- and sadly, metalcore. Though, they are largely imitated (see: Converge), Zao's style remains their own as the style switches and changes between every album</p></blockquote><p></p>
[QUOTE="Kurashu, post: 4505751, member: 41198"] Gojira: French groovy death with sludge and doom and robot vocals and flying whales and environmentally friendly lyrics. Deathspell Omega: French avant garde black metal. Think Gorguts meets Emperor. Psycroptic: Good old fashioned brutal technical death metal from Aussieland. Cult of Luna: Doom-Sludge meets post-rock, commonly called Post-Metal, except not the standard stuff. Animosity: Deathcore except better. Animal went beyond the standard deathcore formula and came dangerously close to being a tech death album. Ansur: Pink Floyd meets Emperor meets Between the Buried and Me except without the regular progressive baggage of doing something just because people expect you. I found myself saying "who put country in my black metal" Baroness; Mastodon on 'roids. Benighted; Another French band -- must be something in the wine; brutal deathgrind dealing with psychology. Apparently all 14 of the vocalist's vocal cords are active instead of the normal 12. Beneath the Massacre: Completely atonal, extremely technical and brutal death metal that uses breakdowns from Canada. Cephalic Carnage: Experimental and Progressive grindcore with doom, sludge, thrash, death, black and pretty much every genre of metal ever. Pretty much one of the best bands ever. Circle of Dead Children: Deathgrind, brutal and uncompromising. Daughters: Grind-noise-mathcore. Engineer: Sludgey mathcore, which at first doesn't make sense but is awesome nonetheless. Genghis Tron: Genghis. Tron. Think about it. Brutal and electronic grindcore. Goatwhore: Blackened death metal from NOLA. Sounds exactly like that, too. His Hero Is Gone: Eyehategod wrote an album called Southern Discomfort. HHIG made a band. Pissed off sludge-crust with the rising south behind them. Disbanded. The Human Abstract: Classically influenced technical metalcore. The classical elemental has fallen off with their latest album. Mistress & Raging Speedhorn: Sludgegrind from Britian. Both are awesome as possums (okay, maybe not; not at all, actually). Origin: Technical deathgrind from Kansas. Apparently people in cornfields have nothing better to do except create lifecrushing music. The Red Chord: I won't say they are the best band ever, or they are extremely technical, or even that good. Except they're catchy. Somewhere between death metal and deathcore. Tragedy: The phoenix to His Hero Is Gone's ashes. Less sludgey and more crusty and powerviolence, but nothing else was lost in translation. Zao: One of the grandfathers of modern hardcore -- and sadly, metalcore. Though, they are largely imitated (see: Converge), Zao's style remains their own as the style switches and changes between every album [/QUOTE]
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