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Ceramic DM- The Renewal ( Final judgement posted)
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<blockquote data-quote="alsih2o" data-source="post: 2025810" data-attributes="member: 4790"><p>Big Tom Vs. Eeralai Judgement-</p><p></p><p> Alsih2o-</p><p></p><p> Big Tom- Wow. What a strange tale.</p><p></p><p> I enjoyed MOST of the world you have here. I empathized with the main character, believed the other characters and felt like you created a cohesive environment for a story. What I didn’t like was the ending. </p><p></p><p> Part of the problem is that it is a BAM kind of punchline ending and it isn’t as strong as other parts of the story. Some of which are really strong. </p><p></p><p> The tree picture seems to have been stretched a bit. OK, more than a bit. Maybe a previous reference would have helped?</p><p></p><p> The ape costume pic is a bit stretched, but you pulled it off better. The conversation about magic gets a bit screwball and hard to follow, but it seems appropriate given the scene you have created for it. </p><p></p><p> The snail is fine, that is a moment that would get illustrated. The car is funny, but a bit forced it seems.</p><p></p><p> Overall I find the story darned strong. I would like to see it reworked and polished without the three day limit.</p><p></p><p> Eeralai- Wow. A really original twist wrapped around a strong story. Reality TV and Tolkien and fast food jokes. Believable characters, tight conversations and very few moments that didn’t maintain the complete strength.</p><p></p><p> I really liked how central to the story the snail pic was. The orc pic was great, the white tree was handled beautifully and the car was foretold well.</p><p></p><p> Great story.</p><p></p><p>[sblock] Judgement- Big Tom wrote a really god and interesting story, but Eeralai presented an exceptional story. My vote goes to Eeralai. [/sblock]</p><p></p><p> </p><p><u>Piratecat’s commentary on BigTom vs Eeralai</u></p><p></p><p>BigTom’s <em>Finals Week</em></p><p></p><p>This fun story makes me think of Harry Potter-esque magic academies. That</p><p>means it’s setting itself up for comparison to J.K. Rowling!</p><p></p><p>My one complaint is that BigTom is in the habit of telling, not showing. I</p><p>think the story would be much more powerful if he trusts readers to figure</p><p>out conclusions on their own, and just gives them the clues that they need</p><p>to make those conclusions. For instance, don’t tell me that Trent’s been</p><p>working hard on his transformation spells, show me the debris and crawling</p><p>creatures resulting from his practice. Don’t tell me that Mackenzie has no</p><p>impulse control, show me. This flaw undermines an otherwise solid story,</p><p>making it less engaging than it could be.</p><p></p><p>The more Ceramic DM I do, the more I’m convinced that you need to weave</p><p>images into major plot roles that make sense in context in order to make</p><p>them avoid feeling strained. BigTom did a great job of doing this with the</p><p>monkey suit, because it tied intimately into the “reverse time” solution to</p><p>Trent’s problem. Although using the snail image as the main plot driver was</p><p>a fun idea, I felt like the other two photos were dragging along the plot.</p><p>They didn’t really feel like they needed to be there; in particular, I think</p><p>the ending could have been much more effective if he hadn’t randomly</p><p>teleported the car, a conclusion that hadn’t been foreshadowed at all.</p><p></p><p>Nevertheless, I liked the premise of a flubbed transformation. The addition</p><p>of more whimsy (everyone likes talking snails!) and less explicit “telling”</p><p>would make it even stronger than it is now.</p><p></p><p></p><p>Eeralai’s <em>Bilboian Trek</em></p><p></p><p>Original concept? Check.</p><p>Engaging story? Check.</p><p>Relevant literary analogy? Check.</p><p>Realistic and consistent back story? Check.</p><p>Smoothly integrated photos? Check.</p><p>Well-written conversation? Check.</p><p>Emotional payoff? Check.</p><p></p><p>It’s difficult to write a tight story in a small amount of space, especially</p><p>when you have to work in improbable photographs that aren’t thematically</p><p>linked. It’s particularly hard to do one that’s relatively original, fresh</p><p>and can stand on its own as a work of fiction. That’s what we’ve got here.</p><p>It isn't perfect, but I think it's darned good.</p><p></p><p>Liza’s emotional epiphany and the use of the Tolkien imagery are especially</p><p>strong. That’s the twist that elevates this above the usual; the humorous</p><p>and surreal are made to feel absolutely normal within the context of the</p><p>world. Eeralai gets additional credit for not over-explaining the world up</p><p>front. By waiting until mid-story before describing how the world changed,</p><p>she had me hooked.</p><p></p><p>There are a few nit picks. Ryan’s whining got old and unrealistically</p><p>shrill, and he wanted to win so badly that his cheating – especially in</p><p>front of observers – seems badly out of character. He effectively became</p><p>dehumanized part way through the story; by Eeralai not showing us any of his</p><p>positive aspects whatsoever, he eventually borders on a parody of</p><p>“emotionally abusive husband” instead of coming off as a three dimensional</p><p>character that he needs to be. I actually hated him and wanted him to get</p><p>his just desserts <em>earlier</em> in the piece because he seemed more like a</p><p>realistic person at that point. For that same reason, the climax with the</p><p>upside-down car wasn’t as strong as it could have been. Ryan bringing on his</p><p>own defeat seemed inevitable and somewhat staged.</p><p></p><p>I also think that Eeralai's style has to limber up a little bit. Sentences</p><p>generally have the same cadence, and there aren't many stylistic risks;</p><p>there's also some "telling, not showing."</p><p></p><p>Those are the only negative points I can make about an otherwise outstanding</p><p>story. Nice work.</p><p></p><p>[sblock]I really liked BigTom’s story, but he was up against some difficult</p><p>competition this time. My judgment goes to Eeralai. [/sblock]</p><p></p><p> Maldur- </p><p></p><p>Big Tom vs Eeralai</p><p></p><p> Snails, cars, shapechanging and donut eating Halflings</p><p></p><p>[sblock]My vote for Eeralai, I kinda like the car race revisited[/sblock]</p><p></p><p>Decision- [sblock]Vote is 3-0 with Eeralai advancing to the next round![/sblock]</p></blockquote><p></p>
