But this is hardly a dynamic limited to art, of course. If people en masse rejected products made in exploitative sweatshops in autocratic countries, capitalism would look a lot different to what it does now. But this requires a) that a critical mass of consumers can recognise the product's questionable origin, and b) that a critical mass of consumers have the financial means to choose something more expensive instead, before c) that a critical mass of consumers choose to do so, even comes into play.