Nefius says, "I would not have them kill you and so they began to doubt my dedication to their cause. Like I mentioned before, it has been a long while before I had stimulating intellectual company and I wished to savor it for as long as it would last. And perhaps even convert you as your friend Barok expressed interest. Knowing our history, though, and your previous heroics they considered you unconvertable."
Silas walks to the base of the statue, which is covered by cobwebs and tarnish from age. It would appear as if the priests had forgotten about this passage through the ages and neglected to clean it, which fills your Dorinthian heart with regret. No statue of the Rider should be left in such a state as even the unreligious of you find it somewhat blasphemous.
Barok hears running water under a grime and dust-covered portion of floor at the far end of the room. Uncovering a portion of the grime with his foot, he believes he sees a heavy, rusted grate.
Silas and Barok both notice one fresco at the center of the room of Mount Kinran, a large mountain in between here and the old Dorinthian capital. The fresco depicts a climber finding a large crystal with some shadowy winged figure inside of it. This event seems to have started a series of other violent events for it shows the peaceful, farming community the man comes using their farming tools as weapons against insect-helmeted men who lord over them. The battle looks devestating to both sides, and it appears that the farms give way to a nomadic horse lifestyle after the former farmers seem to lose a series of conflicts. Towards the later events in the frescoes the former farmers begin to use hunting bows from horseback and the insect-helmeted beings seem to lose the next series of battles, and have their temples and halls set ablaze.