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JollyDoc's Jade Regent
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<blockquote data-quote="JollyDoc" data-source="post: 6760247" data-attributes="member: 9546"><p><strong>Of Ninjas and Geisha</strong></p><p></p><p>4 Abadius, 4716 - 10 Calistril, 4716 </p><p></p><p>The remaining bandits were taken into custody to await Jiro's arrival and justice. In the mean time, the companions explored the fortress, looking for any enemies that might be laying in wait. In the cellar, they came across a half-dozen peasant girls locked in bamboo cages. Ameiko freed them all, and they prostrated themselves before her. She bade them rise, and offered them gainful employment in her service since they were familiar with the layout and running of the fortress. </p><p></p><p>In another part of the building they found a forgotten shrine. Its walls were covered in faded, abstract decorations, and riddled with cavities and cracks. Stone display tables stood along two walls, bare but for rusty metal shards and blackened splinters of wood. A statue of a female samurai stood in a niche in the middle of another wall, her elaborate armor engraved with numerous cartouches filled with inscriptions. The statue once held a two-handed sword, but the stone blade had been sheared off, and many of the statue's features had been defaced or destroyed. Ameiko recognized the statue as a representation of Shizuru, the Tian goddess of ancestors, honor, swordplay and the sun. Tiny inscriptions inside the cartouches on the statue were in Minkaian, and seemed to be the names of Samurai, followed by expressions of thanks, and prayers for good luck. One of these names was Hirabashi Akikaza, Jiro's ancestor. Written nearby was a single inscription with no author's name: "Empress of Heaven, touch me with your grace!"</p><p>Instinctively, Ameiko reached out one hand and touched the cartouche. When she did, all of the cartouches on the statue flashed with light, and then a large, cylindrical pit opened in the center of the room, revealing a repository for many weapons, still sharp and shiny after half a millennium. Among them was a katana with the Tien characters for Hirabashi engraved along the blade. </p><p></p><p>_______________________________________________________</p><p></p><p>Jiro and his ronin arrived at Seinaru Heikiko two days later, having defeated the roaming bandits and killed their subchief. The samurai was pleased at the work the heroes had accomplished at the fortress in the mean time. When Ameiko presented him with his family sword, he immediately dropped to one knee and bowed before her. </p><p>"You are the rightful heir to the Jade Throne," he announced for all to hear, "and I pledge my service to you until the Jade Regent is defeated!"</p><p>One by one, his warriors came to kneel before the would-be empress, each pledging themselves to her.</p><p>"The fortress will make an excellent base of operations," Jiro explained after the procession had ended. "We will send for the settlers whose land we protected to repair the damage and expand the defenses. I believe that with some time and training, Hatsue and I should be able to organize them into a militia. Now, my Lady, come. We have much to discuss.</p><p></p><p>______________________________________________________________</p><p></p><p>"The Jade Regent is amassing troops," Jiro began without preamble as he seated himself at one of the tables in the great hall. With the emperor in hiding, and the governor of the capital accused of treason, Minkai has become alienated from the other nations of Tian Xia, creating a long-lasting trade crisis. The merchant clans in Akafuto, Enganoka and Sakakabe resent the economic decline more than anyone. Most of the daimyo are also unhappy, as they are obliged to pay surplus taxes for the upkeep of the Typhoon Guard, a mercenary force who now serve as the Jade Regent's private army. The nobles also see the officers of the Typhoon Guard as dangerous rivals for positions in the imperial bureaucracy. But it is the common people who suffer the most, for many nobles are squeezing their extra dues from their subjects. In this current climate, stirring a rebellion in the northwestern provinces of Enganoka and Sakakabe would not be impossible, but we will need much more support."</p><p>"You have some ideas, I suppose?" Zula asked, arching one eyebrow.