Once upon a time, a guy named Vangelis was the keyboard player for a band called Aphrodite’s Child. One of their recordings was an epic classic rock/avant-garde concept double album regarding the Bible’s Book of Revelations. That album’s “The Four Horsemen” gets a fair amount of airplay on late night “deep cuts” shows on classic rock stations:
It’s a perfect song to set the vibe for a campaign involving one view of prophecies of Christianity’s end times, or possibly a transformation of it into something else.
It’s a perfect song to set the vibe for a campaign involving one view of prophecies of Christianity’s end times, or possibly a transformation of it into something else.