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The D&D Multiverse Part 2- The Remix Culture of the Gygaxian Multiverse
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<blockquote data-quote="Neonchameleon" data-source="post: 8398080" data-attributes="member: 87792"><p>Tell me when the Shardminds start turning up. Or the Wilden and other plant people. And I can't yet approach my old Iron Maiden PC - a warforged vampire brawler fighter, completely legal by the RAW. We're over seven years into D&D 5e (4e lasted six) and we only get a Feywild sourcebook later this month - and the Feywild and Shadowfell were created for 4e. And of course 4e Gamma World can be used with 4e; there is no 5e Gamma World that I'm aware of.</p><p></p><p>To me the purity editions are 2e, and especially 3.0, and 3.5, with literally dozens of sourcebooks round the Forgotten Realms. And when you start filling in the spaces to that level of detail they start to become boundaries. 4e and 5e, with their extremely relaxed publishing schedules and low number of sourcebooks for any given setting have both allowed the space for the weirdness to come back</p></blockquote><p></p>
[QUOTE="Neonchameleon, post: 8398080, member: 87792"] Tell me when the Shardminds start turning up. Or the Wilden and other plant people. And I can't yet approach my old Iron Maiden PC - a warforged vampire brawler fighter, completely legal by the RAW. We're over seven years into D&D 5e (4e lasted six) and we only get a Feywild sourcebook later this month - and the Feywild and Shadowfell were created for 4e. And of course 4e Gamma World can be used with 4e; there is no 5e Gamma World that I'm aware of. To me the purity editions are 2e, and especially 3.0, and 3.5, with literally dozens of sourcebooks round the Forgotten Realms. And when you start filling in the spaces to that level of detail they start to become boundaries. 4e and 5e, with their extremely relaxed publishing schedules and low number of sourcebooks for any given setting have both allowed the space for the weirdness to come back [/QUOTE]
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The D&D Multiverse Part 2- The Remix Culture of the Gygaxian Multiverse
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