The Player's Club
They walk back to the Fifth Avenue Hotel hand-in-hand. He is visibly nervous and starting to perspire, something she had not seen since the day of the picnic that the Cowboy Gang were chasing them. She almost gets the impression that he would prefer to be in that situation than this one.
When they returned to the hotel Kate asked that tea be sent up to her room and they boarded the elevator.
"Why don't you come sit with me? Waiting is the hardest part and perhaps it will go the faster if you aren't alone."
"Thank you Kate. That was so kind of Mr. Whitman to offer to bring us there, but it also makes a commitment that I can't find an excuse out of. What....what if this is like eight years ago. He may deny me again. I know I have more now to fall back upon, but the thought of being rejected by my own father is still not an easy one to comprehend."
"It may be like it was before, which is why I so admire the courage it takes to try again. I'm sure he has had dishonest people trying to claim kinship with him, but your face should tell the truth more eloquently than any words.
If he denies you, he denies an idea. He denies his own behavior, perhaps he's ashamed of the way he acted as a young man. I'm sure your mother was not the only young woman he left thinking he loved her. If he has not changed over the years, remember that there are those who know and love you for who you are."
Arriving at her door, Kate unlocked it and led Conrad inside. By the time she had removed her hat the tea arrived, and Kate poured two fragrant, steaming cups. She sat down next to Conrad on the settee, and once her cup was empty she wrapped her arms around him and drew him down against her shoulder.
The time passes quickly. Conrad does not want to talk about the upcoming meeting and instead talks of the recent Boston visit and the blind girl. When it is time they head downstairs to the lobby.
Walt Whitman enters the Fifth Avenue Hotel and then approaches Kate and Conrad. They head outside to the waiting carriage. They ride through the city to the sixteen-room mansion that is home to the Player's Club. Whitman says, "I do not frequent the club myself but have attended and participated in readings there on a half dozen occasions. It is an admirable thing that Edwin Booth has done here to help spark and promote the arts. When he purchased the building it was a private residence but he has changed that considerably, with part of the building now being a theater."
"Do you know Mr. Booth well?" Kate asked. "I saw him perform Hamlet when I was a little girl, but I know nothing of him otherwise."
Whitman replies, "I have met him on several occasions now. I was initially reluctant to meet him due to the actions of his brother John. Two of my brothers had served in the war and I had visited them and their troops more than once and I was a very strong supporter of Lincoln. One of my better known poems, "O Captain, My Captain!" from the book Leaves of Grass was written due to President Lincoln's assassination. I wrote it as inspiration to country as a means to confront America's grief and loss.
However, I have discovered that Edwin is his own man and should not be painted with the same brush as his treasonous brother. In fact, one lesser know fact that I recently discovered was the in sixty-four, the year prior to the assassination, Edwin Booth saved the life of Lincoln's son Robert Todd Lincoln. The boy was standing on the platform at a crowded railroad terminal in Washington and lost his footing. He fell just as a train was coming into the depot. Edwin was there and reached down and pull young Lincoln back up just in time."
"He sounds like a good man then," Kate said with just a hint of confusion in her voice. "I'll be glad to meet him. It's a shame the actions of his brother have poisoned his name, but considering his Club, it seems there are enough people like you to overcome that."
Walt replies, "Edwin Booth made a name for himself long before the actions of his brother. He has endured living here in the north, under the constant barrage of criticism, based upon his own reputation. He is a strong man who is well respected by his peers."
Kate looked over at Conrad, resisting the urge to take his hand. "I'm anxious to meet him," she said simply.
Conrad just makes a half-hearted smile in response to Kate's comment. She senses that he continues to be very nervous.
The carriage reaches Gramercy Park and stops outside of the building bearing the sign 'Players Club'. They exit the carriage and approach the door, with the author telling the man at the reception table "Mr. Walt Whitman and guests". The man states, "Yes, we have been expecting you. If you would please follow me to Salon B." He leads them upstairs to a private room on the second floor.
They enter the room and the man closes the door behind him. The room twenty by twenty-five feet and has thick rich maroon carpeting on the floor. The room is filled with cherry wood furniture that is upholstered with the same gold and maroon patterned design as the window curtains. The room has three couches and eight individual chairs surrounding a pair of coffee tables. Corner tables are aligned in three of the four corners of the room. A fireplace currently with a fire burning inside it is along the northern wall. Large exterior windows are along the east and south walls, with the door that they entered along the west wall.
Also along the west wall is a large cherry wood china cabinet with glass doors that is filled with various plates and glasses. An open liquor cabinet beside it is filled with three-dozen bottles of various beverages. Adjacent to the cabinet is metal stand with a cherry wood bucket-shaped container with a brass and wood lid atop it. Conrad walks over towards that side of the room and from a distance of three feet glances briefly at the labels on the bottles. He then returns to Katherine's side.
