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<blockquote data-quote="Gorgon Zee" data-source="post: 8243838" data-attributes="member: 75787"><p>[edited post — on reflection, arguing merits of literary criticism of Aldsis’s writing in this forum isn’t on topic]</p><p></p><p> I have read<em> Non-Stop</em>,<em> The Primal Urge</em>, <em>Hothouse</em>, <em>Report on Probability A</em>, <em>Barefoot in the Head</em>, <em>Moreau's Other Island</em>, The <em>Helliconia</em> Series, <em>Jocasta</em>, the collections "<em>Space, Time and Nathaniel</em>", <em>Starswarm</em>, <em>Brothers of the Head</em>, and many of his short stories in other collections. I read some of <em>The Malachi Tapestry</em>, but didn't finish it. I have read several of his essays, but cannot recall where and when I look at his bibliography, many works ring bells but I cannot be definite that I have read them.</p><p></p><p>Aldiss can be dry, but STAN, in particular I would call out as well worth reading even now, many decades later. I do find his credentials and accolades deserved, and so overall would give strong weight to his views. In particular, I don’t find more modern definitions of space opera more compelling than his.</p><p></p><p>I enjoy both classic space opera (I have read the Lensmen series — the exemplar of space opera — several times) and modern space opera (I recommend Iain Banks to any who will listen). Modern space opera is better, I feel, but no more so than any other genre within sci-if, so the modern re-definitions that stress good writing and characterization don’t add much to me; they just say “we write better space opera now than we used to”.</p></blockquote><p></p>
[QUOTE="Gorgon Zee, post: 8243838, member: 75787"] [edited post — on reflection, arguing merits of literary criticism of Aldsis’s writing in this forum isn’t on topic] I have read[I] Non-Stop[/I],[I] The Primal Urge[/I], [I]Hothouse[/I], [I]Report on Probability A[/I], [I]Barefoot in the Head[/I], [I]Moreau's Other Island[/I], The [I]Helliconia[/I] Series, [I]Jocasta[/I], the collections "[I]Space, Time and Nathaniel[/I]", [I]Starswarm[/I], [I]Brothers of the Head[/I], and many of his short stories in other collections. I read some of [I]The Malachi Tapestry[/I], but didn't finish it. I have read several of his essays, but cannot recall where and when I look at his bibliography, many works ring bells but I cannot be definite that I have read them. Aldiss can be dry, but STAN, in particular I would call out as well worth reading even now, many decades later. I do find his credentials and accolades deserved, and so overall would give strong weight to his views. In particular, I don’t find more modern definitions of space opera more compelling than his. I enjoy both classic space opera (I have read the Lensmen series — the exemplar of space opera — several times) and modern space opera (I recommend Iain Banks to any who will listen). Modern space opera is better, I feel, but no more so than any other genre within sci-if, so the modern re-definitions that stress good writing and characterization don’t add much to me; they just say “we write better space opera now than we used to”. [/QUOTE]
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