</p><p>"Just so," Jiro nodded. "We will need to contact powerful representatives of Minkai's military, merchants and even criminal underground, either to sway them to our side, or at least to ensure their neutrality in the coming conflict."</p><p>"Criminals?" Ameiko asked dubiously.</p><p>"There are many ninja clans in Minkai," Jiro explained, "and while perhaps distasteful, their aid in the rebellion would be helpful. Even if you do not wish to hire them, you should at least make an attempt to convince them not to serve the Jade Regent."</p><p>"Where would we find their representatives?" Sandru asked.</p><p>"Start in Enganoka," Jiro replied. "There, you should visit the Kuroi Yane market. I have heard that three regular customers of a restaurant there are actually high-ranking ninja, sometimes referred to as nokizarusan, or the "three monkeys on the roof," or simply the "Three Monkeys." Every month, with the new moon, these three meet to discuss matters between the clans, and it is said that this is the only time one can speak with them for any reason other than hiring their services."</p><p>"Interesting," Sandru mused. "I've had dealings with the less savory elements of the trade market on several occasions. We'll have to tread very lightly here. What about the legitimate merchant clans?"</p><p>"That, too, will take some delicate handling," Jiro smirked. "The best way to gain the support of the merchants is through the geisha of Minkai, who know many secrets that can be used to manipulate the empire's merchants and nobility. I recommend visiting the Kiniro Kyomai teahouse in downtown Sakakabe. The owner is a very skilled and respected geisha named O-Kohaku, who happens to be a niece of the late governor of Kasai, and very likely hates the Jade Regent for killing her uncle. Many people discontent with the rule of the Jade Regent frequent the Kiniro Kyomai. Befriending the geisha would give you the chance to contact and persuade them to join our cause. If you decide to approach O-Kohaku, I suggest using flattery. She appreciates expensive gifts."</p><p>"So criminals and whores?" Zula said, shaking her head. "What's next? Cultists?"</p><p>Jiro just smiled.</p><p>"Do not be so quick to dismiss those who dwell in the shadow of greatness," he said. "For it is they who often see what those above them wish to keep hidden. Which brings me to my third suggestion for an alliance. One of the Jade Regent's most zealous supporters is the current governor of Enganoka, a man named Sikutsu Sennaka. He is cruel, efficient and powerful, and anyone who tries to give voice to dissent in the province has been ruthlessly persecuted. He also exerts a strong influence over Minkai's military, and the adjacent provinces through terror, espionage, and blackmail. No one in this area is likely to rise against the Jade Regent as long as Sennaka lives, but once he is removed from power, we will have a much better chance of gaining the support of Minkai's samurai. He is well-guarded, however, and an open attack is likely doomed to failure. You need to find a way to ambush him, or take him unawares and unguarded. My advice is to contact the ninja clans and the geisha first before taking on Sennaka."</p><p></p><p>Ameiko contemplated and processed all that Jiro had told them. Then, with a nod of her head, she looked up and addressed her companions.</p><p>"We shall go to Sakakabe first," she declared, "and meet with O-Kohaku. It may be that she can offer us insight on how to treat with the Three Monkeys as well."</p><p>Jiro nodded his approval.</p><p>"I caution you against attracting too much attention on your journeys," he said. "Keep as low of a profile as possible."</p><p>"We are in agreement," Ameiko replied. "Very well then, we leave on the morrow."</p><p></p><p>__________________________________________________________</p><p></p><p>Sakakabe was built on a series of steep terraces that extended from the port to the top of the hills, where the richest houses were built. The entertainment district, or hanamachi, was built on one of the highest terraces, centered on a large street called the Way of the Songbirds. Two gates stood at either end of the street, manned by armed guards who checked all visitors to ensure that no beggars entered. They were suspicious of the companions, as well they might be of heavily armed foreigners, but a few gold coins slipped to them by Sandru ensured entry to the avenue beyond. Inside the gates, the entertainment district was a pleasant area of niche shops, small gardens, a few shrines and upscale teahouses, including the famous Kiniro Kyomai, easily indentifiable by its ornate roof and brightly polished gutters. </p><p></p><p>When the companions approached the gate, they were met by a young and exceptionally polite geisha wearing a flowery, long-sleeved kimono, who introduced herself as O-Hakami.