Katherine slipped her arm though his, giving it a gentle squeeze and trying to keep her own nerves at bay. She prayed his nerves and uncertainty would not be replaced by pain in the next hour.
"Something interesting over there?" she asked by way of distracting him.
He replies, "Just looking at the labels. He's done well for himself, there are some rather expensive items sitting in that case. This must be one of the most important rooms within the building to be stocked as it is. The container on the pedestal shows beaded perspiration along the rim, so I would guess it is a filled ice bucket. It's probably just on account of Mr. Whitman's presence but he's going all out for this reception."
"Perhaps. One thing is for certain, it's not on account of me," she teased. "A warm welcome is a good sign, dear."
They have been inside the room for only five or six minutes when the door opens. A man and woman enter. It has been fifteen years since Kate last saw Edwin Booth but those years have been good to him and he remains as handsome as ever. Seeing him and Conrad together the resemblance is remarkable, with both of them having the exact same build, height, hair, eyes and facial features. Although Edwin is twice Conrad's age the two could probably pass for brothers. The woman is much younger, probably in her late teens or early twenties. Kate notes that she too shares many of the same facial features.
He approaches Walt Whitman, and warmly shakes his hand. Edwin Booth says, "Mr. Whitman, it is a pleasure to see you again. My daughter Edwina would like to show you some of the changes that we have done to the building since you last visited. We have also received donations of several pieces of artwork that you will probably wish to see as well. If you and your lady friend would care to accompany her I will speak with the other gentleman."
Conrad speaks up and says, "Sir, if it acceptable to you I would like for my friend Mrs. Kale to stay as well." The elder Booth glances towards Katherine.
"Sir," Kate said, nodding to the older man. "I would be pleased to remain, although I would miss the tour and the opportunity to make better acquaintance with your daughter."
"Very Well," Edwin states. Edwina and Walt leave the room, closing the door behind them. Edwin Booth gestures for Kate and Conrad to take a seat. He then walks over towards the China cabinet and removes three cut crystal glasses. that he then places on the white marble inlay on top of the cherry wood liquor cabinet. He removes the lid form the adjacent bucket and with a pair of silver tongs places cubes of ice into each of the three glasses. He then asks the pair, "What would you the two of you like to drink this evening?"
"Scotch," Conrad states. Edwin replies," I can offer you choice of a Glen Murray aged ten years, a Glen McIntyre aged eighteen years and a bottle from McKee, Kentucky that is aged twenty-two years." Conrad replies, "That is very tempting, Sir. The prospect of sampling an aged Appalachian double-malt brewed prior to the start of the Civil War is tempting indeed. Obtaining that must have been quite difficult for you and I am honored that you would offer it to me. However, I notice that the seal on that particular container is as of yet unbroken, so I will have some of the Glen McIntyre instead."
"And you Mrs. Kale?" the senior Booth asks.
"Just a little wine will do for me, thank you sir. You're very kind," she said as she took her seat. She had stayed for Conrad's sake, although she was uncomfortable being witness to such a private meeting. She took hope from his civil greeting and waited quietly.
The elder booth pours the drinks and places them onto a silver tray and brings it over to the coffee table in front of where Kate and Conrad are seated. He takes a seat opposite them and says, "Mr. Whitman informed my secretary that you were here in the northeast to attend the funeral of Ralph Waldo Emerson. How is it that you knew the author?"
Conrad replies, "He was a family friend of Mrs. Kale and she asked me to accompany her. It is a long journey from the Arizona Territory and would not have been safe for a young lady to travel that distance unescorted."
Edwin turns towards Kate and comments, "Mrs. Kale, You appear to be acquainted with a great many of our literary giants. Do you know many others or is the list limited to Emerson, Whitman and Clemens?"
"Mr. Emerson was a close friend of my family, sir. I have known him for as long as I can remember, and considered him more like an uncle than a friend. My father, Friedrich Seagram, served with Mr. Whitman's brother George in the Union Army. John Whittier is also a friend of the family, and we have acquaintance with most of the transcendentalist circle in Boston and Concord. We have the good fortune also to know some brilliant scientific minds.
It was an unexpected pleasure to have the chance to meet Mr. Clemens in Arizona."
Edwin Booth reaches his hand inside of his coat jacket and removes an envelope from the inside pocket. He removes from the envelope a letter and briefly glances over it. He states, "Mr. Clemens speaks very highly of you Mr. Booth. His letter describes the bravery that you demonstrated at the celebration to the gods, which he attended. He speaks of you placing yourself in grave danger against armed gunmen to protect your escort to the ball." He then looks up from the paper towards Kate and says, "Can I safely assume that reference is to you Mrs. Kale?"
