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Is D&D Art?
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<blockquote data-quote="nedjer" data-source="post: 5644435" data-attributes="member: 83796"><p>There's a bit of a problem with the whole intent thing. We process our decisions well before we are consciously aware of making them, i.e. our conscious experience is pretty much a video replay of what's already done. Yeah, it takes a minute to wrap your head around it, but a dude called Libet and many other since have it down.</p><p></p><p>So all art is created subconsciously. How subconscious intent forms is, perhaps, comparable to a snowball (yeah everything's comparable to a snowball in this thread - got them on my mind after getting childishly over-excited at including shakeable snowdomes as magic items in new game), So snowball ideas and concepts cluster and firm-up under some conditions; and melt away or snap-off under other conditions.</p><p></p><p>So an artist has to have a basis for their production or performance that's consistent with a frosty day, a steep slope, motion, and cluster favourable snow. This is tricky given the whole 'in Canada they've twenty types of snow' aspect. But gets a tad more problematic when allowing for a metaphorical child walking up, picking up the snowball and hurling it as a projectile . . .</p></blockquote><p></p>
[QUOTE="nedjer, post: 5644435, member: 83796"] There's a bit of a problem with the whole intent thing. We process our decisions well before we are consciously aware of making them, i.e. our conscious experience is pretty much a video replay of what's already done. Yeah, it takes a minute to wrap your head around it, but a dude called Libet and many other since have it down. So all art is created subconsciously. How subconscious intent forms is, perhaps, comparable to a snowball (yeah everything's comparable to a snowball in this thread - got them on my mind after getting childishly over-excited at including shakeable snowdomes as magic items in new game), So snowball ideas and concepts cluster and firm-up under some conditions; and melt away or snap-off under other conditions. So an artist has to have a basis for their production or performance that's consistent with a frosty day, a steep slope, motion, and cluster favourable snow. This is tricky given the whole 'in Canada they've twenty types of snow' aspect. But gets a tad more problematic when allowing for a metaphorical child walking up, picking up the snowball and hurling it as a projectile . . . [/QUOTE]
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