D&D 5E Latest D&D Errata: Drow, Alignment, & More

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Sage Advice is a series of articles in which Jeremy Crawford, one of the D&D Studio’s game design architects, talks about the design of the game’s rules and answers questions about them.


D&D books occasionally receive corrections and other updates to their rules and story. This Sage Advice installment presents updates to several books. I then answer a handful of rules questions, focusing on queries related to Fizban’s Treasury of Dragons and Strixhaven: A Curriculum of Chaos.


Official errata has been published for the following books:
Here's some of the highlights.
  • Alignment is removed from the Racial Traits section of races.
  • Drow have undergone lore changes which reflect the different types of drow. The 'darkness of the drow' sidebar which portrays them as only evil has been removed.
  • Storm King's Thunder alters references to 'Savage Frontier' and 'barbarians'; Curse of Strahd alters references to the Vistani.
  • The controversial Silvery Barbs spell has been clarified.
As a drow, you are infused with the magic of the Underdark, an underground realm of wonders and horrors rarely seen on the surface above. You are at home in shadows and, thanks to your innate magic, learn to con- jure forth both light and darkness. Your kin tend to have stark white hair and grayish skin of many hues.

The cult of the god Lolth, Queen of Spiders, has cor- rupted some of the oldest drow cities, especially in the worlds of Oerth and Toril. Eberron, Krynn, and other realms have escaped the cult’s influence—for now. Wherever the cult lurks, drow heroes stand on the front lines in the war against it, seeking to sunder Lolth’s web.
 

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May not be edgelord enough;) Minotaurs not pretty enough.

I'll take any edgelord race over Kender though.
I feel like you're conflating edgelords and Goths. There's some crossover but they're both capable of being separate things without the other.

If there's any confusion, you can apply the Fight Club/Nightmare Before Christmas test. Fight Club is pretty much perfectly edgelord (the movie anyway), i.e. trying to be dark and transgressive, and well, edgy and so on for the sake of it, but not at all Goth. Nightmare Before Christmas is pretty much perfectly Goth, but not really edgelord at all, because it's so twee.
 

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I feel like you're conflating edgelords and Goths. There's some crossover but they're both capable of being separate things without the other.

If there's any confusion, you can apply the Fight Club/Nightmare Before Christmas test. Fight Club is pretty much perfectly edgelord (the movie anyway), i.e. trying to be dark and transgressive, and well, edgy and so on for the sake of it, but not at all Goth. Nightmare Before Christmas is pretty much perfectly Goth, but not really edgelord at all, because it's so twee.
I use Fight Club as part of the edgelord test too. Actually, any misaimed fandom: Rorschach from Watchmen, American Psycho, Pulp Fiction, etc, etc. Basically, 'Do you know the difference between Villain Protagonist and Hero?'
 

I feel like you're conflating edgelords and Goths. There's some crossover but they're both capable of being separate things without the other.

If there's any confusion, you can apply the Fight Club/Nightmare Before Christmas test. Fight Club is pretty much perfectly edgelord (the movie anyway), i.e. trying to be dark and transgressive, and well, edgy and so on for the sake of it, but not at all Goth. Nightmare Before Christmas is pretty much perfectly Goth, but not really edgelord at all, because it's so twee.
good test
 

I use Fight Club as part of the edgelord test too. Actually, any misaimed fandom: Rorschach from Watchmen, American Psycho, Pulp Fiction, etc, etc. Basically, 'Do you know the difference between Villain Protagonist and Hero?'
Rorschach from Watchmen, is the poster child for 'missing the point' but to one extent or another all superheroes are like babies first edgelord... "Man the cops can't do it, but those guys that don't have to follow the cops rules can"
 


I use Fight Club as part of the edgelord test too. Actually, any misaimed fandom: Rorschach from Watchmen, American Psycho, Pulp Fiction, etc, etc. Basically, 'Do you know the difference between Villain Protagonist and Hero?'
Good examples, especially Rorschach, though I feel like I used to fail some kind of other test because in my teens I was like "Yes he killed a lot of people but Ozymandias was kind of right...". Sigh. I worked it out eventually.
 



I use Fight Club as part of the edgelord test too. Actually, any misaimed fandom: Rorschach from Watchmen, American Psycho, Pulp Fiction, etc, etc. Basically, 'Do you know the difference between Villain Protagonist and Hero?'

Wait ... Patrick Bateman isn't the hero?

But what if you think that nice business cards and the musical stylings of Huey Lewis and the News are very, very important?
 

Good examples, especially Rorschach, though I feel like I used to fail some kind of other test because in my teens I was like "Yes he killed a lot of people but Ozymandias was kind of right...". Sigh. I worked it out eventually.
I got gaslighted by my peers for a long time as to the quality and meaning of Watchmen (and DKR, but that's another kettle of fish), but once I got involved in the Superhero genre writer's community, it really was just Moore in a dark period working some stuff out about his relationship with the industry. A lot of Moore's stuff is about his relationship to with the industry and that's interesting on its own.
 

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