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Message: <blockquote data-quote="BenBrown" data-source="post: 13207" data-attributes="member: 1642">Iambic pentameter?  Huh.Somehow for me it's never been that hard.The meter comes quite swiftly to my tongue.It may not be the finest poetry,But I have never found it hard to write.But let's get back on track with this here thread.I feel the first response was meritedThe diff'ring layout present in each bookMakes it a chore to find a given thingYou're looking for.  The errors that crept inAmongst the prestige classes also grates.In fact the way these classes have becomeThe be-all, end-all of diversity,Rather than special things for each campaignGets on my nerves.  I wish that they had keptTo their original plan of doing moreWith feats and combinations of such thingsTo better personalize your character.Some of the prestige classes as presentedShould be instead made into paths of feats.(The Candle Caster comes most swift to mind.)Also, they tend to concentrate too muchUpon one of the classes in each book.In Song and Silence rogues get most of it,And bards are left with only what is left.The instruments are nice--but incomplete.No weights are given.  Are we to believeThat flutes have the same weight as temple bells?Then there's the prestige classes in the book:The rogue gets many, some of which are nice.The bard gets only one, which is okay,But not quite what I hoped for.  For you see,I'm playing in a campaign at the momentIn which I play a bard, and I had hopedFor some more options.  As it is I'll stickWith just being a bard.  Still, that's not bad,At least I can annoy my fellow playersBy singing and by writing poetryWhile at the gaming table.  Plus I canGet so far into character that ICan post in metered verse here on the fly.</blockquote>

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