Menu
News
All News
Dungeons & Dragons
Level Up: Advanced 5th Edition
Pathfinder
Starfinder
Warhammer
2d20 System
Year Zero Engine
Industry News
Reviews
Dragon Reflections
White Dwarf Reflections
Columns
Weekly Digests
Weekly News Digest
Freebies, Sales & Bundles
RPG Print News
RPG Crowdfunding News
Game Content
ENterplanetary DimENsions
Mythological Figures
Opinion
Worlds of Design
Peregrine's Nest
RPG Evolution
Other Columns
From the Freelancing Frontline
Monster ENcyclopedia
WotC/TSR Alumni Look Back
4 Hours w/RSD (Ryan Dancey)
The Road to 3E (Jonathan Tweet)
Greenwood's Realms (Ed Greenwood)
Drawmij's TSR (Jim Ward)
Community
Forums & Topics
Forum List
Latest Posts
Forum list
*Dungeons & Dragons
Level Up: Advanced 5th Edition
D&D Older Editions, OSR, & D&D Variants
*TTRPGs General
*Pathfinder & Starfinder
EN Publishing
*Geek Talk & Media
Search forums
Chat/Discord
Resources
Wiki
Pages
Latest activity
Media
New media
New comments
Search media
Downloads
Latest reviews
Search resources
EN Publishing
Store
EN5ider
Adventures in ZEITGEIST
Awfully Cheerful Engine
What's OLD is NEW
Judge Dredd & The Worlds Of 2000AD
War of the Burning Sky
Level Up: Advanced 5E
Events & Releases
Upcoming Events
Private Events
Featured Events
Socials!
EN Publishing
Twitter
BlueSky
Facebook
Instagram
EN World
BlueSky
YouTube
Facebook
Twitter
Twitch
Podcast
Features
Top 5 RPGs Compiled Charts 2004-Present
Adventure Game Industry Market Research Summary (RPGs) V1.0
Ryan Dancey: Acquiring TSR
Q&A With Gary Gygax
D&D Rules FAQs
TSR, WotC, & Paizo: A Comparative History
D&D Pronunciation Guide
Million Dollar TTRPG Kickstarters
Tabletop RPG Podcast Hall of Fame
Eric Noah's Unofficial D&D 3rd Edition News
D&D in the Mainstream
D&D & RPG History
About Morrus
Log in
Register
What's new
Search
Search
Search titles only
By:
Forums & Topics
Forum List
Latest Posts
Forum list
*Dungeons & Dragons
Level Up: Advanced 5th Edition
D&D Older Editions, OSR, & D&D Variants
*TTRPGs General
*Pathfinder & Starfinder
EN Publishing
*Geek Talk & Media
Search forums
Chat/Discord
Menu
Log in
Register
Install the app
Install
Upgrade your account to a Community Supporter account and remove most of the site ads.
Rocket your D&D 5E and Level Up: Advanced 5E games into space! Alpha Star Magazine Is Launching... Right Now!
Community
General Tabletop Discussion
*TTRPGs General
Is everyone in Eberron white?
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Reply to thread
Message
<blockquote data-quote="Incenjucar" data-source="post: 1695513" data-attributes="member: 6182"><p>Ethnicity tends to be hard to do properly in fantasy, and especially in art these days.</p><p></p><p>In regards to fantasy, it takes some effort to explain the migratory habits of a culture to allow for realistic ethnic diversity, without setting up a really nasty situation (Especially since so many cultures enslaved each other). With fantasy races, the primary non-evil ones are white, largely because Tolkein was trying to write a European mythology. Finally, there tends to be a habit amoungst writers to focus on their own culture, or a culture they're fascinated with, or one that fits the medium. Someone writing about a desert setting will usually have faux-Arabs. Someone writing about samurai are going to have faux-Asians. (In fact, my favorite comic book is written by an 'African-American', but most of his characters are white, because he's basing much of it on D&D and Indiana Jones and Anime) Someone writing basic fantasy will usually assume "Europe". Now, me, personally, I'm busy making up my own ethnicities, like the jungle dwellers who're all but bleach white because they cover their skin and tend to be nocturnal, who live near a people that have very dark skin, because they do almost everything in daylight, and tend to go bare-skinned because of the heat (though they do wars at night, in full armor, by torch light). My fantasy cultures have a different method of variety, as one type is semi-reptilian, and has any variety of skin patterns and hues, another kind is usually a middling tan, with a few exceptions, but their hair/feathers come in great variety. Another race is semi-insectoid, so they have chitin differences.</p><p></p><p>As for art, you have the fact that they're usually trying to draw based on the fantasy sources available, as above shows, and, an interesting problem, these days you're not supposed to know much about differences between 'races'. I, for instance, was raised in a heavily liberal area (A tourist-filled coastal city), so I can't so much as tell a Scott from an Irishman, or a Polish person from a Swede or a Norwegian. I can just -barely- guess if someone is Japanese or Chinese or Malaysian, but only if I have those few options. If they're Korean, Hmong, Vietnamese, Laosian, Thai, Tibetan, or any of the rest, I have no bloody idea. And since almost any racial group will get effing ticked at you for confusing them with another, I can't safely do any trial by error. This is the same kind of thing many artists have to worry about unless they're in a more laid-back area.</p></blockquote><p></p>
[QUOTE="Incenjucar, post: 1695513, member: 6182"] Ethnicity tends to be hard to do properly in fantasy, and especially in art these days. In regards to fantasy, it takes some effort to explain the migratory habits of a culture to allow for realistic ethnic diversity, without setting up a really nasty situation (Especially since so many cultures enslaved each other). With fantasy races, the primary non-evil ones are white, largely because Tolkein was trying to write a European mythology. Finally, there tends to be a habit amoungst writers to focus on their own culture, or a culture they're fascinated with, or one that fits the medium. Someone writing about a desert setting will usually have faux-Arabs. Someone writing about samurai are going to have faux-Asians. (In fact, my favorite comic book is written by an 'African-American', but most of his characters are white, because he's basing much of it on D&D and Indiana Jones and Anime) Someone writing basic fantasy will usually assume "Europe". Now, me, personally, I'm busy making up my own ethnicities, like the jungle dwellers who're all but bleach white because they cover their skin and tend to be nocturnal, who live near a people that have very dark skin, because they do almost everything in daylight, and tend to go bare-skinned because of the heat (though they do wars at night, in full armor, by torch light). My fantasy cultures have a different method of variety, as one type is semi-reptilian, and has any variety of skin patterns and hues, another kind is usually a middling tan, with a few exceptions, but their hair/feathers come in great variety. Another race is semi-insectoid, so they have chitin differences. As for art, you have the fact that they're usually trying to draw based on the fantasy sources available, as above shows, and, an interesting problem, these days you're not supposed to know much about differences between 'races'. I, for instance, was raised in a heavily liberal area (A tourist-filled coastal city), so I can't so much as tell a Scott from an Irishman, or a Polish person from a Swede or a Norwegian. I can just -barely- guess if someone is Japanese or Chinese or Malaysian, but only if I have those few options. If they're Korean, Hmong, Vietnamese, Laosian, Thai, Tibetan, or any of the rest, I have no bloody idea. And since almost any racial group will get effing ticked at you for confusing them with another, I can't safely do any trial by error. This is the same kind of thing many artists have to worry about unless they're in a more laid-back area. [/QUOTE]
Insert quotes…
Verification
Post reply
Community
General Tabletop Discussion
*TTRPGs General
Is everyone in Eberron white?
Top