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Player's Guide to Wizards, Bards and Sorcerers Update: Prestige Classes
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<blockquote data-quote="SSS-Druid" data-source="post: 828971" data-attributes="member: 613"><p>Oi.</p><p></p><p>So many questions. <img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite1" alt=":)" title="Smile :)" loading="lazy" data-shortname=":)" /></p><p></p><p></p><p></p><p>Oh, yes.</p><p></p><p>Mike Gill wrote a fine section on some of the unique instruments used in the Scarred Lands. We should even have illustrations for them.</p><p></p><p>Additionally, there are two areas where bards have the potential to get new "bardic music." Because my development mantra is "add, don't change," I refuse to allow my authors to tinker with the core classes. </p><p></p><p>(This, as an aside, is why we haven't changed any of the core D&D classes from the PHB, with the possible exception of arcane heat - I want people to be able to pick up our books and be able to use them in their home games without having to retrofit half the content.)</p><p></p><p>So, new bardic music comes from two places: Prestige Classes and the newly introduced Tradition Feat. Prestige Classes like the Shelzari eroticist learn to use dance to perform bardic magic, and their abilities reflect the strengths of that medium. Likewise, the rage-bringer learns to channel his bardic music into inciting barbarian-like rages in his allies, infuriating his foes to the point of detriment and the like.</p><p></p><p>Tradition Feats are unique uses for the bard's bardic music uses for the day. The Eroticist feat is one such, and most bardic traditions have developed their own uses, from the Hedradan Baerovian Chanters who learn a mind-calming chant to the Silver-String Tradition who use their alchemical silver-coated harp strings to play music that does Not Fun things to lycanthropes.</p><p></p><p></p><p></p><p>Basically, the Prestige Classes Appendix will begin with a section that tells you how to fit the prestige classes from various books into the Scarred Lands. First and foremost, we tell you where the DMG prestige classes go, from Dragon Disciples to Eldritch Knights to Horizon Walkers.</p><p></p><p>Then, we do likewise for Monte's <em>Books of Eldritch Might</em>. Let me give you an example:</p><p></p><p><strong>Graven One</strong></p><p>The tattoo-witches of the wood elven Ganjus may seem to share many traits with the Hellianns, but theirs is a power far more primal. With the ability to cause the beasts that decorate their very flesh to leap to life, as well as a deep rune-kenning, the Graven Ones of Vera-tre are as secretive and aloof as they are powerful. They share their knowledge only with those properly initiated into their Order of the Sigil, and speak in the strange patois that is their unique language ? made up of equal parts Draconic, Infernal and Celestial phrases. (See the <em>Book of Eldritch Might</em>.)</p><p></p><p></p><p></p><p>Starman, you very nearly cost me my keyboard. <img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite1" alt=":)" title="Smile :)" loading="lazy" data-shortname=":)" /> Mental Note: No drinking iced tea while reading EN Boards. Wandering Humor tables in effect.</p><p></p><p></p><p> </p><p>I am very much a believer in this philosophy. In fact, I've been told that some of my prestige classes (such as the Helliann or High Astrologer from <strong>Relics & Rituals 2: Lost Lore</strong>) are too powerful.</p><p></p><p>I hunt for balance (one of my rules of thumb is to compare the given ability of a certain level with what sorts of spells an equivalent character level class might be able to muster), but I have no hesitation about rewarding specialization.</p><p></p><p>For the most part, prestige classes in my books are about focus. Additionally, they often stem from organizations that have been around a long time. I don't hesitate to make these guys just a touch more butch because such organizations have been around for a while. They have a history of exploration into their preferred area of mastery (whether the tattoo-crafts of the Helliann or the astromancy of the High Astrologers).</p><p></p><p>When you take a level in one of these prestige classes, you aren't just "leveling up," picking up some information here and there, and learning things off the cuff with experimentation on your own, plus a little luck. You are given access to (in many cases) <em>centuries</em> of training and perfection of these talents, and it should count for something.</p><p></p><p>And yeah. I hate boring prestige classes. From the Blessed of Mesos getting Arcane Devourer cohorts (see <strong>Creature Collection 2: Dark Menagerie</strong>) to the High Chorister's ability to literally tap into the memories of the titan Denev to the Voice of Sumara learning greater skills and secrets by listening to the ever-present voices of the dead in her mind, I am all about cool and interesting abilities.</p></blockquote><p></p>
