Sword of Spirit
Legend
I think it is interesting how people newer to D&D seem to equate "pseudo-Medieval European focus" as being "vanilla" without an appreciation for the distinctions within the various settings.
I think it is interesting how people newer to D&D seem to equate "pseudo-Medieval European focus" as being "vanilla" without an appreciation for the distinctions within the various settings.
You can, but part of the point of this thread is if you were to gestalt these settings into a line or two, what would the best tonal definition be.
For the B/X modules go take out the dungeon crawls and its about going to parts unknown. Isle of Dread, Nights Dark Terror, Desert Nomads series, or Crown of Ancient Glory personify this.You can, but part of the point of this thread is if you were to gestalt these settings into a line or two, what would the best tonal definition be.
I didn't mean it in a negative (or positive) way. There are some sexual elements, hinted at fetishism, bloodlust, and torture in FR that I don't think you'd find in Mystara. Drow; Loviatar; "Sharess is a goddess of lust, free love, and sensual fulfillment"; the "Courtesan Larissa"; Lliira is "sensuous"; Sune is a "stunning redhead of incredible charms"; Umberlee is the "Bitch Queen" which I think refers to her character rather than female animals; Ilmater can manifest in those being tortured; in Amn doxxing a merchant king has a sentence of "slow torture and death"; "Moruene is Eltan's... occasional lover"; "The witches [of Rashemen] are said to take male lovers for brief periods... It is believed that these males are used for some form of planned breeding program"; Malar, god of bloodlust, "is the patron of those who exult in it [killing] endlessly, sensually"
This is all from the 1987 grey box campaign setting.
I don't know enough about Dragonlance to comment on it.
I think the problem is an attempt at oversimplification. Most pseudo-Medieval settings are going to have most/all of the genres as an option, but I think that the overall presented tone is an important distinction. Of the official D&D pesudo-Medieval settings, I'd describe them as the following:I'm doing my best trying to differentiate the various pseudo-Medieval settings by genre/tone, despite my newness. There can be a lot of nuance between them, my problem is when people are trying to argue a setting "Can do ALL of the genres!" I think that is a quick way to water a setting down.
Fantasy Kitchen Sink - TV Tropes
What happens when All Myths Are True is turned Up to Eleven? You get a Fantasy Kitchen Sink! Everything is true, even if it comes from vastly different origins. So not only are there really dragons, there are fairies, ghosts, vampires, werewolves …tvtropes.org
I think the "kitchen sink" criticism can be fair, though I don't understand when it's used for Forgotten Realms....