Katherine tried without success to keep the blush from her cheeks.
"Yes, you can. And it wasn't the first time Mr. Booth protected my safety. It's a very long story, but the passing of my late husband left me living alone in Arizona. That, and my instinct to give assistance where I can led to a chain of events that put my friends and I in a very dangerous situation. The night of the ball, an enemy sought to disrupt the festivities. One of his men tried to grab me, and Conrad fought him off and moved me to safety.
Only a few days before we were chased overland for more than six miles by six members of the same group. Conrad drew their fire to give me a better chance at escape. Thankfully we both made it, as you can see."
He looks towards Conrad and says, "An impressive display of bravery. It is good to see that the days of chivalry are not all behind us." Edwin picks up his glass and takes a sip of his beverage.
He turns back to Conrad and states, "Mr. Clemens emphasizes that it was he, and not you, who brought up the notion of the two of us possibly being related to one another. He states that it was also his suggestion to write to me. But I have known from past experience that our dear Mark Twain is prone to...well...exaggerate. What can you tell me about this letter?"
Conrad replies, "Mr. Clemens had wanted to see where the outlaw Billy the Kid was slain by the group known as Arcade's Gang. That location was inside a building that I own. I gave him the tour and the details of that gunfight. Afterwards he spent another four hours with Mrs. Kale and myself. During that period of time a number of topics were discussed, my relation to you being just one of them. It was with my encouragement that he wrote to you on my behalf. I did not care for the way that our last meeting ended sir, and sincerely hoped for an opportunity to rectify the matter."
Edwin states, "And exactly what is it that you want from me Mr. Booth?"
Kate became busy with drinking her wine, trying to give the men at least a semblance of privacy. Still, she was curious to know just what Conrad did want. Or rather, what he thought could be achieved between a father and son who were strangers.
Conrad pauses and states, "First let me clarify that which I do not want. I am in no way seeking your money or your financial interest in this fine building. I have no doubt that you have bequeathed your estate to your only legitimate offspring, Miss. Edwina, and that is exactly how it should be." Edwin says, "Yes, with the passing of my second wife last year Edwina remains my sole heir. So if it is not my fortune that you seek then what are you after? To capitalize on my name?"
Conrad states, "No sir, I seek to establish myself in this world of my own accord. I do not pass myself off as being your son, but I will not deny the truth when it is asked of me. I saw in one of the rooms downstairs there was a portrait of you, attired as the villain Iago from Othello, apparently taken around when you were the age that I am now. Sir, that could be my portrait, our appearance is identical.
Regarding the Booth name, it is my legal name and has been for my entire life. There have been many times where I would have been better off not to have it, due to the actions of your brother John. There are places where I live now that I am not welcome to enter solely because of my last name. But it is the name that my mother was proud to give to me and I will wear it until the day I perish from this earth."
Edwin nods and takes another sip from his drink. He then states, "You still have not answered my question."
Kate looked over at Conrad, surprised and proud of his acceptance and pride in the name his mother gave him. She nodded slightly in encouragement.
Conrad states, "It is difficult to articulate sir. My mother is the only family that I have ever known. She has loved and admired you from the moment that the two of you met nearly three decades ago. I grew up hearing of the great Edwin Booth, the finest actor of our century, and everything I have heard about you since has been equally positive.
You ask what I want... Sir, all that I seek is some type of acknowledgement from you of who I am. The acknowledgement need not be public. I have no desire to embarrass you or your daughter with scandals of any past indiscretions. If you truly have no recollection of ever having met my mother, as you stated eight years ago, then I will accept that answer and never contact you again. Eight years ago I was unprepared for your words of rejection."
He turns towards Katherine and states, "But that is not the case today. I now have someone else in my life whose feelings towards me matter far more than anything else."
Tears welled up unbidden in Kate's eyes. There was no reason to hide it anymore, so she reached out her hand and squeezed Conrad's. "Thank you," she whispered.
Edwin pauses while he observes the looks passing between Kate and Conrad. He finishes his drink and then stands, walking back to the bar to refill it. He then walks back towards them but remains standing as he states, "The year 1852 was a long time ago. My performances as Hamlet while in San Francisco was at the very start of a four-year world tour with my father, a great actor in his own right. You stated before that you were born some time in 1853. By then I would have been at the Sandwich Islands or some other venue in the South Seas."
He seats himself again and takes another sip of his drink. He continues, "When we last met you told me your mother's name, which meant nothing to me. You said that she and I had a relationship. But I remembered that during the half-year or so that I was in San Francisco my evenings were spent exclusively in the company of my lead actress, Matilda Heron. Because of that I therefore thought your story to be a total fabrication." Conrad just nods.