[QUOTE="SSS-Druid, post: 828971, member: 613"] Oi. So many questions. :-) Oh, yes. Mike Gill wrote a fine section on some of the unique instruments used in the Scarred Lands. We should even have illustrations for them. Additionally, there are two areas where bards have the potential to get new "bardic music." Because my development mantra is "add, don't change," I refuse to allow my authors to tinker with the core classes. (This, as an aside, is why we haven't changed any of the core D&D classes from the PHB, with the possible exception of arcane heat - I want people to be able to pick up our books and be able to use them in their home games without having to retrofit half the content.) So, new bardic music comes from two places: Prestige Classes and the newly introduced Tradition Feat. Prestige Classes like the Shelzari eroticist learn to use dance to perform bardic magic, and their abilities reflect the strengths of that medium. Likewise, the rage-bringer learns to channel his bardic music into inciting barbarian-like rages in his allies, infuriating his foes to the point of detriment and the like. Tradition Feats are unique uses for the bard's bardic music uses for the day. The Eroticist feat is one such, and most bardic traditions have developed their own uses, from the Hedradan Baerovian Chanters who learn a mind-calming chant to the Silver-String Tradition who use their alchemical silver-coated harp strings to play music that does Not Fun things to lycanthropes. Basically, the Prestige Classes Appendix will begin with a section that tells you how to fit the prestige classes from various books into the Scarred Lands. First and foremost, we tell you where the DMG prestige classes go, from Dragon Disciples to Eldritch Knights to Horizon Walkers. Then, we do likewise for Monte's [i]Books of Eldritch Might[/i]. Let me give you an example: [b]Graven One[/b] The tattoo-witches of the wood elven Ganjus may seem to share many traits with the Hellianns, but theirs is a power far more primal. With the ability to cause the beasts that decorate their very flesh to leap to life, as well as a deep rune-kenning, the Graven Ones of Vera-tre are as secretive and aloof as they are powerful. They share their knowledge only with those properly initiated into their Order of the Sigil, and speak in the strange patois that is their unique language ? made up of equal parts Draconic, Infernal and Celestial phrases. (See the [i]Book of Eldritch Might[/i].) Starman, you very nearly cost me my keyboard. :-) Mental Note: No drinking iced tea while reading EN Boards. Wandering Humor tables in effect. I am very much a believer in this philosophy. In fact, I've been told that some of my prestige classes (such as the Helliann or High Astrologer from [b]Relics & Rituals 2: Lost Lore[/b]) are too powerful. I hunt for balance (one of my rules of thumb is to compare the given ability of a certain level with what sorts of spells an equivalent character level class might be able to muster), but I have no hesitation about rewarding specialization. For the most part, prestige classes in my books are about focus. Additionally, they often stem from organizations that have been around a long time. I don't hesitate to make these guys just a touch more butch because such organizations have been around for a while. They have a history of exploration into their preferred area of mastery (whether the tattoo-crafts of the Helliann or the astromancy of the High Astrologers). When you take a level in one of these prestige classes, you aren't just "leveling up," picking up some information here and there, and learning things off the cuff with experimentation on your own, plus a little luck. You are given access to (in many cases) [i]centuries[/i] of training and perfection of these talents, and it should count for something. And yeah. I hate boring prestige classes. From the Blessed of Mesos getting Arcane Devourer cohorts (see [b]Creature Collection 2: Dark Menagerie[/b]) to the High Chorister's ability to literally tap into the memories of the titan Denev to the Voice of Sumara learning greater skills and secrets by listening to the ever-present voices of the dead in her mind, I am all about cool and interesting abilities. [/QUOTE]
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