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<blockquote data-quote="EzekielRaiden" data-source="post: 8903407" data-attributes="member: 6790260"><p>That's not entirely true. I want to be clear, though, that I share your skepticism on this matter overall. But it's not a total defiance of all possible odds that such a thing could occur. It is, effectively, a form of formally-organized <em>patronage</em>, which is something that produced a significant chunk of the world's great art, music, and literature. Further, the expectation of performance offers something that a lot of pure creator-controlled things lack: a <em>deadline</em>. We've seen that exact problem crop up frequently with Kickstarter. Again, I <strong>emphatically</strong> do not want to say that I consider the creator-controlled problems to be unavoidable, nor that any other part of your argument is wrong. Just saying that there <em>are</em> reasons why this (effectively) corporate patronage could push toward producing quality work, it's not a complete contravention of rationality and probability.</p></blockquote><p></p>
[QUOTE="EzekielRaiden, post: 8903407, member: 6790260"] That's not entirely true. I want to be clear, though, that I share your skepticism on this matter overall. But it's not a total defiance of all possible odds that such a thing could occur. It is, effectively, a form of formally-organized [I]patronage[/I], which is something that produced a significant chunk of the world's great art, music, and literature. Further, the expectation of performance offers something that a lot of pure creator-controlled things lack: a [I]deadline[/I]. We've seen that exact problem crop up frequently with Kickstarter. Again, I [B]emphatically[/B] do not want to say that I consider the creator-controlled problems to be unavoidable, nor that any other part of your argument is wrong. Just saying that there [I]are[/I] reasons why this (effectively) corporate patronage could push toward producing quality work, it's not a complete contravention of rationality and probability. [/QUOTE]
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