He finishes his second drink and then places the glass on the coffee table. Edwin then states, "Over the years since our last meeting I have reflected back upon those earlier years. I recall one possibility that had escaped me earlier. On my last night in the city Miss. Heron and I had a rather volatile disagreement, ending with her slapping my face and walking out of my life forever. To help me recover from that embarrassment many of the actors and stage hands from the acting troop walked me over to an adjacent tavern to help me to drown my sorrows.
As I was soon to embark upon a long sea journey without any female companionship I suspect that I sought to have some company on that final night in the city. While the specific details of what followed that night continue to remain lost to me, due to a combination of an excess of drink at that time and the several days of extreme seasickness that immediately followed, I believe that a possibility exists that I may have spent the latter part of that evening in the company of a woman from the theater. So I'll admit that there is indeed a remote chance Mr. Booth that I may be your sire. I am afraid that is the best that I can do."
"Sir, I know there is no argument that can give you certainty, but if you would consider; I came to New York as a small girl and saw you perform Hamlet. On the strength of a fifteen year old memory I recognized his kinship with you. Of course, I have no knowledge of where other members of your family might have been at the time, but whether or not you are his sire, I am convinced the blood of your family runs in his veins."
Conrad says, "Perhaps I can add further support to your story. You state that you were in San Francisco for a long while, but that it was only on your final night there that you may have been with my mother." Conrad removes an envelope from his own jacket pocket, taking out a document from inside and passing it over to Edwin. Conrad states, "That is my Certificate of Birth." Does my date of birth fall exactly forty weeks after the date in question?"
Edwin looks at the paper and states, "It does indeed, and this is the official document bearing the seal of the City of San Francisco. I see that your mother listed my name as being the father, so at the time she also believed that to be the case." Conrad replies, "Yes, she has said that you were the only man she had ever been with until then. You were apparently rather persuasive that night, as he had been saving her virtue until marriage."
Edwin looks to be momentarily lost in thought. Conrad then says, "Sir, that piece of paper is the only legal document in existence to support my claim. You may keep it to do with it as you wish." The older man looks up, "You truly do not seek my estate?"
Conrad replies, "No sir, I do not. The fortune that I seek will be my own. When I return to Boston I plan to initiate a similar conversation with the Seagram family, to alleviate any concerns they may have regarding my intentions towards their daughter."
Kate looked to Conrad, obviously surprised. "My dear, I believe it, and so will they. You know that I am determined to support myself rather than depend on Papa. Tom's influence, I suppose."
Edwin states, "Mr. Booth, you are man of high integrity and I feel that I owe you an apology for my skepticism. Over the years a great many grifters have sought to take advantage. When Mr. Clemens mentioned that you had taken up the chosen profession of a gambler that heightened my concerns. As you no doubt know, that industry has no shortage of con artists among its members."
Conrad replies, "No apology is necessary Sir. You are correct about gamblers in general. There are a few of us with high moral standards but we tend to be a minority."
Edwin asks, "Why have you chosen that line of work? A love for the game?"
Conrad answers, "No sir. I know of a great many gamblers who have cards in their blood, that is not me. If I never touched another playing card again I would be just as satisfied with life. I went into that line of work because I found that I am good at it. I pride myself in my observational skills and powers of deduction, which serve we well at a poker table.
At most gambling establishments in Promise City Arizona the gamblers attempt to build their own clienteles of regular customers. That arrangement, playing the same game with the exact same people night after night I would find tedious. At the Saloon where I play the owner rotates the gamblers from table to table during the night, which works very well for me. Once I have a solid read on my own players I also start to pay attention to the other games and players taking place, so that when the rotation occurs I am best prepared to use that knowledge."
Edwin says, "Ah, you gauge your audience and react accordingly. I utilize those same skills to deliver a successful stage performance." Conrad replies, "Which is where I learned them as well. I grew up in the theater and have acted on stage since I was an infant. I left the acting profession only because I found that gambling was more lucrative for me."
"I would have liked to see Conrad act on stage. At least I've had the good fortune to hear him sing. And he has had the poor fortune to watch me try to gamble. It's not my great talent.
It is sad that one can make more gambling than acting."
Edwin says, "That is even true to those of us who are considered to be at the top of this profession. Part of why I opened up this building was to give an opportunity for artists of all types to be better able to display and promote their works."
Conrad states, "And you've done an admirable job from what I can see."
Edwin notes that Conrad and Kate have both finished their drinks and asks if they would like refills.
"Thank you, but no. I try not to overindulge, even in the finest of wines.
Such places as these are needed. Art is more important than most people think, or at least it's important to me. It would seem silly perhaps, but one of my regrets is not having a piano in my home. I play at my friend’s saloon, but it's not the kind of music I enjoy.
