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Hey look, there's a new Robin Hood show coming with Sean Bean as the Sheriff!
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<blockquote data-quote="Willie the Duck" data-source="post: 9761551" data-attributes="member: 6799660"><p>There was little wrong with Prince of Thieves, it just wasn't especially right. Costner (who, yes, is American and sounds it), rather than the passion he brought to The <em>Untouchables </em>through <em>JFK</em>, started (or continued, depending on how you view <em>Dances With Wolves</em>) his streak of underacting performances that lasted through <em>The Postman</em>. Morgan Freeman brought wonderful acting to a tropish role. Sean Connery came for a requisite cameo that was very much cameo-shaped and of cameo-duration. </p><p></p><p>Rickman and Geraldine McEwan absolutely nailed the villain roles and elevated every scene in which they appeared. The problem is that if all the great components of a movie are in one facet (villains, visuals, score), you don't say that they elevate the whole, you instead say it's wonderful villains/visuals/score in an otherwise bad/bland movie. It's like Raul Julia in <em>Street Fighter</em> (perhaps moreso, since unlike <em>Street Fighter, Robin Hood Prince of Thieves</em> isn't otherwise bad so much as muddled and bland). </p><p></p><p>Thank you for not starting a 'What do most people get wrong about Robin Hood' thread.</p></blockquote><p></p>
[QUOTE="Willie the Duck, post: 9761551, member: 6799660"] There was little wrong with Prince of Thieves, it just wasn't especially right. Costner (who, yes, is American and sounds it), rather than the passion he brought to The [I]Untouchables [/I]through [I]JFK[/I], started (or continued, depending on how you view [I]Dances With Wolves[/I]) his streak of underacting performances that lasted through [I]The Postman[/I]. Morgan Freeman brought wonderful acting to a tropish role. Sean Connery came for a requisite cameo that was very much cameo-shaped and of cameo-duration. Rickman and Geraldine McEwan absolutely nailed the villain roles and elevated every scene in which they appeared. The problem is that if all the great components of a movie are in one facet (villains, visuals, score), you don't say that they elevate the whole, you instead say it's wonderful villains/visuals/score in an otherwise bad/bland movie. It's like Raul Julia in [I]Street Fighter[/I] (perhaps moreso, since unlike [I]Street Fighter, Robin Hood Prince of Thieves[/I] isn't otherwise bad so much as muddled and bland). Thank you for not starting a 'What do most people get wrong about Robin Hood' thread. [/QUOTE]
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