The Golden Key: From the Casebook of Nigel Spenser (Updated 9/16)

Kid Charlemagne

I am the Very Model of a Modern Moderator
Interlude
London, England
January 9th, 1888


The knock at Nigel Spenser's door was barely audible, more like a scratch at the door than a knock. Nigel grinned, and opened the door.

" A couple of solid applications of knuckle to door is the generally accepted method, Artimis," he said.

"Come in!"

Artimis Swain was wearing his usual high collar, hiding the gills that would draw attention to him, even in London, where Orkling, Elfborn, and Fir Bholg walked the misty cobblestoned streets. He set his spear just inside the doorway, and looked as though he were going to say something. He stopped as he gazed at the wall of Nigel's drawing room. Nigel had covered it in corkboard, and small slips of paper were pinned all over it in an apparently haphazard application. The lower part of the wall was covered in slips, while the upper half was barely covered in more than a few places. At the very top was an old photograph of a professorial-looking man in his twenties or thirties in a fine frock coat and top hat..

"What is that?" Artimis exclaimed.

"Ah!" Nigel cried. "I'm starting a project. A categorization of all the tendrils of crime that emanate from this man."

Nigel pointed to the dissaproving looking fellow in the old photo.

"And that is?" Artimis asked, skeptically.

"The infamous Professor Moriarty, of course," Nigel replied. "I'm rather annoyed at the fact that this Veldargo chap escaped us, but that's water under the bridge. There's no sense in fretting over it. Instead, I plan on taking action to uncover him, and in the process, start this project. I've been planning on this for some time."

"I'll add to this as I learn new connections that lead back to the Professor, while keeping an eye on those elements of his criminal enterprises that someone such as Veldargo might need."

"But we know nothing of Veldargo," Artimis pointed out.

"Absolutely true," Nigel said. "But we know that he wanted some engravings out of a book purportedly penned by one of the great wizards of the 14th century. We know he himself has access to magicks that allowed him to put up a solid wall of stone in our path when we tried to follow him. If he's looking to sell the engravings, I'll be keeping an eye out on fences known for trafficking in magical works. If he plans on using themselves for some ritual or something along those lines, it might be a little more difficult. I'll keep an eye on sages and scholars who are known to be experts on Vittorio Mateo, or who are known for working with the seedier wizards of our fine city."

Nigel grinned and looked at his handiwork. It was spotty at the moment, but he could see the gaps and had ideas on how to fill them. He snapped his fingers.

"I almost forgot!" he exclaimed. "I received a letter that might interest you."

"I received a letter as well," Artimis replied.

"Was it from Scotland Yard?"

"No, it was from a friend of mine."

"Oh. Well, take a look at this one," Nigel said, handing over an envelope embossed with the seal of London's reknowned Scotland Yard.

Dear Mr. Spenser,

Please allow me to introduce myself and forgive the impertinence of writing to you without the benefit of formal introduction. My name is Inspector Bennett, of the Met. Police of London, and I am writing to you upon the recommendation of Mr. Peabody of Lloyd’s of London, who speaks highly of your abilities and discretion.

As you may have read in the newspapers, there has been a number of appalling attacks, dare I say murders, in recent weeks, all upon the finest of society and perpetrated by, in my professional opinion, the same bloodthirsty maniac. As you can imagine, this has caused something of a panic and the good citizens are demanding private protection for their families. London being a rather large city and the size of the police force being what it is, we simply do not have the personnel to guard every citizen individually all whilst tracking a crazed and dangerous murderer. Therefore, I am offering to temporarily appoint you and whatever fellows you deem brave and trustworthy as constables until such time that the criminal is caught and brought to justice. With the department budgeting being what it is, we would be unable to compensate you directly, but the families, being of the best sort, are prepared to reward you handsomely for your service.

If you are interested in such matters, please come at once to No. 4 Whitehall Place with your most dependable and honest colleagues to take your oath of service and receive your assignments.

Best Regards,

Inspector Charles H. Bennett

"Interesting," Artimis said. "Take a look at this. I think we might be able to work on this after we help Inspector Bennett."

