Are Game Lines Smaller Today?

The trend you are noticing is real, and is not specific to gaming. Kids books, for example, also saw a huge shift from pulp printing of multiple lines to a few major lines. Specifically: multiple high-book-count series like Goosebumps, Baby Sitters Club, Animorphs, etc, all went down, and the industry circled the wagons around huge brands like Harry Potter. It's a shift across lots of genres.

Broadly, it's a shift across multiple mediums as well. You can read about the same trend in movies; there are less "mid budget" movies now, with studios putting out either high budget blockbusters or indie and/or Oscar stuff on the lower budget side. The video game market also has less stratification; you have really big AAA games and lots and lots of small indie publishers, with less in between.

You can find research into this independently for each of the mediums I mentioned above. At a broad level, I blame technology and the internet. Generally speaking, a lower barrier to entry in these markets leads to centralization of product lines. The large industry leaders maximize profit on high quantity products by both dominating distribution and optimizing economy of scale. Meanwhile, a low cost of entry and high number of "hobbyists" lead to a larger number of independents left to scrape up what's left of the market. The end result is what you describe.
Not to derail the thread, but I think a big cause of what you are describing in media, RPGs aside, is the consolidation of media companies. Fewer book publishers, movie studios and other production houses means fewer points of entry for new talent and more reliance on products that sell well and an over reliance on existing IP.
 

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Man, those were the days! A large portion of my collection comes from the '90s. It was a wonderful time for content.
And Cheep!

A lot of books were in the $9-$12 range, and that was the SMP. You could find them on sale easy enough. Bookstores either had sales or coupons where you could get like 20% off. And if you were a member of the book club, you could even get another 20% off. I remember stacking those percents up to 40% off from lots of bookstores that have gone out of business (humm....)
Not to derail the thread, but I think a big cause of what you are describing in media, RPGs aside, is the consolidation of media companies. Fewer book publishers, movie studios and other production houses means fewer points of entry for new talent and more reliance on products that sell well and an over reliance on existing IP.
Even in the 90's a lot of the higher up suit folks in companies did not really care about RPGs at all. So when someone said "hey can we make an RPG out of your IP?" the answer was "sure, whatever, we don't care".

Really, even the idea that anyone would like an "IP" was not even much of a thing in the 90s. The wacky idea was that people would be fans of something only for a couple years and then delete it from their memory. And no adult wanted any IP based on "toys".
 



Broadly I think that the difference between the current market and the 90s market is that while TTRPG is bigger now, there's more games too. DND is still the heavyweight, even though its taken hits lately, and they had some success with a slower production schedule (although personally, they over did it.) Outside of that company making it's specific decisions, I think the 'problem' is that people who play other games are more culturally inclined to play different games. I think for those users lifestyle games like WoD are less appealing, and there's a board-game collector mindset for some games-- and of course there's a movement who see's supplements as a red flag.

THAT SAID, there's exceptions, my Paizo shipments for the Setting-and-Character-Options and Rulebook releases come every few months, and that's without my buying adventures which are even more frequent, that's still an extensive lifestyle game and it's doing quite well.

The WoD ecosystem still kind of exists with your assorted WoD5 games and the Onyx Path ecosystem which has been gradually bifurcating from Paradox IP-- Curseborne met it's goal several times over and is promising supplements for each of the lineages in the core book.

The OSR ecosystem is a bit like this too, but in a decentralized way-- there's a lot of content that is essentially support for a bunch of very similar systems that are semi-interoperable, if I'm not mistaken.
 

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