Medallions d20 Modern (Update Wednesday 09-20-06)

Interlude (continued)

-- 9:48 pm, Somewhere in the backwoods bayou near New Orleans –


“So just how f***in’ far is this place, Michael?”

Willie looked over at the kid in his passenger seat, who was trying to portray cool teenaged detachment as he smoked yet another of Willie’s Newports, but who Willie could read fear and discomfort from like a damn newspaper headline. What the hell was this little f***er’s problem?

“Yeah, we comin’ up on it, be ‘bout a mile or two”, Michael replied, blowing out smoke. Willie glared at him again after being given the same damn answer to the same damn question, which he had asked three damn times in the last forty-five damn minutes. He threw the kid that cold hard stare he had practiced so often, and got at least some satisfaction at seeing the boy’s discomfort increase.

“Really, dog! Chill da f*** out ah-ight? Dis da last turn and we be there ‘fore you know it”.

A minute later, the kid pointed out the turn, and they traveled deeper into the decrepit wooded swamp that Willie’s kinfolk called home. At last, they came to a raised clearing with a bunch of cars and a handful of shotgun shacks around. A bonfire was going, and the whole place was lit with Tiki-torches, and it smelled like someone was barbecuing.

Willie parked his ride, got out without bothering to wait for Michael, and began wading through all the people. Most of them were black or some Creole-mix, and a bunch of them were wearing some pretty far-fetched outfits. Caribbean rejects, Willie thought to himself with a smirk.

He ran into Auntie Ells, sitting in a lawn chair near the picnic tables with several other older black people, men and women. She introduced him, and several of the elders gave him hard, dubious stares until he stared just as hard back at them. Willie lit a Newport and slowly exhaled towards them like he didn’t have a care in the world, putting his practiced ‘who the f*** you lookin at’ stare on them.

One of them was a tattooed, virile-looking old man, probably at least in his sixties, who carried a strange walking stick. He was bare-chested except for a deep red vest, and he vigorously shook Willie’s hand with a grip like iron and let a booming laugh that sent chills of familiarity down Willie’s spine. “Oh, you got da backbone boy, starin’ down da Hongoun and da Mamaloa like dat… I tink I’m gonna like you much. Yah, ya just might do. Dey call me Papa Bey”. Willie squinted at him and wondered what he had been smoking. The old guy just smiled and continued, “Come, sit, share a drink and we share some stories, share some food.”

The began to eat, and have a few drinks, and Willie relaxed a little more as they asked him questions about his family, and as he shared rum and barbecue with Papa Bey and the others.

Later the tables were cleared, and the music and laughter increased. People were talking in a group nearby, maybe singing or chanting or something, like some revival meeting, but the conversation of the old people around him and the intense buzzing of too much rum in his head made Willie lose track of what all was being said. He felt, more than heard, the drums start up, with a tattoo of rhythm that felt right and familiar to him.

He took yet another drink from the rum bottle, heard Papa Bey’s laughter again, and felt himself being pulled swimmingly to his feet by a beautiful Creole woman, a woman who had to be half snake for the way her hips were moving, not that he could see much through the rum pulsing through his head. Willie felt his blood warm, things blurred, and swam, and the pressure in his head and other places drowned out the noise, then all he could see was the red of the bonfire, and the woman’s lips, then everything was darkness.


-- 8:55am, Chilton Arms motel, New Orleans –


Pounding. Drums. Pounding, pounding, pounding drums. Drums somewhere nearby were banging out a familiar rhythm, one that Willie knew he had never heard before, but somehow he recognized just the same. He needed to open his eyes…well, he needed to open at least one eye. Just one...

Oh damn, maybe that wasn’t such a good idea.

He opened both eyes, struggled to the bathroom, and stood there naked, one hand on the wall. Where the hell were his clothes?

Willie couldn’t remember much, but he did remember Papa Bey, and the Creole woman (Did he sleep with her? Damn, he hoped so). He took a leak, one hand against the wall, tried to keep from wincing with every hammer blow of his pulse.

He finished with the can and started the shower and tried to put together his memories from last night. Well, Auntie Ells probably thought he was a stupid drunk or worse now, though he was vaguely unsure of why it should matter so much to him.

Then he glanced at himself in the mirror and saw the Tattoo.

A sword, surrounded with some kind of scrollwork, in bright red ink, showing up surprisingly well on the dark brown skin on his left arm, just above the bicep. Son of a b****! Those mother-f***er’s tattooed him while he was passed out.