I miss museums, concerts, plays. I hope it won't be long before we see those things coming west."
"One of the many reasons why I've always found my way back to the city," Edwin states.
Conrad says, "Sir, I guess I've found what I came here for."
Edwin says, "Yes, I guess you have. But there is no reason to rush off, let's go find where Edwina and Mr. Whitman have gotten two. The both of you should see what there is to offer here. By your own admission Mr. Booth you are an actor and artist, and I will hope that you will accept honorary membership to the Player's Club."
Conrad replies, "That is an unexpected honor indeed. I doubt that I will be in New York City very often, but promise to visit whenever I am."
Edwin says, "Good, and if the United States Mail actually goes to that out-of-the-way town of your we can stay in touch via that means."
"It takes a little while, but the post does indeed come, Sir. I would be grateful for a chance to see your establishment and soak up all the art I can before we go back into exile," she said with a light smile.
Edwin Booth walks them through the elaborate building. He says, "I stated this with the backing of fifteen other incorporators which included both Mark Twain and Civil War General William Tecumseh Sherman. I modeled it after London's famed Garrick Club, which I have visited on a number of occasions and will be returning there for a visit in July during my next European tour."
He brings them to a vast library telling them "This is the Hampden-Booth Theater Library. It is a library relating especially to the history of the American stage. It features the preservation of pictures, bills of the play, photographs, and curiosities connected with such history."
"Oh my," Katherine said softly as she let go of Conrad's arm. Her eyes devoured the room as she stepped close, but didn't touch anything.
"It would take months to learn all the stories here. Years. I could disappear here and my friends would wonder whatever became of me."
She rapidly discerned how this library was organized and found one particular folio. "If I may?"
The elder Booth nodded and she slid the folio out. Inside was the playbill and sundry other papers from a performance of Hamlet. She showed it to him, saying, "This is the performance my parents brought me to. It was my first time in New York, and I thought the city all things bright and beautiful. And the crown in that day was seeing my first Shakespeare play. I have loved the theater since."
After another minute Kate replaced the folio and spent a few minutes looking around the room while the men talked quietly behind her. She felt like a child in a toy store but asked only a few questions, not wanting to make a pest of herself.
The next room was a richly appointed library. Decorated in rich browns and beige, the polished wood of each comfortable chair and table shone in the lamp-light. As always, Kate was entranced looking over the volumes.
"The complete works of Shakespeare, of course," the Elder Mr. Booth pointed out. "Oscar Wilde here, Walt Whitman, Henry Thoreau, Ralph Waldo Emerson. I've heard some fascinating discussions coming from this room."
"I should have liked to have been a fly on the wall," she commented, for a second time keeping her thoughts on the gentlemen only policy to herself. Those thoughts even surprised her a bit. Not long ago, it wouldn't have occurred to her to question it.
Next they went down a set of stairs lined with paintings into what was called the Great Hall. It wasn't as large a room as it's name suggested, but lovely nonetheless. There were beautiful cream-colored damask covered walls, with comfortable furniture placed in groups conducive to conversation. But what caught Kate's eye was the large piano in the corner.
"What a beautiful instrument. I can only imagine how glorious it must sound."
"Do you play Mrs. Kale?" states Edwin. Conrad interjects, "Indeed she does, thus far three Saloons in Promise City have been fortunate to hear her mastery of the keyboards." "Then I would be honored to hear your artistry," states Edwin.
"Of course, if you wish. Although I believe I have quite a long way to go before I would achieve real mastery."
Katherine let go of Conrad's arm and made the suddenly long walk to the piano. She did want to play the beautiful instrument, but it might have been better without so many people present. It wasn't usual for her to have nerves about playing, but artists were a whole different audience.
A few of the gentlemen sitting in the room looked at her curiously as she sat down on the cushioned bench and stretched out her foot to find the pedals. She took a deep breath and began to play Chopin's Fantaisie-impromptu in C#. Despite her nerves, soon she forgot the listeners and played for the pleasure of hearing the rich tones of quite the finest instrument she'd played.
When she is finished Edwin approaches her with a broad smile. He smiles and says, "How appropriate, you choosing a piece by Fryderyk Franciszek Chopin. This piano was donated to us from Nohant France, part of the estate of Chopin's lover. She was a great artist in her own right, publishing under the pen name of George Sand. Chopin lived with her for the final eight years of his life, and all of the works that he composed during those years were first played on this very instrument."
"It is a beautiful instrument," she said, running her fingers softly along the keys, thinking of the man who had spent hours hunched over it. "I'm afraid I cannot do justice to his genius."