Dear Mr. Swain,

I hope this letter finds you in excellent health. I also hope that you do not mind that I leave this message in the capable hands of Miss Beck, a most charming and gracious hostess. Please give her my thanks and warmest regards.

I have left this letter on what would have been my third visit, and I am somewhat concerned that I have failed to meet with you yet again and I fear that some misfortune has befallen you. It would greatly put my mind at ease to receive some word of your disposition, should a visit in person prove too bothersome. I hope I am not intruding upon matters of your private life and pray that you understand that I ask after you only as a concerned friend.

I must admit that I am quite anxious to show you some rather odd facts that my research has uncovered. I have been faithfully searching for traces of the artefacts of which we have spoken on many occasions. I have continued my interviews with sailors and fishermen, but unfortunately, I have not found substantial proof any such objects existing in England. However, one old fisherman of the name Harold Goodman did tell me an interesting tale. He comes from a small village in the North called Shoalbury, a town which until recently survived mainly on the fishing trade. The locals have discovered an oyster bed that produces red pearls exclusively. This in of itself is unusual but not unheard of, though red pearls are rather rare, and Mr. Goodman swore that no oyster bed had existed in those waters previously and that the bed had sprung up “overnight.” It could be merely a “fish tale,” if you forgive the phrase, but I thought I should at least mention it to you in case it had some larger significance to you.

Also, I made an interesting discovery in regards to the map you showed me and have found two stories as to where it leads. Both stories involve shipwrecks, though hundreds of years apart. The first story was recounted to me by an English sailor in H.M. Navy, a man named Balliwick (I apologize that I do not have his Christian name, but he was rather incoherent as he was intoxicated). According to Mr. Balliwick, his grandfather served under Lord Nelson during the war with France, and that a French vessel was mysteriously lost in that region, perhaps during a storm. As you can imagine, he told a tale of Napoleon’s fabulous wealth lost to the sea, but ripe for the picking for some brave and adventurous soul.

The second tale I found in a book whilst researching an unrelated topic. I was translating an ancient book of accounts written in a rather dry style by a merchant named Miles Caperoys and was surprised to find in the midst of his figures and inventory a rather fascinating account of his ship being overtaken by Barbary pirates en route to the Kingdom of Jerusalem. During this struggle, the ship was accidentally sunken by the attackers, who had merely intended to take the ship as spoils, and the merchant was taken as a hostage briefly until ransomed by Christian knights.

Is it possible that not only is your map real, but that it leads to one of these ships? Or is it merely a product of the fertile imaginations of sailors who for hundreds of years heard tales of sunken ships laden with gold and treasure? I can not be certain on either account, but I shall continue my research and search for the Truth nonetheless.

Yours,

Dr. Randolph W. Spivey

"This has to do with the map you showed us, correct?" Nigel asked.

"Exactly. Are you interested?"

"Of course!"

"It occurs to me," Artimis said, "that to search for sunken treasure of this sort, we're likely to need some resources. A sizeable ship, a crew, etc. We'll most likely need some backing."

"The sort of backing that rich people who look to hire people to protect them could provide," he finished, gesturing towards Nigel's letter.

Nigel grinned again. "Shall we meet at Scotland Yard in the morning, then?"

"I'll see you then," Artimis responded.
 

log in or register to remove this ad

Kid Charlemagne said:
As a player, I know that something must be up with the 'History of John Uskglass,' - mostly because of the name Vittorio Mateo coming up. This is the second campaign in the Victoria setting, and Mateo figured in that one as well. Nigel & Co. would have little reason to be overly concerned, but as a player, certain things catch my ear and make me wonder if they're innocent color, or clues to an ongoing thing.

So I'm sure we'll get back to this plot point at some juncture.

OOC knowledge is always good! ;)

Of course playing with an established group and a GM who you trust to get back to the storyline will mean that you can accept a temporary mystery. I guess I asked mostly 'cos I've considered running the same adventure, but as it's aimed at first level types, I wonder how players will react to starting with an adventure in which they "lose" (or at least don't wrap things up completely).
 

