In case anyone is wondering, my tune "Pistolero" is specifically a Pathfinder song. It's all about the Gunslinger class. Whee!
I believe, as <!-- BEGIN TEMPLATE: dbtech_usertag_mention --> @Lanefan <!-- END TEMPLATE: dbtech_usertag_mention --> has also pointed out, that you have mixed up artists and songs.
SJ's 2 songs were Ravens in the Library and Were Owl..
Actually, I'm wondering if most other people are applying the same filter I am that her work doesn't sound like it's about D&D but has vague references to something one could find in D&D (namely a fantastic beast called a were-owl).
I reckon, there's something wrong with the world if people think other songs are better than hers.
I'm assuming the world isn't broken, and that folks just deemed her work to be outside of the requested topic. I feel like her submittals happened like this:
Friend: Hey, SJ, you should check out this music contest on EN World
SJ: hmm, D&D...huh? What the heck is that?
Friend: you know it's about fantasy adventures and stuff, like Lord of the Rings and Game of Thrones.
SJ: Well, I got a song about Ravens and Libraries. Does D&D have Ravens or Libraries in it?
Friend: Well, you can have a Raven as a Familiar for your character, and you might find a library with ancient tomes in it...
SJ: Excellent....
I'm being facetious, but that's how SJ's entries feel to me, and might be why they are scoring lower.
Ahem. I think heat 3 just took you off it's Christmas Card list!
ah yes, I remember that song now. I forget what I voted for in that heat. For all I know, that was it. Were-Owl was better though. I recall not being as into that song. Rather ironic, that her actual D&D song, didn't appeal to me.
Let's be clear: What is the song "Level One" actually about? It's about how bored the guy is playing his 4 HP wizard. I can't vote for apathy over quality, any more than I would want to listen to uninspired, passionless parody-music while gaming with friends.
Were-Owl and Ravens are both better songs. Why? Could it be because the mechanics of rolling d20s doesn't make for soul-stirring musical epics? I think it could be.
I'd say it's about 3 and a half minutes long. (ba-da BUM).
But seriously folks...
In a pure art sense, it's about whatever you perceive it's about. If, to you, it's about apathy, then to you, that's what it's about.
To me, it's about a gamer shared experience - specifically a 1st or 2nd Edition Wizard, pre-cantrips, who literally had one spell a day and a dagger. I played one, and most gamers of that era that I know played one. It's a commentary on the rules system that tried to balance a very powerful mid/high level by under-powering the low levels. If you could survive to caster level 4, you could rule the world - but, good luck with that.
In any event - everyone will have their own perception of the song, filtered through their own understanding and personal experiences. Whatever that ends up with is completely valid for that person, and what I "meant" when I wrote it, doesn't matter at all.
Bardic "who wrote this anyway?" Lug
So I wonder -- if she turns out to be a part-time gamer who has an EnWorld account and knows a fair share about the D&D universe, would that persuade you to change your vote (if you had that option)? Her gaming know-how or lack of it won't change her songs one jot, tittle, note or iota: they're still quality and stand clearly head and shoulders above other entries. (I haven't got the time or, honestly, the inclination to check out everything in the previous 3 heats -- I'll take your word for it that none of it measured up to hers.)
Honestly, it's foremost the country-folksy-twangy tone, instrumentals and vocals, that make it sound like the song is merely about how bored you are. Would a wizard listen to country music? Did Gandalf and Merlin grow up at their mothers' knees listening to Roy Rogers? Seems unlikely.