Kate began to play again, this time the first song she'd heard Conrad sing as they danced at the El Parador. She tossed a teasing look over her shoulder at him. "Now perhaps we can persuade my escort to entertain us."
"The wish of this lady is my command," he states. As Kate plays Conrad begins to sing. By the second verse Edwin joins in as well. Kate hears the nearly identical voices, the acoustics in this room being exquisite.
By the time they complete the song the room is filled with people, who clap wildly. Among those now in the room are Walt Whitman and Edwina Booth. The senior Booth takes his daughter aside and they have a private conversation in the far corner of the room. Edwin gives his daughter the envelope containing Conrad's Birth Certificate.
Edwin then returns to the piano and begins a second duet with his son. At the conclusion of that he introduces Conrad to the crowd stating, "This is Mr. Conrad Booth of California, now a resident of Promise City, Arizona. Some of you may recognize his name from the newspaper accounts surrounding the death of Billy the Kid."
He gives no further public explanation for the similarities of the last name, nor does anybody ask. They do, however, crowd around Conrad to hear the tale of the notorious gunslinger's death. Conrad begins by talking at length about the various members of Arcade's Gang, who he says are personal friends of his. Kate concludes that Conrad is a wonderful storyteller.
Katherine had heard this story before, so this time she paid attention to how he called on an actor's skill to tell the story. She'd been in enough gunfights now to know that they weren't nearly this exciting, but in the right hands the story became suspenseful and fascinating.
Her eyes shifted to Edwin Booth, who was looking on with a kind of wonderment. And perhaps pride? She couldn't say for sure, and she imagined if she'd asked him he couldn't say either.
As Conrad neared the end of the story with an animated face and eyes alight, Kate slid off the piano bench and made her way over to the elder Booth. After the last words of the tale she quietly said, "Thank you. I rarely see him like this, so happy. I don't know what life was like for him in San Francisco, but I believe it has been lonely for him in Promise City."
Edwin replies, "Lonely? I was under the impression that you were helping him to overcome that situation. He does appear to be quite taken with you."
She looked down for a moment with a little smile, then raised her eyes again. "I have only been in Promise City since January, and as romantic as the notion is one person cannot be all the world for another.
We met because I was living at the El Parador where he takes his meals. He always ate alone, and although he was welcome there I've never noticed him being particularly close to the family. Arcade's gang seems to be often out of town, and the people at the Comique started a rumor that he cheats at cards. Conveniently after they asked if he was related to your brother.
Aside from all that, he was very closed when we first met. Apt to looking out for himself first. I've been seeing more and more of the better parts of his nature since we became friends, and the more I see the more I'm convinced he had hidden those parts of himself away."
Edwin nods, "Thank you Mrs. Kale. That is good to know. He appears to be busy with the crowd, perhaps we could take a walk together. I would like to further discuss this where there is little chance of our being overheard."
"If you wish," she said, and took his arm. "Although I must warn you, I can only tell you what I've observed, my conclusions, correct or not, are my own."
Edwin leads her off downstairs to a small dining room, leaving the door to it open as the two enter. He gestures for her to have a seat at a small richly carved oak dining table with two chairs surrounding it. He seats himself down on the other side and takes a match from his vest pocket. He then lights the candle in the center of the table, drops some powder over it, and states the incantation in French that she is already quite familiar with.
"Ah, En dépit de la porte ouverte, nous aurons l'intimité. Vos questions doivent être sérieuses," Kate said in her clear French. "This trick is more common than I thought. Now, how can I help you?"
*Despite the open door we shall have privacy. Your questions must be serious.
"A simple parlor trick, some minor magics known to a great many bards," he states.
His face takes on a serious expression and he states, "Mrs. Kale. From the time of Mr. Whitman's telephone call this afternoon my staff have been rather busy sending telegrams and continuing investigates that I began after receiving Mr. Clemens note. As I stated before, he is one of the partners in this establishment and would not want to put me or it at risk. While Mr. Clemens truly enjoyed the presence of your company and that of Mr. Booth's, he is also a man who has been burned himself by con artists over the years, so was also skeptical of some of your friend's claims.
Based upon the information that my daughter has just now passed on to me I am convinced that you are the person you claim to be, Katherine Seagram Kale, the only daughter of Frederick Seagram of Boston. While it is possible that you might be working as a partner to a con artist, that is unlikely given your family background and access to wealth should you desire it.
I am less convinced of your companion. He is truly charming and may have blinded you with those charms. He may be sincere in his feelings towards you. But is it also possible that he saw a vulnerable widow from a rich family and that was too enticing of mark for him to pass up. If he is a con man then he is a greedy one and it is the wealth of both of our families that he is after, despite his assertions to the contrary."
