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<blockquote data-quote="incognito" data-source="post: 536377" data-attributes="member: 7008"><p><strong>exposition</strong></p><p></p><p>Of the six, that stupid ingredient <em>simulacrum</em> was the hardest for me to deal with.</p><p></p><p>Although it's rich in flavor, it just never semed to want to fit into my scenario. I bandied about the idea or having the Naga create a simulacrum of himself, instead of the "angels," but he is supposed to be a secret player (he does not want his "true" identity revealed." I also toyed with the idea of having the Naga replace critical players in the dwarf and/or Orc storngholds with Simulacrums, but that's too eeevil, unless I went with a spinoff. </p><p></p><p>The Naga is, very obviously, <em><strong>Charlie</strong></em></p><p></p><p>Why are the bandit's women? I was suprised that seasong came at me so hard on this one, ss there are three good reasons:</p><p>1) As I stated directly, most parties will look for male, rather than female suspects. I believe this is a layer worth uncovering. Remember, the girls often disguise themselves as men.</p><p>2) In order to better incorporate the ingredient <em>women's clothing</em> (which I though was an ingenious, non-deadly trap. It was in part lifter from a (contact) story hour, in fact.</p><p>3) In order to keep up metaphor for "Charlie's Angels" or course!</p><p></p><p>The scroll, the scroll, the scroll. Ok, I admit, I could've been more specific with the miracle. But I couldn't think of a great one, and I was betting a DM who incorporated this adventure into his campaign could. With respect to it being a <em>macguffin:</em> objects like this one are usually perfect candidtates, so I was happily trite in this regard. I though the three spinoff options vindicated the early ambigiuity, but unfortunately, it may not...</p><p></p><p>Which brings me to my BIG, GLARING, ERROR: seasong, oh seasong, how did I forget that plot hook? It was tickling in the back of my throat all night long - yet when I began typing, it elluded me, like the name of an 80's song you hear 1/2 of on the radio. I am shamed, I should've taken the time to nail that down. Which is yet another reason to edit, not write (heh!) <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f609.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=";)" title="Wink ;)" data-smilie="2"data-shortname=";)" /> </p><p></p><p>A final note on Synopsis: I use it to set tone, and that's about it. I find no where else can you telll another DM directly what a scenario is all about, how you intended things to play out, and what the expectation is from Characters, than in the synopsis. Should I have been more specific about the adventure details, probably - but the background with me is so rich, well, I though that would cover it enough. </p><p></p><p>so, that's my two cents...Seasongs critique zeroes in on a few things with alarming sharpness, as per his usual.</p><p></p><p>But wait! Seasong-san, (wink) where is your Iron DM submisison with these ingredients? </p><p></p><p><img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f600.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":D" title="Big grin :D" data-smilie="8"data-shortname=":D" /></p></blockquote><p></p>
[QUOTE="incognito, post: 536377, member: 7008"] [b]exposition[/b] Of the six, that stupid ingredient [i]simulacrum[/i] was the hardest for me to deal with. Although it's rich in flavor, it just never semed to want to fit into my scenario. I bandied about the idea or having the Naga create a simulacrum of himself, instead of the "angels," but he is supposed to be a secret player (he does not want his "true" identity revealed." I also toyed with the idea of having the Naga replace critical players in the dwarf and/or Orc storngholds with Simulacrums, but that's too eeevil, unless I went with a spinoff. The Naga is, very obviously, [i][b]Charlie[/b][/i] Why are the bandit's women? I was suprised that seasong came at me so hard on this one, ss there are three good reasons: 1) As I stated directly, most parties will look for male, rather than female suspects. I believe this is a layer worth uncovering. Remember, the girls often disguise themselves as men. 2) In order to better incorporate the ingredient [i]women's clothing[/i] (which I though was an ingenious, non-deadly trap. It was in part lifter from a (contact) story hour, in fact. 3) In order to keep up metaphor for "Charlie's Angels" or course! The scroll, the scroll, the scroll. Ok, I admit, I could've been more specific with the miracle. But I couldn't think of a great one, and I was betting a DM who incorporated this adventure into his campaign could. With respect to it being a [i]macguffin:[/i] objects like this one are usually perfect candidtates, so I was happily trite in this regard. I though the three spinoff options vindicated the early ambigiuity, but unfortunately, it may not... Which brings me to my BIG, GLARING, ERROR: seasong, oh seasong, how did I forget that plot hook? It was tickling in the back of my throat all night long - yet when I began typing, it elluded me, like the name of an 80's song you hear 1/2 of on the radio. I am shamed, I should've taken the time to nail that down. Which is yet another reason to edit, not write (heh!) ;) A final note on Synopsis: I use it to set tone, and that's about it. I find no where else can you telll another DM directly what a scenario is all about, how you intended things to play out, and what the expectation is from Characters, than in the synopsis. Should I have been more specific about the adventure details, probably - but the background with me is so rich, well, I though that would cover it enough. so, that's my two cents...Seasongs critique zeroes in on a few things with alarming sharpness, as per his usual. But wait! Seasong-san, (wink) where is your Iron DM submisison with these ingredients? :D [/QUOTE]
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