</p><p>"We have come to seek audience with O-Kohaku," Zula said, bowing slightly. "We are great admirers of the geisha, and we have brought her a gift."</p><p>O-Hakami smiled and bowed, then instructed the group to follow her. She led them to an inner garden, which was only semi-private, and was under constant surveillance by district guards. After several minutes, another geisha, older and more regal, though no less beautiful, entered the garden. </p><p>"I am O-Kohaku," she said in greeting, inclining her head. "Please, sit. O-Hakami," she turned to the younger geisha, "bring tea."</p><p>The younger woman hurried to comply, and returned moments later with the service. She then went and sat in a corner of the garden, occasionally strumming a samisen.</p><p>"Now," O-Kohaku said, "what brings such strangers so far from home to my humble establishment? Do you wish to hire my geisha?"</p><p>"Not exactly," Zula smiled. "Hirabashi Jiro sends his regards."</p><p>A slight smile quirked the geisha's lips.</p><p>"Ah, the samurai who served my late uncle," she said. "I had wondered what had become of him after he and his unruly swords-for-hire were kicked out of the district last year."</p><p>Zula cleared her throat, not sure what to make of that.</p><p>"Yes, well," she continued, "you may be interested to know that Jiro has joined our cause."</p><p>"And what cause would that be, dear?" O-Kohaku asked indulgently.</p><p>"To place the rightful heir, the last scion of House Amatatsu, upon the Jade Throne," the thundercaller replied, indicating Ameiko.</p><p>O-Kohaku's hand flew to her throat, and her eyes went wide in mock astonishment.</p><p>"Imperial politics are of little interest to provincial entertainers such as myself," she declared. </p><p>Zula sensed something beneath her words, however. </p><p>"Nevertheless," she said, "we could use your assistance. Jiro tells us that you have influence among the nobility and the merchant clans."</p><p>The geisha remained silent for a moment, and then sighed deeply.</p><p>"I am no friend of the Jade Regent," she said at length, "but my hopes of seeing Emperor Shigure back on the throne have faded. The Jade Regent will soon become the legitimate ruler of Minkai. Even here, far from the capital, everyone is too afraid of governor Sennaka to do anything that might disrupt the status quo."</p><p>"We have plans for him as well," Zula said, her eyes cold and uncompromising. </p><p>O-Kohaku weighed her words for a moment.</p><p>"You boast much," she said, "yet can you follow through with your words, I wonder? Still, I will allow you to prove the sincerity of your intentions."</p><p>"Here it comes," Sandru grumbled under his breath.</p><p>O-Kohaku pretended not to notice.</p><p>"One of my most talented and respected geisha has gone missing," she said. "O-Sayumi is adored by the local nobility, and has even received gifts from Sikutsu Sennaka's younger brother, Itsuru. She recently agreed to entertain a pearl merchant named Yugureda Shosaito, and traveled to his private island for a week-long stay, but has not returned."</p><p>"What does the merchant have to say?" Zula asked.</p><p>"He claims she never arrived," O-Kohaku replied.</p><p>"And what do you think?" Zula asked.</p><p>"I fear that she may be being held against her will," the geisha said quietly. "He had made such offers in the past, but O-Sayumi had always refused. She felt that he was obsessed with her. Why she suddenly changed her mind, I cannot say, but I feel that both Yugureda's fascination with her, and her changer of heart, have their roots in their past."</p><p>"Where is this island?" Sandru interrupted.</p><p>"It lies perhaps seventy miles northwest of here," O-Kohaku said. "His home there is called Shinju-no-Ie. The island rises from a coral reef in Namidakame Lagoon, at the mouth of the Jikko River. Yugureda has a private barge that would deliver his pearl shipments to the docks here. It was upon that barge that O-Sayumi departed."</p><p>"You must find her!" O-Hakami suddenly interjected, leaping up from where she'd been seated. "She was my mentor! My friend!"