"It's true that if I wanted wealth, all I would have to do is contact my father. I could live easy, wherever I wished. I have no reason to "con" anyone, and I'm a terrible liar."
Kate stood up from the table and walked a few paces away, rubbing her arms. "Perhaps you are wiser than I in suspecting him. But I do not. I initiated our first meeting, and he has never pushed me for more than I was willing to give. He did not speak to me about his relation to you until I brought it up.
I admit, when we first met I didn't think a great deal of him. But I was comfortable with him; he knew the rules of society that I knew. The rules of how men and women talk to each other. But I didn't fool myself, I knew those first days he gave me assistance because he thought it would give him an advantage.
But those days are gone. I've watched him act completely against his instincts in deference to my will. And in ways that have endangered his life. Johnny Ringo had bullets made that would unerringly hit specific targets trying to make me do what he wanted. He knew one of them was for him, but he still stayed. Trouble of the lethal kind seems to follow me like a shadow lately, but he still stays. There are easier ways to make a fortune.
I don't understand why he cares for me, but I don't doubt his love.
Tell me, Sir, do you think he is lying about being your son? Or just trying to take advantage of an accident of birth?"
"Either or both. He could sincerely believe himself to be my son and still not be. Or he could be trying to trick us both into a false sense of security about him."
He pauses, "Clemens mentioned how Mr. Booth saved your life on two occasions, both times against members of the Cowboy Gang. Now you mention that bullet as well, which I assume would warrant a third occasion. The main task of a con artist is to win the trust of their mark. How do you know that Mr. Booth wasn't working with Johnny Ringo? Each of those situations could have been staged, and who better to stage something than a trained actor."
"You misunderstand. The bullet was meant for him. Ringo had them made for people I care about, including the young girl I care for.
Sir, if you look for the darkest in people you will find it. It's true, everything he has done could be seen as someone trying to gain my trust. I have nothing but my own instincts to tell me that he is not trying to take advantage of me.
Well, that's not quite true. Conrad knows things about me that Ringo could have used against me. Enough that if they were working together things would have turned out very differently." She shook her head stubbornly. "No. I cannot believe so ill of him."
"I understand. I suppose life would be easier if I was just more trusting. In my youth I was far more idealistic than today. But I do see the good in people, this building would not exist otherwise."
He pauses and then continues, "Look at it from my perspective. Eight years ago an adult shows up on my doorstep claiming to be my son. Then I lose my fortune and never hear from him again. Now that I am financially sound again he reappears wanting to be part of my life."
He pauses and says, "Two years year Mr. Clemens lost a small fortune to a pair of brothers by the name of Maverick. He's more cautious now of stories that sound too good to believe. Add to that what happened to him in Tombstone, a man steals his identity, well enough to convince an entire town. Then a man turns up the next day in next town passing himself off as a younger version of me. I don't blame him for being skeptical and to warn me.
"Mrs. Kale, Ringo used magic to impersonate Twain. Clemens assumed that Booth's visual appearance could be the work of magic, and it very well could be. I'm not saying that Mr. Booth is a con artist, but don't be so blind yourself to not consider the possibility."
"I don't blame you for being suspicious. He told me that after Billy the Kid was killed in his home he'd hoped you might see the stories and contact him. When he heard Mr. Clemens was coming to town, he was so happy. I met him for the ball that night and he was dressed as Hamlet, and had shaved his mustache and goatee that he usually wears. The look on his face when I told him it hadn't really been Mark Twain... as if he would never feel hope again.
He hoped Mr. Clemens would see him and recognize his relation. He was so excited after his visit, and now to hear that he doubted all along. I wish he had acknowledged it openly. It would have hurt Conrad, but it would have been an honest hurt.
Let me paint you another picture, of a young boy growing up with no father. His mother chose to stay where she was, so it was widely known that she was an unmarried woman and he had to live with that stigma. Along with the stories of his great father she told him, she also continued to believe you would return to be with her. Eventually he understood that it wasn't true, but by then.... imagine how many years he must of wondered why his father never came. You've been this nebulous presence hovering over his whole life. Can you not imagine that he might want to make that ghost solid? I ask you only to please keep your mind open. Protect yourself as you feel you must, but don't assume the worst.
I can tell you this at least, he is not using magic. The face you've seen is his face," she finally finished before turning away, obviously distressed. She dug into her handbag for a handkerchief and held it to her eyes.
Edwin says, "I believe that you believe him to be genuine. He may be, but I have further investigations to do until I am ready to accept him the way that you wish me to. I was sincere when I asked him to write, and also when I invited him to visit here in the future. I have not ruled out the possibility that what he says is the truth. If he turns out to be the person who he claims I will indeed welcome him into my life. But until I am sure I will exercise caution, and I advise you to do the same."
