I adored the novel, but I'll admit I took the voice as it was, I didn't come into it with any set expectations for a "noir" narrative voice; I didn't find it distancing at all. Obviously, there's room for differences of opinions, here.
I watched the Peripheral TV series, so I really should get to the books.Both Peripheral and Agency are Gibson's best work in years, and are definitely a different take on cyberpunk.
One of the things I love about Moorcock is that as many times as he has revisited Elric of Melnibone, he has never given into the temptation to alter the finite, fixed endpoint of the character's story.Got an Advanced Reading copy of a new Elric novel today at the library book sale. Written by Moorcock, The Citadel of Forgotten Myths published I think in 2022. This may get bumped up toward the top of the to-read pile... tbh, it's been so long since I read an Elric book, I forget all except the very highest of highlights of the series as a whole. This one apparently takes place early on in the internal chronology.
I also liked the Odd Thomas books up until... The ending. It sort of felt like he was done with the series, and just decided to stop.A friend of mine gave me The Taking (2004) by Dean Koontz. Another terrible stumble, here, and ultimately a complete waste of time. It starts off okay and the first 4/5ths or so of the book is pretty good; lots of interesting stuff there to steal for your alien or post-apocalyptic game.
Basically, aliens invade. Very Cool Idea: massive global rainstorms seed the ground with alien vaguely fungal/slime-mold flora/fauna; they are alien-forming the planet. Author Molly and former preacher husband Neil investigate the dark twisted landscape around them as they make their way to the tiny little mountain town that is the only civilization in these parts. Things start to kinda go off the rails in this part because far too many times, critical information come to Molly through hunches, intuition, and just plain guesses that always come out 100% in her favor. Honestly, it's lazy-ass writing.
Thing pick up a bit more as we get to the town and get some other stories and insights into what is going on. There are some genuinely horrific bits here that could be put to use in most horror RPGs. Descriptions, situations, hideous critters and dire fates abound
And then it ends. They wake up on the third day and all the hideous lifeforms are vanishing in the warm sunlight, the titanic motherships have gone away, etc. Apparently if you were kind to Dogs and to The Children, you got to live. Everyone else is dead. Some tacked-on again-quasi-mystical intuition tells Molly that they basically went through the Biblical Apocalypse and the 'aliens' were demon sent to wipe out most of evil humanity.
I used to really like Koontz but these last two books I've read have really put me off him. I liked the Odd Thomas books but now I have to wonder if I just glossed over the Boomer bitching about how corrupt and diseased the modern culture is.
Yeah, the geography stuff in that book is particularly good.Just finished Whispers Underground, the third book in the Rivers of London series. It somehow managed to feel slighter than the first two books while being longer and to be pretty enjoyable without being particularly consequential? I particularly enjoyed the bits and bobs that took place in the Underground and below and some of the flourishes about the secondary characters (there's a brilliant description of Seawoll late in the book that was delightful). All in all, I'm looking forward to the next book.

(Dungeons & Dragons)
Rulebook featuring "high magic" options, including a host of new spells.