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Why Dragonlance's Margaret Weis Left TSR: A Slaying the Dragon Excerpt
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<blockquote data-quote="JLowder" data-source="post: 8700130" data-attributes="member: 28003"><p>Margaret and Tracy came back to work on Dragonlance fiction starting in the late 1980s, with the Tales anthologies. That was a half-step back to the company, not a full step. Freelance editor Pat McGilligan worked well with Margaret in particular and handled a lot of the liaison efforts on those anthologies, as their direct contact with the company. By then Margaret and Tracy had more clout because of their success in New York, which was helpful because they could demand better treatment, but upper management was still unhappy about their influence on the line. Also, it's important to note that the baseline TSR fiction contracts improved significantly starting around 1989, which helped set the stage for their full step back as writers in the 90s. It took a lot of work to get upper management to agree to the contract changes.</p><p></p><p>In the larger picture on fiction, it's really about how TSR kept coming up with ways to treat creators badly and drive them away. The authors generally want to continue working on worlds and characters they love and value, and with other talented writers, editors, and artists on the shared worlds they helped create.</p></blockquote><p></p>
[QUOTE="JLowder, post: 8700130, member: 28003"] Margaret and Tracy came back to work on Dragonlance fiction starting in the late 1980s, with the Tales anthologies. That was a half-step back to the company, not a full step. Freelance editor Pat McGilligan worked well with Margaret in particular and handled a lot of the liaison efforts on those anthologies, as their direct contact with the company. By then Margaret and Tracy had more clout because of their success in New York, which was helpful because they could demand better treatment, but upper management was still unhappy about their influence on the line. Also, it's important to note that the baseline TSR fiction contracts improved significantly starting around 1989, which helped set the stage for their full step back as writers in the 90s. It took a lot of work to get upper management to agree to the contract changes. In the larger picture on fiction, it's really about how TSR kept coming up with ways to treat creators badly and drive them away. The authors generally want to continue working on worlds and characters they love and value, and with other talented writers, editors, and artists on the shared worlds they helped create. [/QUOTE]
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Why Dragonlance's Margaret Weis Left TSR: A Slaying the Dragon Excerpt
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