Willie rubbed over the tattoo, and immediately realized the strangeness of it. He felt no pain, there was no bandage or seeping blood… the tattoo was there like it had been there for a very long time, and a vague memory tugged at him from where he’d seen it before.

Papa Bey.

It was hard to suppress the cold chill he got with a headache that bad. Damn. Damn it all, just what he needed. Willie composed himself and went back into the bedroom. He found his clothes, cleaned and neatly folded on a chair. He got dressed in a hurry.

Time for some answers.


-- 9:25 am, Auntie Ell’s Fortunes and Charms, New Orleans French Quarter --


“Wille! How you feelin’ cher?” Auntie Ell’s voice contained amusement, and Willie thought he could even sense something else. Satisfaction? Or pride?

“Like someone been beatin’ on my head with a mallet”.

Auntie Ells laughed loudly, a rich sound that eased Willie’s pain instead of making it worse. “Here baby, drink dis, it taste beau coup bad but it make da head feel much more good”. He took the dark bottle, drank the foul stuff down sputtering, and was about to complain about the taste when he felt it spreading outward from his stomach, cooling and calming him. The drums in his head were nearly gone now, and he felt better than he had felt in months. What the hell was that stuff?

“Better now baby? I was worried ‘bout you for a bit dere” Auntie Ell crooned gently as she handed him a steaming cup of what appeared to be tea.

“What…the…HELL… happened… last night? And what the hell is this tattoo? What did…” Willie spat angrily.

Auntie Ells quickly cut him off just by leaning in with a pointing finger, suddenly and surprisingly menacing for such an old lady, and the room seemed to physically darken with her anger.

“Boy, doncha take dat tone wit ME! I buried me four husbands, five childrens, and seven grandchildrens in my life and ah know tings dat would straighten those silly braids right out was I to tell you!!!”.

Willie, abashed and somewhat embarrassed, found himself apologizing… and caught himself clasping his hands together to keep them from shaking with an unexpected mixture of fear, confusion, and the increasingly obsessive need to try to get a handle on the moment.

Auntie Ells continued, more gently. “Ah know dis is hard for you, Wilson, but give me a moment and ah will explain what ah can.”. She sat down close, took Willie’s shaking hands into hers, and he could feel a palpable sense of calm and confidence almost radiate from her, into him. She leveled a most serious and piercing gaze on him and took a deep breath, as if she were searching for the right words to say.

“You have been chosen, boy, for work I think you have been stumbling towards all your life. Remember when you brother died, how you anger and need to understand burned in ya like a volcano? How you ended up joining the Marines but not knowin’ exactly why?”

“And when in da place of sands, when dose bad men were using dose innocents to shield them from harm while they went ‘bout rainin’ the killin’ down on dose other marines? How ya wanted so bad to run, ta hide, but da anger took ya, and shook ya outta ya fear, and ya did things dat you still don’t know why ya did, and saved dose people?”

Willie’s heart grew cold. How could she know what he had seen in Kuwait? She continued before he could ask.

“How, when you worked for the lawmen, how when dey stepped in da way of justice and your need to move further, da rage took ya, made you do tings dat felt right but lost you ya job and ya woman?”

She could not know these things.

She continued even more softly now. “And when da zombie-men an dere mistress killed ya friend… ya saw Him dat time, didn’t you? You felt Him guide your hand?”, the last part with wonder creeping, uncontrolled, into her voice.

Willie felt his jaw hanging slack, his life laid bare. “How? How… you couldn’t have gotten all that… how did you… I don’t…”

She laid a warm, gentle hand on the side of his face, and squeezed the hand she still held in a grip like iron.

“A man may walk on his feet in life, but da path he took is laid out on his hands, Willie. I knew who you were, who you really were, when I touched you”.

“But… you said it wasn’t real, that it couldn’t be taught… “ Willie stammered.

She smiled. “I didn’t lie to you Willie… Voudoun cant be taught. It has to be a part of you, something that comes from you, from inside ya heart and ya soul. All da trappings just focus what da Loa want ta do through you. I wanted you to feel bettah… my Loa worked through me to make it so. Dat vial held nothing but a common folk remedy for da hangover, but my will, da will of da Loa, made it do tings dat normally cant be done. So I didn’t lie… Voudoun and it’s trappings don’t hold da power, dey only help you to find it in ya self. And for you… da Loa Ogoun has chosen you.”

She lightly touched his new tattoo.