He blows out the candle and stands. "We should be getting back.
Kate dropped her voice low as he came over to walk her out, conscious of the loss of privacy. "I'm sorry, you must think me terribly silly. It's been a difficult few days, and it's very distressing to imagine that someone I have relied on so much to help me through would have sinister motives.
I don't think he expected you to welcome him with open arms, Sir. What you offered, to let him write and visit now and then, was all that could reasonably be expected. Even if you believed absolutely in him, you're still strangers.
And thank you for...caring enough to caution me. You were under no obligation to do so."
He says, "No, I was not. But I will now place an obligation onto you. I have asked him to write to me. I wish for you to write me as well, or send telegrams if that is more convenient. Let me know what events transpire going forward that would support either scenario in order to better assist me in reaching a conclusion on this matter."
"That is a difficult thing to ask of me. I shall feel like a spy. You understand if I should start to see evidence that he has been lying I would be of no further use? If I saw such evidence I would confront him about it and it's likely I would no longer be in a position to see anything.
I will write to you about our lives and what happens in them. You must draw your own conclusions. You saw today how we see different conclusions in the same events. If I were to pick and choose what to tell you I would feel like I was keeping a secret from him. This way I won't have to lie to him. You may have to read a great many uninteresting letters, but I would feel better about it.
There is one other thing. Much of what happens is deeply personal. If my secrets should be revealed because of this, I must have your word that you will keep them. Is that acceptable?"
"You read too much into my request. I am not asking you to spy on the man. Merely to notify me if he should prove to be untrustworthy. And I would think that you would wish to share anything further that you find that support his claim. I too am investing some of myself emotionally into this situation, plus the expense of the investigations. As to any personal information I expect you to keep to yourself, not share it with a man who you barely know."
"I understand now. I would have notified you anyway, should I have learned something to prove him untrustworthy. I should have realized you don't know me well, so would not have realized that. But I'm glad to have the right to support him as well."
They reach the stairs back to the second floor, hearing Conrad's voice above now singing with another man, a heavy-set man with a graying mustache and sideburns.
They enter the room and Edwin proclaims, "Well Mr. Booth, I see that you have already found tonight's honored guest. Ladies and Gentlemen, Mr. Arthur Seymour Sullivan, visiting her from London. His many comedic opera collaborations with William Schwenck Gilbert are probably known to all of you."
Kate looked at Conrad's bright face and wished she could still share that happiness. Still, nothing had really changed. Edwin Booth had never said he accepted Conrad as a son, and considering Conrad was far more experienced in the world than she it was likely he already realized what had so surprised her. She reached inside and found a smile.
By the time she was introduced to Mr. Sullivan, she could smile with real pleasure and say, "How do you do?"
In his rich British voice Sullivan replies, "I am fine Ma'am, thank you for asking."
For the next three hours Sullivan remains the center of attention for the club. Kate discovers that this is his second visit to New York City. He and Gilbert had first come to America three years earlier in order to protect their copyrights, which were being flagrantly stolen. While in the country, they introduced their Pirates of Penzance at the Fifth Avenue Theatre in New York, which became an overwhelming success.
At around 9:00 P.M. Walt Whitman informs Kate and Conrad that he is becoming tired and will soon be leaving. Not wanting to overstay his welcome Conrad reluctantly agrees to depart now as well.
Kate was ready to go herself, and gladly got her hat and pinned it back on her head. Her mood had improved through the last few hours, picking up on the energy of the club. Still, she had stayed back from the crowd, playing when asked but mostly letting Conrad enjoy himself and keeping herself on the sidelines.
When Edwin Booth found them at the door to say good-bye, Kate said, "Thank you for seeing us, Sir. It's been a lovely evening, such as I'm unlikely to have again."
Edwin replies, "And it was a pleasure having you here as well. Good day Mrs. Kale, pleasant journey back to Boston." He turns to Conrad and they exchange firm handshakes. Conrad says, "Thank you Sir, this visit was more than I would have anticipated." Edwin replies, "Remember what I said about writing. You now know the address." "Thank you, I will Sir," Conrad answers.
Kate and Conrad move aside while Edwin and Whitman say their goodbyes. The trio then head out to the waiting carriage. Walt Whitman tells his guests, "I thank you both for prompting me to call here. Otherwise I would not have had the opportunity to meet Mr. Sullivan."
"It's you we should be thanking. I won't soon forget your kindness to two strangers. I had the telegram sent to my father before we left the hotel, so I would expect your brother to receive a reply tomorrow."
He thanks her and says that it was a pleasure to meet them. The carriage drops them off at the entrance to the Fifth Avenue Hotel where a pair of doormen opens the doors to the coach and hotel for the couple.