I recently finished Leviathan Wakes - which was a wonderfully deliberate throwback to the SF of my youth, ie the likes of Niven and Pournelle. It's mid-future intra-system space opera with a dash of detective noir and horror. The great thing is the book is all about people, not post-people or computer programs. Terrific fun.
Daniel Abraham, who co-write Leviathan, and wrote all of The Dragon's Path, is my new go-to author for pure, compulsively readable storytelling.
I also read the 1st book in Mark Charan Newton's Legends of the Red Sun series, Nights in Villjamur, It's Dying Earth science fantasy, complete with direct shout-outs to Wolfe's Book of the New Sun, even. It's moody, heavily reliant on tone, kinda obviously an early-career novel, but still very good. I found it compulsively readable too, but I'm guessing most people wouldn't. I'm somewhat of a sucker for that particular sub-genre, as well as for authors willing to mix up their language a little, do something other than flat transparent prose or faux-grandiose high fantasy diction.
I just started the 2nd book, City of Ruin. So far, so good.
After that I may take a break from SF/F and read Jenifer Egan's 1st novel, The Invisible Circus. Her latest book, A Visit From the Good Squad won the 2011 Pulitzer for fiction. I thought it was marvelous too, the best book I'd read since David Mitchell's Cloud Atlas, aka, The Best Novel of the Aughts -- and soon to be a major motion picture from the Wachowski Brothers, and that Run, Lola, Run guy! (I kinda wish I was kidding about that).