“Marked you, even. Many priests and priestesses might sometime be possessed for a while, by da Loa, and not remember it, but some special people, like you, da Loa is always wit you, always tryin’ to work through you. Ogoun is a harsh spirit to share a body wit… and only you can figure out what dat means for you and what you can do now. But you are Awake now, and you can work wit it if you got da Strength.”

Willie could only respond with stunned silence while it all sank in. He was finally making all of the connections.

The laughing man, the man in the red coat. Willie knew him. He had always been there. He had always been a part of Willie. Well, he might be trying to come out, but Willie would be damned if he was gonna let Ogoun control him.

“And dat is how you got to feel, boy, if ya wanna keep control of ya own head! Strength, determination, heart, it is… a good start.” she burst into his thoughts cheerfully, slapping his knee, while Willie just sat there, mouth hanging open in stunned silence. Again.

Auntie Ells rummaged around the shop for a moment, then came up with a familiar-looking walking stick. “Papa Bey wanted ya to have dis. He left us last night for da other side, to da rest he deserves. It is his Fwet kash, for him, his walking stick. A… focus of sorts.”

“He’s dead? But he seemed so vibrant, so… robust… how did he… what happened...” Willie stammered, yet again feeling his hold on the moment slipping away.

“Baby, havin’ da Loa work through you takes it’s toll, and he was jus’ waiting for you dese last twenty years, boy. I knew him since he was a boy, and a hundred an’ fifty some-odd years is a long time for a man to work without a rest…”

Willie just sat there in silence. And then the drums started again, and the laughter from somewhere in the back of his mind, and he wondered if there would ever be any silence again.
 

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Episode II - What a Tangled Web - Crystal's Intro

Episode II - What a Tangled Web - Crystal's Intro

You spent the last couple of weeks with your grandfather over in Mississippi. Partially, you were eager to see him because it was his birthday, and partly you were just eager to get out on the highway with your new Harley. You used the leftover cash to buy yourself a new pistol and to buy your grandfather a new DVD player. It was the best birthday present you have been able to give him in years, and the best dinner to boot.

Yesterday, you two went down to a big crafts fair the Tribe was having over in Redwater. There were a lot of people there from a large number of different southern tribes, as well as a lot of white tourists and assorted sideshow types. It reminded you a little of Lollapalooza, only with tribal music and not as many drugs.

Near the end of the day, as you were getting ready to leave the fair, you spotted something a little out of the ordinary. There was a booth selling the usual artifacts (“Indian” necklaces, little handmade drum sets, “peace pipes”, etc.) The guy in the booth couldn’t have been more than one-sixteenth Native American at the most. Totally white guy, just cashing in on the Tribe, and raking it in from the tourists.

The booth wouldn’t have attracted your interest in and of itself. There were a huge number of booths just like it all over the fair. And the guy inside was maybe a little more white than the rest, but nothing special.

But what was unusual, was the trouble he was having. There were a few young punks giving the guy trouble, knocking over his stacks of merchandise, yelling at him, and drawing a crowd.

You didn’t have your gun with you, but you felt the knife tucked away into your left boot (brand-new authentic Harley-Davidson boots, thank you again Mr. Scorse), and you figure, “If I can handle unstoppable zombies, then I can sure handle a couple of street punks.”

But even as you make it over to the booth, there are a handful of security guards showing the punks away and telling the crowd to move it along. The crowd dissipates, leaving you and the booth-owner, who is busy picking his displays back up and looking frazzled. You make your way over to him.

“What was that all about?” you say, as you help him stack ‘authentic miniature totem poles’ back up onto a table.

“Hellifino, I was just here minding my own business, ya know, when those dudes starting screaming at me. Freaked me out completely!” His accent gives him away as an aging hippie, probably following the “tribal craft fair” from town to town, like he once did with the Grateful Dead. Judging from his bloodshot eyes, he may not even know that he’s not at a ‘Dead show right now…

“Kids today, huh? Well, what were they yelling about?”, you say soothingly.

“I don’t know. Something about how I wasn’t pure blood, and how I was a bug on the tribe…”

“A bug on the tribe?” You raise an eyebrow questioningly. You also note that one of the hand-carved totem poles has a Jerry Garcia face between the various animal images.

“Yeah, you know, like a tick?”

“A parasite on the tribe?”

“Yeah, that’s it! That’s what I said. And then they starting knocking stuff over, and saying that Suzy Knockers was coming, and she was gonna get me…”

“Suzy who?”

