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<blockquote data-quote="alsih2o" data-source="post: 2039808" data-attributes="member: 4790"><p>Maddman75 Vs. Sigurd</p><p></p><p> Piratecat-</p><p></p><p> Maddman75 vs Sigurd (who never posted a story)</p><p></p><p>Okay, a little editorializing here. I <em>hate</em> it when people drop out</p><p>partway through a competition. Sometimes there are extenuating circumstances</p><p>(such as in CarpeDavid’s case), and we understand those; we also appreciate</p><p>it when a competitor apologizes for having to withdraw. Saying “Okay, ready</p><p>to roll!” and then not showing up again isn’t fair or kind to your</p><p>competitors.</p><p></p><p>Moral of story: please don’t sign up to compete unless you’re willing to</p><p><strong>make</strong> time to write, and if you sign up do <strong>everything</strong> you can</p><p>to write a story -- even if it’s one you aren’t happy with. That’s the</p><p>nature of the beast.</p><p></p><p>That being said, let’s discuss Maddman’s story.</p><p></p><p>-- o --</p><p></p><p>This is a funny piece. I like how it’s told, as if over a beer in a dark</p><p>bar. The style is informal, the tone humorous. There’s a few typos (“but</p><p>but”), but not a lot of them. The biggest strength of this story is that</p><p>Maddman does a good job of describing and expanding on the absurd. That’s a</p><p>style I really like. Unfortunately, this also ties into the piece’s</p><p>weakness.</p><p></p><p>I think the story weaves a lot of photo-inspired disparate threads that then</p><p>never entirely connect. The result is surreal. I think it may have been best</p><p>as a bad day that gets slowly more and more surreal, but the inclusion of</p><p>the robot girlfriend (!) right away strains credibility a little too soon</p><p>for my liking. With the bulldog, we had a funny and believable scene; the</p><p>robot girlfriend made me pull back and say “huh?”</p><p></p><p>Likewise with the re-enactors and the elephants. The description and</p><p>interaction with these were funny, playing to one of Maddman’s strengths as</p><p>a writer. They didn’t connect very well to the rest of the story, though,</p><p>and that makes the whole thing less likely to hang together. Interestingly,</p><p>I think the explicit moral of the story weakens it. I kind of liked the</p><p>ending with Brutus rolling in the elephant poop; bringing it back around to</p><p>the dog is a step in the right direction.</p><p></p><p>All in all a fun story. I’m looking forward to seeing Maddman’s entry in</p><p>round 2.</p><p></p><p> Alsih20-</p><p></p><p> What strikes me right up front here is the strong picture use. Everything is tied together, each picture becomes a major point in the story. But it seems to be ALL about the pictures. </p><p></p><p> I think there is a good basis here but I think it could be stronger by wrapping the story together as tightly as the pics are used. If you have a robo-girl I want to see something else in the setting that gives me a tech-frame or time-frame.</p><p></p><p> I am encouraged to see your next round story based on this one.</p><p></p><p> Maddman advances.</p></blockquote><p></p>
[QUOTE="alsih2o, post: 2039808, member: 4790"] Maddman75 Vs. Sigurd Piratecat- Maddman75 vs Sigurd (who never posted a story) Okay, a little editorializing here. I [i]hate[/i] it when people drop out partway through a competition. Sometimes there are extenuating circumstances (such as in CarpeDavid’s case), and we understand those; we also appreciate it when a competitor apologizes for having to withdraw. Saying “Okay, ready to roll!” and then not showing up again isn’t fair or kind to your competitors. Moral of story: please don’t sign up to compete unless you’re willing to [b]make[/b] time to write, and if you sign up do [b]everything[/b] you can to write a story -- even if it’s one you aren’t happy with. That’s the nature of the beast. That being said, let’s discuss Maddman’s story. -- o -- This is a funny piece. I like how it’s told, as if over a beer in a dark bar. The style is informal, the tone humorous. There’s a few typos (“but but”), but not a lot of them. The biggest strength of this story is that Maddman does a good job of describing and expanding on the absurd. That’s a style I really like. Unfortunately, this also ties into the piece’s weakness. I think the story weaves a lot of photo-inspired disparate threads that then never entirely connect. The result is surreal. I think it may have been best as a bad day that gets slowly more and more surreal, but the inclusion of the robot girlfriend (!) right away strains credibility a little too soon for my liking. With the bulldog, we had a funny and believable scene; the robot girlfriend made me pull back and say “huh?” Likewise with the re-enactors and the elephants. The description and interaction with these were funny, playing to one of Maddman’s strengths as a writer. They didn’t connect very well to the rest of the story, though, and that makes the whole thing less likely to hang together. Interestingly, I think the explicit moral of the story weakens it. I kind of liked the ending with Brutus rolling in the elephant poop; bringing it back around to the dog is a step in the right direction. All in all a fun story. I’m looking forward to seeing Maddman’s entry in round 2. Alsih20- What strikes me right up front here is the strong picture use. Everything is tied together, each picture becomes a major point in the story. But it seems to be ALL about the pictures. I think there is a good basis here but I think it could be stronger by wrapping the story together as tightly as the pics are used. If you have a robo-girl I want to see something else in the setting that gives me a tech-frame or time-frame. I am encouraged to see your next round story based on this one. Maddman advances. [/QUOTE]
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