Kid Charlemagne

I am the Very Model of a Modern Moderator
HalfOrc HalfBiscuit said:
I wonder how players will react to starting with an adventure in which they "lose" (or at least don't wrap things up completely).

It's alway tough as a player to know exactly what to do in those situations. There's a tendency to latch onto a challenge and pursue it doggedly. On the other hand, if you think it's over you might totally let it go. You have to rely on DM cues to figure out what path to take.

All I know is that if involves Mateo, I need about 12 more levels. :)
 

eris404

Explorer
It is taking all of my willpower not to post something snarky about Vittorio Matteo. :]
Try about 20 levels, Kid. ;-)
Just wanted to say thanks again for the story hour - you're doing an excellent job and it's always fun to see how the campaign looks through someone else's eyes.
 

Hairball

First Post
Okay, I've got some questions:

Did you let Iron Tusk die or was he turned over to Scotland Yard?

Did Lloyd's have to pay off on the insurance policy for the key?

What was under the buckled armor? Daoinne Sidhe? Drow Elf?

What was up with the iridescent armor the the funky daggers?

How did you cook the dragon steaks?


Again, great story hour. Looking forward to the next installment.
 

Kid Charlemagne

I am the Very Model of a Modern Moderator
Hairball said:
Okay, I've got some questions:

Did you let Iron Tusk die or was he turned over to Scotland Yard?

He bled out during the fight. Nigel would have dragged him in, but considering how Iron Tusk tormented that poor widow, he's not upset that he wasn't able to be saved.

Hairball said:
Did Lloyd's have to pay off on the insurance policy for the key?

They paid off on the key and the book.

Hairball said:
What was under the buckled armor? Daoinne Sidhe? Drow Elf?

We're not sure. He kind of dried up and got all dessicated. Nigel delivered the body to a friend of his who works in the morgue at Scotland Yard in hopes that he could figure out what he was, or at least provide a conversation piece... :)

Hairball said:
What was up with the iridescent armor the the funky daggers?

Hmmm... The irridescent armor had a funky magic property which slips my mind at the moment. The dagger was a specially made thing that gives bonuses to disarm attempts. I kind of skipped over the "treasure division" portion of the session. I'm starting to think Nigel is going to start a collection of adventuring mementoes; I can't recall if we sold the Dragon skull or not. The Artificer's Guild will purchase things like that, so we may have.

Hairball said:
How did you cook the dragon steaks?

This is Victorian England. We boiled the heck out of it. :D

Hairball said:
Again, great story hour. Looking forward to the next installment.

Thanks again!
 


sniffles

First Post
eris404 said:
Not a magical property, but it did smell like saliva.
EW!! :eek:

Kid Charlemagne and eris404,you're both doing a great job of capturing the feel of a Victorian mystery. I don't know if the two letters are transcriptions from something eris404 wrote, but they're very well done. Just like real British writing. :)
 

eris404

Explorer
sniffles said:
EW!! :eek:

Kid Charlemagne and eris404,you're both doing a great job of capturing the feel of a Victorian mystery. I don't know if the two letters are transcriptions from something eris404 wrote, but they're very well done. Just like real British writing. :)

Aw, thanks, Sniffles! I did write them, for better or for worse (I probably missed some British spellings/grammar in there somewhere) - I love giving out handouts like letters, maps, drawings, excerpts from books, whether its something I've written or something from a real book (which does come up in a later adventure). The really nice thing about this setting is that it's very easy to find good handouts. The last time I ran this campaign, I used drawings from Hieronymus Bosch. :)
 

Kid Charlemagne

I am the Very Model of a Modern Moderator
No. 4 Whitehall Place, London, England
January 10th, 1888


Scotland Yard was a bustling place on the most ordinary of days. London was a hotbed of crime, and the number of inspectors and constables working there filled the place almost to bursting. Every significant robbery, mugging, and kidnapping occuring in the city of London was handled there.