“I don’t know, Suzy Knockers, Suzy Knock-Ho, something like that. Something crazy…”

At this point an young white couple approaches the booth, and asks about one of the peace pipes. They are both decked out in fake leather vests with colorful glass beads, and the woman has had her hair braided with several feathers. Clearly, tourists with money to burn.

The booth operator takes a quick look at them, then back at you, figures you, being a tribe member, are not interested in his actual money-making business, and begins to wait on his customers again.

At that point your grandfather spots you across the way, and motions you over to meet some friends of his.

. . .

On the drive home, it hits you. You had forgotten all about the whole affair. What the booth guy must have been trying to say. You remember the name now. You definitely know that’s the name.

But, you can’t remember what that name means, or where you have heard it before. Just that the old guy must have been trying to say:

“Sussistinako”
 

Episode II - What a Tangled Web - Joe's Intro

Episode II - What a Tangled Web - Joe's Intro

You can’t go to sleep.

It’s not that you are not tired. You are exhausted. You are dying to go to sleep. You would love to go to sleep.

But you can’t handle the nightmares.

In the past six nights, you have had five different nightmares.
Nothing specific that you can remember. That’s probably the worst part. Just something so terrifying that you wake up suddenly, in a cold sweat.

Last night you woke up screaming.

And now, as you get out of the shower, there’s a big ol’ pile of hair in the drain. Way more than normal. It’s almost an Ewok sitting in the bottom of the tub. And your gums hurt. You check out your teeth in the bathroom mirror. Near the back of your mouth, on one side, your gums are bleeding. You realize your toothbrush is really nasty.

It’s the magic that’s doing this. You know it is. You have to stop. You have to quit reading that damn book, and stop learning the things it is teaching.

This is what it means when they say that there are “things that man was not meant to know”. This is why.

The book has been hiding from you lately. It has been moving all over the apartment, from one corner to another. Every time you leave the room, you have to spend a half hour looking for it.

Last night when you woke up screaming, it was in your hands.

...

You check your email Sunday morning before heading off to Brother Cooper’s church. From one of the email addresses on your newsletter list, you get the following message.

----------------------------------------------------------------------------
To: joe_empire@wwisp.com
From: Jack <jack_sanders@rgi.com>
MIME-Version: 1.0
Delivered-To: griffon@aol.com
Date: Sun, 6 Jul 2003 01:30:55 -0700 (PDT)
Subject: Re: Comics Order
Reply-To: jack_sanders@rgi.com
Content-Type: multipart/alternative; boundary="0-1348711672-1055269855=:93850"
X-Wwisp-Delivered-To: joe_empire@wwisp.com

Joe,
Hey, that order of rare comics you have set up for me looks good. I just want my usual stuff this week, plus a few others. I absolutely need all of the following though, as a set.
Here is the list:

Uncanny X-Men #70
Fantastic Four #8
Batman: Blind Justice
Iron Man #13

It is important that you deliver them here to my office. You have my office address, right? I really hope you can get these to me today. And remember, this is a surprise for my boss, so don’t mention it to anybody.

Jack Sanders
----------------------------------------------------------------------------


Weird part is, you have never heard of this guy, you do not have an order already set up for him, and you certainly do not have a weekly order for him or have any idea where his office is.
 

Episode II - What a Tangled Web - Kumars Gandahari's Intro

Episode II - What a Tangled Web - Kumars Gandahari's Intro

You had a dream last night.

You are in Vestavia, and you stop in at the library. When you go inside, there are a dozen people inside, including a black American man, two fat white American men, and a Native American woman. All of them are reading books, and you can see that all of the books are about coins.

In the center of the room is a slot machine device such as you have seen in American movies. You walk towards it and pulled the handle. A thousand coins pour out and immediately begin to cover the floor around you, and still they keep pouring out. The coins are filling the room.

You spin around, asking for help, “Please to be helping with the coin contraption!”

But now everyone is walking past you, wading knee-deep through the coins towards the door marked “stairs” in the back of the room. The black man stops and turns to you.

“You can’t stop the coins, K. You just have to get up into the attic now.”

The sea of coins is rapidly rising up to your waist. You struggle to make it to the stairs, but no one helps you. They are all already on the stairs and climbing.

“Help please! Please to be helping with the climbing! Hello I am drowning!”

But no one helps you. And the coins rise up to the ceiling.

You are drowning in coins.

. . .

The same dream now for too many nights. Almost every night for, what now, two months? The dream started hazy, but has grown clearer and clearer.

Last week you rode past that library. It really does have a third floor, like there could be an attic.

You’ve never been there before, but you can’t handle these dreams. You feel like you are going crazy.

