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<blockquote data-quote="Mallus" data-source="post: 1335288" data-attributes="member: 3887"><p>Madre del dios... thanks Olive, I forgot all about Whit Stillman's movies [perhaps because he seems to have <em>stopped making them!</em>.</p><p></p><p>Besides <em>Last Days</em>, he made <em>Metropolitan</em> and <em>Barcelona</em>. Both of which are enormously clever and entertaining films. The former is a bit like a John Hughes movie as written by F. Scott Fitzegerald --or like Fitzgeralds own Basil and Josephine stories set in the early 1980's. The latter concerns two slightly older, equally WASP-y cousins who wind up working in Barcelona in the late 1980's; dealing with life, love and privilage during a turbulent period of anti-Americanism. </p><p></p><p>I'm not sure any real people speak like Whit Stillman's characters, but everyone I know wishes that <em>they</em> did.</p><p></p><p>Olive, how do you see <em>Last Days</em> as similar to Woody Allen's films, other than the omnipresent sense of New York City --both as place and as central metaphor-- that hangs over both?</p><p></p><p>And Woody Allen smutty? Annoying? OK, sure, in his later works, I can see that. But so many of his early works are so good... <em>Take the Money and Run, Bananas, Sleeper, Annie Hall, Manhattan, Zelig, Crimes and Misdeamenors</em> its a little unfair fair to sum it all up as 'smutty with annoying characters'.</p></blockquote><p></p>
[QUOTE="Mallus, post: 1335288, member: 3887"] Madre del dios... thanks Olive, I forgot all about Whit Stillman's movies [perhaps because he seems to have [i]stopped making them![/i]. Besides [i]Last Days[/i], he made [i]Metropolitan[/i] and [i]Barcelona[/i]. Both of which are enormously clever and entertaining films. The former is a bit like a John Hughes movie as written by F. Scott Fitzegerald --or like Fitzgeralds own Basil and Josephine stories set in the early 1980's. The latter concerns two slightly older, equally WASP-y cousins who wind up working in Barcelona in the late 1980's; dealing with life, love and privilage during a turbulent period of anti-Americanism. I'm not sure any real people speak like Whit Stillman's characters, but everyone I know wishes that [i]they[/i] did. Olive, how do you see [i]Last Days[/i] as similar to Woody Allen's films, other than the omnipresent sense of New York City --both as place and as central metaphor-- that hangs over both? And Woody Allen smutty? Annoying? OK, sure, in his later works, I can see that. But so many of his early works are so good... [i]Take the Money and Run, Bananas, Sleeper, Annie Hall, Manhattan, Zelig, Crimes and Misdeamenors[/i] its a little unfair fair to sum it all up as 'smutty with annoying characters'. [/QUOTE]
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