Inspector Charles Bennett was busier than most. Murder was a nasty business, and there had been four of them in the past three weeks, as well as a half-dozen associated missing persons. His hair was tousled from his pulling at it, and he was only roused from his dark speculations by a knock on his office door.

"Come in," he rumbled.

"Pardon me," answered Nigel Spenser. "Inspector Bennett? The seargent at the front desk said we could find you here."

"Yes, yes. I'm very busy, I'm afraid…"

"We may be able to help," Nigel replied. "You sent me this letter a few days ago, in regards to certain killings happening in the city."

"My name is Nigel Spenser, and these are my colleagues. We're interested in helping."

"Spenser? Ah, yes! Of course! Forgive my earlier reticence, I've been working late nights lately. Please come in, and I will give you the facts of the matter so that you may understand what it is we'd like to ask of you."

Nigel came in and sat down in front of Bennet's desk, followed by Artimis Swain. Sandor Kertes and Orla Taoiseach stood, flanking the office door. Amanda Higgins-Rafferty sat daintily on a chair by a chalk-board covered in a rough neighborhood map, apparently the area where the killings had taken place. Cassandra Cavanuagh leaned against a cabinet in the corner of the office.

Inspector Bennett blinked the fatigue out of his eyes. London was such a strange place these days.

"Well, as you may have read in the papers, there has been a few killings recently. We've kept the press away from it for the most part, but that won't last."

He stood up and walked to the chalkboard. "The attacks have all taken place within a roughly eight block radius of this section of Swan Street. It's a fairly well-to-do neighborhood."

"We've been asking for help in guarding certain families that have asked for help. We're simply too taxed to provide personal security, and we don't have the budget to add more staff. The families, however, are willing to pay for the assistance."

He rummaged through some folders on his desk.

"The family I'd like to assign you to is the Dromidal family. Lady Adriane has been most vocal about needing protection, and in fact her son-in-law was one of the victims, so we are especially concerned that the madman might return to the Dromidal House."

Nigel leaned forward on Inspector Bennett's desk, supporting his chin with his hands, his fingers knitted together as he looked at the case files.

"Inspector," he asked, "could you give us the particulars of the attacks? It might help us execute our duties more effectively."

"Of course, that seems sensible," he replied, returning to his desk and rifling through his folders. He arranged them in chronological order, and began. Nigel pulled out his notebook, and began jotting down details in a precise, small script.

Three weeks ago: Archibald Pickwill (missing) – attorney.
Sixteen days ago: Thomas Turner (murdered) – husband of Lady Adriane Dromidal's granddaughter, found with his throat cut in the sideroom of the Dromidal House.
Two weeks ago: Elizabeth Gorman (murdered) – throat cut in her own house.
Two weeks ago: Angela Gorman (missing) – went missing that same night.
Twelve days ago: Edith Lovely (missing) – society matron, well-respected and wealthy. Some blood and struggle evident at scene.
Nine days ago: Michael Hastings (murdered) – throat cut in kitchen of his inn
Nine days ago: Agatha Hastings (missing) – missing at that same time
One week ago: Vivian Knots (missing) – famous actress, disappeared after a cast party following an appearance in a play. This one is being kept secret to avoid press.
Five days ago: Julia Pimm (murdered) – scarlet woman, throat cut. Furthest from Swan Street – found one mile away.
Four days ago: Cole Charleston (missing) – young man, "popular" with the local ladies.

"Did the killings take place at a particular time of day?" Orla asked when Bennett was finished.

"Between the hours of eleven at night and three in the morning."

"Was anything taken from the crime scenes?" Nigel asked.

"No, apart from any struggle that might have taken place, nothing was disturbed."

"So no souvenirs," Artimis remarked.

"Any other connections between the victims?" Cass asked. "Was Pickwill the attorney for all of them, for example?"

"No," Bennett replied. "Although they do all move within the same social circles, and live within this eight block radius of Swan Street. With the exception of Julia Pimm, of course. She's the outlier."