You might need to go up there, and get into that attic.
 

Episode II - What a Tangled Web - Brother Guyzell Cooper's Intro

Episode II - What a Tangled Web - Brother Guyzell Cooper's Intro

You’re late for services.

You are running down the sidewalk. You are really late. Even as you are running, sweat pouring down your back, your tie pulled up to one side and slightly choking you, you mentally giggle to yourself. Running as hard as you can, you think, well, I am running, and I am late, so I really am “running late”.

It is way too hot for this early in the morning. You overslept. Apparently you slept right through your alarm, and judging from your cell phone’s dead battery, you probably slept through a few ‘reminder’ phone calls as well.

You had to park three blocks away from the church. There is some kind of construction going on, and half of the street is torn up and blocked off. Just what you needed this morning. Not only are you running late (well, jogging late by now, you giggle) but you can not get onto the block to your reserved parking spot, and you have to run this whole way.

It must be like ninety degrees out here. July weather really sucks. You pray, “Sorry, Lord, but did we realy need this much heat today?”

You can’t believe you overslept. You have not been sleeping well lately. Weird dreams. Nothing specific that you can remember, just enough to keep waking you up.

You at last make it to the church steps. You can hear singing inside. Good, you guess Gloria the music director took control, maybe started the congregation on a hymn while they waited for you. As you climb the steps and silently open the door, you try to place the hymn. It sounds like, Shall We Gather at the River, but no, too slow, maybe “Nearer to Thee”. Your foot catches on the door as you slide in, and you lose your balance.

As you stumble into the aisle, you see the church is packed. Every pew is filled. It’s really completely packed to the rafters today. Of course, it would have to be. The one day you are late is when everybody has to show up. And here you are, covered in sweat, panting like a dog, stumbling and now falling down in the center aisle of the church.

As you fall, everyone turns towards you, almost in slow motion. The singing stops. Someone shouts from deep in the crowd:

“You’re late!”

A chorus of ‘Amen’s follows the pronouncement. Well, the crowd is certainly rude today.

“You’re late, preacher!”

More ‘Amen’s from the crowd. Several shouts of “Alleluia!” and “Preach On!” are heard. You rise to one knee and try to stand, but your knee is bruised, and it pops loudly.

“YOU’RE TOO LATE, PREACHER!!! TOO LATE!!!”

The crowd is on it’s feet now. Stomping, singing, chanting! Amen! Alleluia! The preacher is late! Too late! Way too late now! Are you saved? None of us is saved now! The preacher can not save us! The preacher is too late! Too late!

You try again to stand, but your knee gives out. You cry out and sweat from your forehead drips into your eyes. The salt burns, and you blink heavily to try to clear them. There is someone up at the pulpit. The sun is coming in too bright through the stained glass window behind him to see his face. You can just make out part of his profile as he walks towards you, hopping down lightly from the dais into the aisle. He is reaching out to you to help you up. The crowd is screaming now, no more chanting, just one continuous scream like the sound of a roller coaster. You reach out for the man from the altar, to take his hand when you see:

He is not reaching out his hand. He is holding a gun. An old-timey western revolver. Pointed at you. And on his head is a black cowboy hat. And reflecting just enough on his chest to be visible, there is a badge.

No, it’s not a badge.

It’s a Medallion.
 

Episode II - What a Tangled Web - Willie's Intro

Episode II - What a Tangled Web - Willie's Intro

Your cousin Gerald calls you at 6:00 AM. You know it is him for two reasons:

One, whoever it is will not leave a message, and you know Gerald never leaves a message. And:

Two, no one else would be stupid enough to dare wake your ass up this early on a Sunday.

You let the phone ring. You try to ignore it, but he keeps calling. You look over at the clock. 6:30 AM now. He’s been calling for thirty minutes.

You have to get up in another thirty minutes anyway, if you are going to church. Brother Cooper has you hooked. It makes Gramms happy that you go, and hey, as far as preacher-men go, he ain’t too bad. Hell, after you’ve seen him melt a zombie into a puddle, you have a little respect for the guy. At least enough to show up to Sunday service.

The phone is still ringing.

Gerald is lucky you didn’t have a woman over here tonight. You’ve got your car back; you have some money going; you got your mojo working. You’ve been doing all right with the ladies lately. In fact, Maxine could have definitely spent the night last night from the message she left you on your machine, but you spent the night over at her place Friday night, and you don’t want her to get too comfortable with having you under her spell every night.

Well, damnit, you’re awake now. No use denying it.

