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Is Drizzt destined to become a Classic?
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<blockquote data-quote="rowport" data-source="post: 1333841" data-attributes="member: 9729"><p>Tsyr has found the meat of this debate: what are your standards for judging literature. By most academic literary standards, any fantasy (or sci-fi, for that matter) novel is fatally flawed regardless of its author. Tolkien is fard from universally considered "classic" by these standards, and no other fantasy writer comes close. That said, Salvatore's books are much admired and much read, which is the only valuable mark of success that most authors could reasonable aspire to reach in any case. Debating the relative merits of his work versus others in the genre, given the context that virtually no other fantasy authors meet classic literary conventions, is an exercise in futility.</p><p></p><p>Even abandoning the "classic" label, and comparing Salvatore's work with his peers, I personally believe that it is well worth reading. Admittedly, his depth of plot is not as strong as Martin's, for example, but a better stylistic comparison is with more action-focused work, like Howard or Moorcock. Here, he fares well. While his strength of characterization may not be as developed, his evocative action sequences are superior.</p></blockquote><p></p>
[QUOTE="rowport, post: 1333841, member: 9729"] Tsyr has found the meat of this debate: what are your standards for judging literature. By most academic literary standards, any fantasy (or sci-fi, for that matter) novel is fatally flawed regardless of its author. Tolkien is fard from universally considered "classic" by these standards, and no other fantasy writer comes close. That said, Salvatore's books are much admired and much read, which is the only valuable mark of success that most authors could reasonable aspire to reach in any case. Debating the relative merits of his work versus others in the genre, given the context that virtually no other fantasy authors meet classic literary conventions, is an exercise in futility. Even abandoning the "classic" label, and comparing Salvatore's work with his peers, I personally believe that it is well worth reading. Admittedly, his depth of plot is not as strong as Martin's, for example, but a better stylistic comparison is with more action-focused work, like Howard or Moorcock. Here, he fares well. While his strength of characterization may not be as developed, his evocative action sequences are superior. [/QUOTE]
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