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Critical Role The Legend of Vox Machina: Bawdy, Bloody, and Funny

With The Legend of Vox Machina, Critical Role comes full circle from being voice actors playing D&D (first in a private game, then streaming on Geek & Sundry) to an $11 million Kickstarter for an animated special. That success attracted streaming network interest, which then morphed into a 24-episode animated series where they're voicing their own characters.

With The Legend of Vox Machina, Critical Role comes full circle from being voice actors playing D&D (first in a private game, then streaming on Geek & Sundry) to an $11 million Kickstarter for an animated special. That success attracted streaming network interest, which then morphed into a 24-episode animated series where they're voicing their own characters.

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If you've never watched Critical Role Season 1 or read any of the stories, TLoVM the animated series is easy to jump into. Instead of being exposition heavy or thrusting viewers into a lot of world building, it starts with some classic fantasy – especially fantasy RPG – tropes like a drunken bar brawl and mercenaries being killed (a TPK) by a mysterious force. Those scenes are delivered with hefty dose of humor, a bit of blood, and some nudity.

This isn't the '80s Saturday morning Dungeons & Dragons cartoon for kids. While there is gore, it's less than an episode of Invincible and far less than that show's season 1 finale. Similarly, TLoVM has nudity and a bit of sex in the first few episodes, but far less than Game of Thrones.

Vox Machina is an established group at the start of the series, but one that needs money and has a less than stellar reputation. The land of Emon is being ravaged by a mysterious threat. A bit of desperation on both sides leads to the bickering heroes taking the job.

TLoVM is bawdy, bloody, and funny, but it also has heart. The first two episodes tell a complete story with an obvious hook at the end that leads into the rest of the episodes – and a stinger hinting at new threats.

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The animation style has clean lines with some anime influence, but nothing excessively intricate or artsy. At the same, the art direction has style, like a scene that adds interest to the characters walking by showing it through a spider's web dotted with raindrops.

The first episode establishes the eight members of Vox Machina quickly with the following episodes building nicely upon each character's traits. Matthew Mercer voices several of the supporting characters, but in this format he doesn't have to cover all of the NPCs. The guest star talent includes David Tennant, Stephanie Beatriz, Tony Hale. Felica Day is the voice of a bandit.

And if they don't sell a stuffed toy bear version of Trinket at some point, Critical Role is missing out on a merchandise opportunity. TLoVM hits the perfect sweet spot between making Vex's companion bear fierce in battle, amusing when waiting, and adorable the rest of the time.

No critic has been given advance access to the entire first season, let alone all 24 episodes, so it's impossible to say how well the entire story arc plays out, but the first few episodes are entertaining and well made.

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You don't have to be a fan of Critical Role to enjoy The Legend of Vox Machina, but if you're a fan of fantasy adventure, TLoVM might turn you into Critter. The Legend of Vox Machina debuts on Amazon Prime on Friday, January 28, with the first three episodes. Critical Role will be holding watch parties on their Twitch channel at 7pm Tuesdays.
 

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Beth Rimmels

Beth Rimmels


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TheSword

Legend
I'm told (by a Polish speaker) that a literal translation of Jaskier is Buttercup, not Dandelion.
Yes it is. When they did the translation they decided that buttercup was a bit too feminine for their liking so switched for the far more macho dandelion 😂

It probably doesn’t help that the aesthetic of the Vox-Machina character appears to be a direct knock-off of Dandelion.
 
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It probably doesn’t help that the aesthetic of the Vox-Machina character appears to be a direct knock-off of Dandelion.
Hilarious point re: Dandelion's name but I don't think the annoying gnome is a knock-off, aesthetically or conceptually. Both are reflective of a common trope (and overused) conceptually, and aesthetically, both dress flashy, but virtually all entertainers do in fantasy, and so the only real similarity is the use of aggressively purple/pink clothes, which I dunno if it's from the books or something the games invented, but I'm pretty sure the games did it the way they did because of The Artist Formerly Name Prince and others dressing that way, so that's the source both are drawing on.
 

Of course Scanlan is off-putting and annoying, and the whole group suffers because of him and his antics.

He's a bard.
This is what I despise most of all.

At some point in time the Bard class went from being played as a clever, knowledgeable, sly charmer to quick frankly a "dick". Not sure what edition this happened but now it's a self sustaining meme, brought to life in this cartoon. Horrible and tired cliche. All IMO
 

At some point in time the Bard class went from being played as a clever, knowledgeable, sly charmer to quick frankly a "dick". Not sure what edition this happened but now it's a self sustaining meme, brought to life in this cartoon. Horrible and tired cliche. All IMO
Hard disagree.

That's never happened, actual-play-wise, not as a "default" thing. That's very easy to see reading Actual Play threads, listening to virtually any D&D game podcast, and so on. The "normal" Bard is highly varied, but tends towards the trickster or the cheerleader or the like. Only a small minority are like this, and they're akin to the Fighters who always charge in mindlessly and try to solve every problem with violence and so on (which this show also has, albeit he's slightly more passive than most of those).

What actually happened is that the STEREOTYPE of the Bard class changed, and it changed because so many people thought the new stereotype was super-amusing, it got popularized. And because CR included one of these characters and is extremely popular, the stereotype was again further popularized. But even people influenced by CR don't typically play that way.

Also people who dislike the stereotype are often guilty of perpetuating it - indeed I feel like that's what you're doing here by suggesting it's an actual change in behaviour rather than merely a stereotype.
 

Maybe I'm reading it wrong but that doesn't seem disagree to me
I really like the bard in 5th ed. It is horribly stereotyped in 'media' especially the stupid picture of the boy with the guitar crying.
Anyway veering off the OP now
 

This is what I despise most of all.

At some point in time the Bard class went from being played as a clever, knowledgeable, sly charmer to quick frankly a "dick". Not sure what edition this happened but now it's a self sustaining meme, brought to life in this cartoon. Horrible and tired cliche. All IMO
Are you sure, because I think they where always like that.
the-court-jester-3.png

Don't forget, it's the flagon with the dragon that holds the pellet with the poison. The vessel with the pestle holds the brew that is true.
 

bedir than

Full Moon Storyteller
For all the gnashing of teeth here, after 17 reviews it's at 100% on Rotten Tomatoes. The audience score is a 94%.

Now, the critics and audience from week 1 are likely niche. I expect next week there will be more mainstream reviews so that level should dip.
 

Thunder Brother

God Learner
For all the gnashing of teeth here, after 17 reviews it's at 100% on Rotten Tomatoes. The audience score is a 94%.

Now, the critics and audience from week 1 are likely niche. I expect next week there will be more mainstream reviews so that level should dip.
Not to be that guy but a critic saying "it's fine" would be a fresh rating on Rotten Tomatoes. Metacritic has it at a more modest 81 critic score (with only 4 reviews) and 7.9 audience score.

Neither site is perfect though 🤷‍♂️
 

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