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<blockquote data-quote="Dannyalcatraz" data-source="post: 4470013" data-attributes="member: 19675"><p>Nice advice T-Foot.</p><p></p><p>I don't recall if I've said this before or not, but not only does practice matter...practice MATTERS. As in $$$$$.</p><p></p><p>The press in Austin routinely excoriated local bands for not putting in the time to practice (the Austin Chronicle's music reporter once ran a multi-week treatise on why great bands weren't getting signed), leading to sloppy shows that probably cost them gigs and even signings. I know of one band in particular that fired a bandmate to get signed because of his sloppy (OK, drunken) live performances and practice ethic.</p><p></p><p>In addition, if you go into your recording session good & tight, you save yourself time in the studio, and as we ALL know, studio time is dang expensive. If you're an established artist or independently wealthy, you can spend forever tweeking this part or the other to get your sound "just so"- but at the dawn of your professional career, every $ you don't spend is HUGE.</p><p></p><p>(I haven't seen your contract, but I'd bet it has a standard "recoupment" clause. That's the money that the record label gets to take out of gross sales before you ever see a royalty payment, and studio time expenditures are often part of that.)</p></blockquote><p></p>
[QUOTE="Dannyalcatraz, post: 4470013, member: 19675"] Nice advice T-Foot. I don't recall if I've said this before or not, but not only does practice matter...practice MATTERS. As in $$$$$. The press in Austin routinely excoriated local bands for not putting in the time to practice (the Austin Chronicle's music reporter once ran a multi-week treatise on why great bands weren't getting signed), leading to sloppy shows that probably cost them gigs and even signings. I know of one band in particular that fired a bandmate to get signed because of his sloppy (OK, drunken) live performances and practice ethic. In addition, if you go into your recording session good & tight, you save yourself time in the studio, and as we ALL know, studio time is dang expensive. If you're an established artist or independently wealthy, you can spend forever tweeking this part or the other to get your sound "just so"- but at the dawn of your professional career, every $ you don't spend is HUGE. (I haven't seen your contract, but I'd bet it has a standard "recoupment" clause. That's the money that the record label gets to take out of gross sales before you ever see a royalty payment, and studio time expenditures are often part of that.) [/QUOTE]
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