CleverNickName
Limit Break Dancing (He/They)
I remember studying that writing technique back at university. Our professor was lecturing about story pacing, and how the scene description can be used as a device to "throttle" or "accelerate" the pacing. The example he gave was from Tolkien, specifically the parts where characters were either lost in the wilderness, or were struggling to cross Mordor...in those parts of the story, Tolkien would use large convoluted descriptions to make the reader struggle alongside the characters, or use repeating words to give the reader the sense of seeing the same tree over and over again, like the reader is also lost in the forest with them. Tolkien was a master of what my professor called "sympathetic narrative."Except that Old Forest chapter. oof. SO MANY DESCRIPTIONS OF TREES.
I try and reread LotR once every couple years, and I really do love it, but that chapter is a slog every time.