You roll out of the silk sheets (a new purchase, on the recommendation of Carla, from the DMV, and boy, was she right…) and head over to the phone. You answer it:

“What the hell you want? Do you know what time it is?” – Your usual greeting for anyone calling at this hour.

“Cousin! Where have you been? I’ve been trying your number for - ”

“What the hell have I told you about calling me at - hell, I don’t even know what time it is!”

“Cousin, quit yo’ bitchin’. I got a job for you!”

Gerald had been quite friendly after the money from Scorse came in. He was polite, and more than willing to cut a brother some slack for several weeks thereafter, especially when you hinted that more money like that might be coming down the pipe. But that was eight weeks ago, and with nothing new coming in, he finally has started growing some balls again.

“Listen up, cousin, ” and you know from the sound in his voice, he just got some contract that is going to wind up with you chasing your tail for some stupid white people so that your cousin can collect the dough, “I just got an emergency contract. This one goes over everything else that we do. Skip everything else that we are working on. This one is hot! This one is really huge! I need you on this right away! I need you down here right away!”

“Now you know I don’t come in to the office on no weekend!”

“Cousin, get your ass down here to the office now!”

“I can’t. I have to go to church.”

“Forget church! This is - ”

“Now I know I didn’t just hear you say that, Gerald. I know Gramms is not gonna want to hear that her boy said - ”

“Willie! Damnit, this is big - ”

“Then it’ll keep until after church.” And you hang up the phone.

It’s not even that you care that much about getting to church. You just can’t stand to have anyone, including your cousin, try to get you all worked up over something so minor like some new contract at work. Ever since that whole deal two months ago, dealing with weird black magic voodoo and dead people walking around, suddenly all of these minor bail-jumping, adultery, find-out-who-stole-my-lawnmower cases just don’t seem all worth getting excited over.

You get into the shower as the phone starts ringing again.
 

Episode II - What a Tangled Web

Episode 2: "What a Tangled Web"

Setting:
Birmingham, Alabama, USA. July 2003.

Cast:
  • P.I. Willie Lamar - Down-on-his-luck private eye with an attitude, who occasionally channels a Carribean spirit named Oguon.
  • Brother Guyzell Cooper - Southern preacher with a cable-access TV show. Drives a pickup truck with a gun rack.
  • Joe Empire – 38-year-old comic book shop owner / conspiracy theorist. Lives in a little apartment above his store and studies magic.
  • Crystal “Little Wing” Lassiter - Native American college archaeology grad student
  • Kumars Gandahari - Good-natured chemist/hacker from India, part-time grad student (secondary PC)
 

Damn it Drew, Ledded, this is good, excellent actually. I can't wait for Ep.II to start.

Ledded, I loved the whole voodoo, voodoo spirt, tattoo, southern bbq thing. Very nicely done and well written.

Drew, thanks for the intros.

I'm ready for more form the "Class of 1924".
 

fenzer said:
Damn it Drew, Ledded, this is good, excellent actually. I can't wait for Ep.II to start.

Ledded, I loved the whole voodoo, voodoo spirt, tattoo, southern bbq thing. Very nicely done and well written.

Drew, thanks for the intros.

I'm ready for more form the "Class of 1924".

Aw, shucks Fenzer, thanks *blush*. And thanks for letting me hijack your thread a little there OldDrewId, plus the bit of editing to make it sound like a relatively sane man wrote it ;^).

And for anyone who is even remotely interested, Ogoun (by various spellings) is a Voudoun Loa who I took inspiration from. It goes to show you how flexible OldDrewId's system is... I wanted to do something magic but wanted it to be completely different from Joe, because Willie is not really the 'studious' type. I also wanted something that would fit with Willie's background, and voodoo was a very good choice, but I didnt like the connotations of necromancy and zombies (which fit better with Hollywood voodoo and figures in Voudoun like Baron Samedi, etc). I did some research about "real" voudoun and brought it to OldDrewId, he let me make a case for the basics of how it would work and the 3 schools I would have access to. Then he took my basic idea and later (as you will see) totally twisted it into something much cooler and sinister and totally out of my control. Because he couldnt have someone doing magic without being afraid of doing it ;^)

Which is precisely how we like it.

(attachment: Willie's new tattoo)
 

Attachments

  • OgounVeve.jpg
    OgounVeve.jpg
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Drew is my hero. He posts so much goodness at one time, it's like ordering a large pizza while home alone.

My only bitch is that, why can't I get invited to BBQs like that?
 

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