[QUOTE="alsih2o, post: 2025810, member: 4790"] Big Tom Vs. Eeralai Judgement- Alsih2o- Big Tom- Wow. What a strange tale. I enjoyed MOST of the world you have here. I empathized with the main character, believed the other characters and felt like you created a cohesive environment for a story. What I didn’t like was the ending. Part of the problem is that it is a BAM kind of punchline ending and it isn’t as strong as other parts of the story. Some of which are really strong. The tree picture seems to have been stretched a bit. OK, more than a bit. Maybe a previous reference would have helped? The ape costume pic is a bit stretched, but you pulled it off better. The conversation about magic gets a bit screwball and hard to follow, but it seems appropriate given the scene you have created for it. The snail is fine, that is a moment that would get illustrated. The car is funny, but a bit forced it seems. Overall I find the story darned strong. I would like to see it reworked and polished without the three day limit. Eeralai- Wow. A really original twist wrapped around a strong story. Reality TV and Tolkien and fast food jokes. Believable characters, tight conversations and very few moments that didn’t maintain the complete strength. I really liked how central to the story the snail pic was. The orc pic was great, the white tree was handled beautifully and the car was foretold well. Great story. [sblock] Judgement- Big Tom wrote a really god and interesting story, but Eeralai presented an exceptional story. My vote goes to Eeralai. [/sblock] [u]Piratecat’s commentary on BigTom vs Eeralai[/u] BigTom’s [i]Finals Week[/i] This fun story makes me think of Harry Potter-esque magic academies. That means it’s setting itself up for comparison to J.K. Rowling! My one complaint is that BigTom is in the habit of telling, not showing. I think the story would be much more powerful if he trusts readers to figure out conclusions on their own, and just gives them the clues that they need to make those conclusions. For instance, don’t tell me that Trent’s been working hard on his transformation spells, show me the debris and crawling creatures resulting from his practice. Don’t tell me that Mackenzie has no impulse control, show me. This flaw undermines an otherwise solid story, making it less engaging than it could be. The more Ceramic DM I do, the more I’m convinced that you need to weave images into major plot roles that make sense in context in order to make them avoid feeling strained. BigTom did a great job of doing this with the monkey suit, because it tied intimately into the “reverse time” solution to Trent’s problem. Although using the snail image as the main plot driver was a fun idea, I felt like the other two photos were dragging along the plot. They didn’t really feel like they needed to be there; in particular, I think the ending could have been much more effective if he hadn’t randomly teleported the car, a conclusion that hadn’t been foreshadowed at all. Nevertheless, I liked the premise of a flubbed transformation. The addition of more whimsy (everyone likes talking snails!) and less explicit “telling” would make it even stronger than it is now. Eeralai’s [i]Bilboian Trek[/i] Original concept? Check. Engaging story? Check. Relevant literary analogy? Check. Realistic and consistent back story? Check. Smoothly integrated photos? Check. Well-written conversation? Check. Emotional payoff? Check. It’s difficult to write a tight story in a small amount of space, especially when you have to work in improbable photographs that aren’t thematically linked. It’s particularly hard to do one that’s relatively original, fresh and can stand on its own as a work of fiction. That’s what we’ve got here. It isn't perfect, but I think it's darned good. Liza’s emotional epiphany and the use of the Tolkien imagery are especially strong. That’s the twist that elevates this above the usual; the humorous and surreal are made to feel absolutely normal within the context of the world. Eeralai gets additional credit for not over-explaining the world up front. By waiting until mid-story before describing how the world changed, she had me hooked. There are a few nit picks. Ryan’s whining got old and unrealistically shrill, and he wanted to win so badly that his cheating – especially in front of observers – seems badly out of character. He effectively became dehumanized part way through the story; by Eeralai not showing us any of his positive aspects whatsoever, he eventually borders on a parody of “emotionally abusive husband” instead of coming off as a three dimensional character that he needs to be. I actually hated him and wanted him to get his just desserts [i]earlier[/i] in the piece because he seemed more like a realistic person at that point. For that same reason, the climax with the upside-down car wasn’t as strong as it could have been. Ryan bringing on his own defeat seemed inevitable and somewhat staged. I also think that Eeralai's style has to limber up a little bit. Sentences generally have the same cadence, and there aren't many stylistic risks; there's also some "telling, not showing." Those are the only negative points I can make about an otherwise outstanding story. Nice work. [sblock]I really liked BigTom’s story, but he was up against some difficult competition this time. My judgment goes to Eeralai. [/sblock] Maldur- Big Tom vs Eeralai Snails, cars, shapechanging and donut eating Halflings [sblock]My vote for Eeralai, I kinda like the car race revisited[/sblock] Decision- [sblock]Vote is 3-0 with Eeralai advancing to the next round![/sblock] [/QUOTE]
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