Further perusing of the files revealed no clues, and the investigators made their way to the Dromidal House, escorted by Inspector Bennett. He appointed them temporary constables of the Metropolitan Police so that they could have a measure of official endorsement, and presented them with badges.

"I'll make the introductions, and if Lady Adriane agrees, you can begin work immediately," he explained.

The Dromidal House was a large, imposing mansion that had seen better days. While still in solid structural condition, the paint was peeling in a few places, and the grounds had been allowed to get the better of whatever gardener the Dromidals employed. Inspector Bennett opened the squeaking iron gate that opened onto the street, and led the investigators to the front door.

A woman's voice could be heard inside, yelling loudly

"May! Get up here! Now!"

Bennett rang the bell and the voice stopped yelling. He pointed at the yard while they waited for what seemed an unusually long time.

"The family fell somewhat out of favor when Lord Dromidal passed on," he explained. "Lady Adriane is…"

"FARNSWORTH! Get the door, you dottering…!"

The door opened. A wizened, ancient butler waved the into the foyer. A young, pretty woman in her late twenties came running in from the back of the house.

"Oh, dear!" she exclaimed. "I'm so sorry about the wait. How good to see you again, Inspector Bennett."

"This is Cecilia Turner, Lady Adriane's granddaughter," Bennett said, in explanation.

"Inspector Bennett!" a voice came from above them, on the second floor landing. They turned to see who it was. Nigel noted that it was the same voice that had been screaming at Farnsworth and the unseen May, but that she had turned on the charm for her visitors.

The voice came from an elderly woman, in her seventies. She was dressed in a gown that would have been fashionable perhaps in the 1850's, but was hopelessly dated now. Amanda noted that she was rather overly made up, as well.

"What a fine group of guests you have brought to my humble abode," Lady Adriane said. "Cecilia, why don't you take our guests into the drawing room while I finish getting ready?"

"Of course, grandmother."

They had scarcely left the foyer when Lady Adriane's voice rose to a screech once again.

"MAY! Now!"

Artimis remained at the door between foyer and drawing room, and saw a small, Japanese woman rushing up to the second floor, muttering to herself.

"Must be May," he thought to himself. "Or Mai, to be more precise."

He joined the others as Cecilia was talking.

"…Five hundred pounds, per person, per week, does that sound acceptable?" she was saying as she brought out a chequebook. "You may stay on the third floor, and grandmother would like you to be as quiet as possible on the second floor, where our rooms are. There's no need to be constantly checking those rooms, I should think."

They accepted the terms, and repaired to their rooms on the third floor, which was little more than an attic. They divided up the times that they would watch. Nigel, Cass, and Sandor would watch during the day, and Orla, Artimis, and Amanda would watch at night. The day crew began to make the rounds, familiarizing themselves with the house and grounds.

Nigel wound his way through the dining room, the foyer, and finally the sideroom off of the dining room, where Thomas Turner, Cecilia's husband had been found murdered. There were a few pieces of antiuque furniture, and on one wall was a large shield with the Dromidal device. Opposite the shield, on the outside wall, was an elaborate stained glass window, apparently depicting the late Lord Dromidal in the guise of a knight, in full armor, sword and shield.

He came back into the dining room, and something moved, just at the edge of his vision. Nigel shook his head to clear it. He approached where he saw the movement. It was a closed china cabinet. He peered in, and could see clearly where the sugar bowl had moved perhaps six inches from where it had been. He could see the trail it had left in the dust on the cabinet shelf.

"What in the blazes?" he asked himself, not sure of his own eyes. The sugar bowl seemed innocent and innanimate enough now.

Meanwhile, Cass had walked out onto the grounds. The inside of the house was far better maintained than the outside, she noticed. There was a fountain in the backyard, and a wall and hedge surrounded the estate. There was a gate out onto a service road in back. She returned to the house and entered by the back door, just alongside the kitchen. She heard a slight crunching noise underfoot, and kneeled to see what it was.

It was a small, brightly colored origami crane, now crushed and bent. Cass straightened it out, and put it in her pocket.
 
Last edited:

Remove ads

Top