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Hollywood's creativity problem and a (ranty) stroll through endless remakes...
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<blockquote data-quote="Snarf Zagyg" data-source="post: 8853932" data-attributes="member: 7023840"><p>It would look .... <em>awesome</em>.</p><p></p><p>(It would be roughly separated into the following categories)</p><p></p><p><strong><u><em>Cage 101- Introduction to Awesome.</em></u></strong></p><p>A course concentrating on "popular" Cage movies, starting with his action output in the 90s and continuing on to the National Treasure series, with some occasional pieces pulled from his lengthy popular career such as City of Angels and Moonstruck,</p><p></p><p><strong><em><u>Cage 201- Nic Cage is Bob Denver on Acid Playing the Accordion.</u></em></strong></p><p>A further examination of Nic Cage as auteur, examining his numerous critcally acclaimed method roles, from the 80s (Vampire's Kiss) to the 90s (Leaving Las Vegas) to the '00s (Adaptation) to now (Mandy, Pig). </p><p></p><p><strong><em><u>Cage 301- We Released Ourselves On Our Own Recognizance.</u></em></strong></p><p>Next, we look at the many films that Nic Cage has graced us with that we love- from <em>Raising Arizona </em> to <em>Lord of War </em>to <em>The Weather Man.</em></p><p></p><p><strong><em><u>Cage 401- MAXIMUM CAGE.</u></em></strong></p><p>Finally, we look at the films that define a man, a generation .... a CIVILIZATION. Advanced studies and a seminar level course. Films such as <em>The Wicker Man</em>,<em> Bad Lieutenant: Port of Call New Orleans, Drive Angry, Captain Corelli's Mandolin, The Unbearable Weight of Massive Talent</em>, <em>Face/Off, and Deadfall. </em></p><p></p><p><strong><u><em>Graduate Studies in Paychecks and Cameos</em></u></strong></p><p>Whether it's "Hey, is that Nicolas Coppola?" (<em>Fast Times at Ridgemont High</em>?) or "Did you really need that paycheck that bad?" (<em>Left Behind</em>) some graduate-level studies will complete the study of the GREATEST ARTIST OF OUR, OR ANY generation.</p></blockquote><p></p>
[QUOTE="Snarf Zagyg, post: 8853932, member: 7023840"] It would look .... [I]awesome[/I]. (It would be roughly separated into the following categories) [B][U][I]Cage 101- Introduction to Awesome.[/I][/U][/B] A course concentrating on "popular" Cage movies, starting with his action output in the 90s and continuing on to the National Treasure series, with some occasional pieces pulled from his lengthy popular career such as City of Angels and Moonstruck, [B][I][U]Cage 201- Nic Cage is Bob Denver on Acid Playing the Accordion.[/U][/I][/B] A further examination of Nic Cage as auteur, examining his numerous critcally acclaimed method roles, from the 80s (Vampire's Kiss) to the 90s (Leaving Las Vegas) to the '00s (Adaptation) to now (Mandy, Pig). [B][I][U]Cage 301- We Released Ourselves On Our Own Recognizance.[/U][/I][/B] Next, we look at the many films that Nic Cage has graced us with that we love- from [I]Raising Arizona [/I] to [I]Lord of War [/I]to [I]The Weather Man.[/I] [B][I][U]Cage 401- MAXIMUM CAGE.[/U][/I][/B] Finally, we look at the films that define a man, a generation .... a CIVILIZATION. Advanced studies and a seminar level course. Films such as [I]The Wicker Man[/I],[I] Bad Lieutenant: Port of Call New Orleans, Drive Angry, Captain Corelli's Mandolin, The Unbearable Weight of Massive Talent[/I], [I]Face/Off, and Deadfall. [/I] [B][U][I]Graduate Studies in Paychecks and Cameos[/I][/U][/B] Whether it's "Hey, is that Nicolas Coppola?" ([I]Fast Times at Ridgemont High[/I]?) or "Did you really need that paycheck that bad?" ([I]Left Behind[/I]) some graduate-level studies will complete the study of the GREATEST ARTIST OF OUR, OR ANY generation. [/QUOTE]
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