</p><p>O-Kohaku gave the apprentice a stern look</p><p>"O-Sayumi's disappearance has been blow to our finances and reputation," she said. "If you find her and return her, I will arrange meetings for you with powerful individuals who can help you with your cause."</p><p>"We will do what we can," Ameiko promised.</p><p></p><p>______________________________________________________________</p><p></p><p>O-Hakami led the companions out of the teahouse, and as soon as they were out of sight and hearing of O-Kohaku, she turned and whispered to them, fear in her eyes.</p><p>"I fear for my mentor," she said. "Yugureda Shosaito is a dangerous man, so cold as to seem like he is dead!"</p><p>"What more can you tells about O-Sayumi?" Zula asked.</p><p>"She was such a gifted samisen player," the young geisha smiled. "She even owned a magical one! She would sometimes play for hours alone in her room. I once peeked at her as she played, and she seemed to be in some kind of trance. I was frightened, for as I watched, I thought I saw the shadow of a huge, prowling tiger on the shoji doors! Many believed that she was a seer. She seemed to know much of the past, present and future. It was not uncommon for nobles and merchants to come here and ask for her advice on matters that would not normally fall under the expertise of a geisha."</p><p>"Did she say anything to you about her trip?" Zula pressed.</p><p>"Not really," O-Hakami replied. "Before she left, however, she did give me a small package. She told me to give it to an honorable person who would look for her if she did not return. I now feel that she meant all of you."</p><p>She withdrew a paper packet from her sleeve and handed it to Ameiko, who unwrapped it, finding a folded sheet of rice paper inside, along with a small carrying case. </p><p>"That is her inro," O-Hakami said curiously, indicating the case.</p><p>Ameiko unfolded the paper and read aloud,</p><p>"I must discover what lies inside of myself to enter your place through dark and shadowed gates, but the reflection is not me."</p><p>"What does it mean?" Sandru asked.</p><p>Ameiko shrugged. </p><p>"Perhaps the inro holds some answer," O-Hakami answered. "I believe the geisha carving represents O-Sayumi, and the letter said to discover what lies inside."</p><p></p><p>The inro was a small ivory box with four segments, held closed with a silk cord, a sliding fastener, and a decorative toggle. The segments were engraved with a depiction of a geisha playing the samisen. The toggle was carved into the likeness of a strange turtle-like humanoid holding a vase in its webbed hands, and a six-petaled magnolia flower was carved on the bottom of it. </p><p>"I've heard of that kind of creature," Lucian offered. "It's called a kappa."</p><p>O-Hakami nodded.</p><p>"It may represent Numataro-sama," she said. "He was someone O-Sayumi often talked about and referred to as her uncle. She said he lived under a great magnolia tree."</p><p>The segments of the inro formed three small compartments, and there was a maker's mark stamped inside the lid.</p><p>"That is the mark of Saburo," O-Hakami said. "He is a local artisan oft sought after for his crafting skill."</p><p>Inside the compartments, the inro contained three odd items: an empty silkworm cocoon in the lower compartment; two interlocking stone rings, one of yellow calcite and one of blue lapis lazuli, in the middle compartment; and three camphorwood beads on a cord ring in the upper compartment. O-Hakami had no explanation for the significance of these items. </p><p>"Well, I guess we have our work cut out for us," Zula sighed. "Perhaps we should start with this Saburo fellow."</p><p></p><p>_______________________________________________________</p><p></p><p>Saburo's workshop was not far from the entertainment district, and displayed vases of all shapes and sizes in a small window on the street. He recognized the inro immediately, and expressed his concern for the missing geisha. </p><p>"Are you going to find her?" he asked.</p><p>When Ameiko answered in the affirmative, he told the companions to wait a moment, for he had another object he'd crafted for her. He went into a back room, and when he emerged again, he carried a bulbous, long-necked vase with an unusually deep recess in the bottom. The shape of the vase matched that of the inro's toggle, and was painted in the likeness of a smiling kappa. Inside, it contained a pound of cucumber-scented bath salts.</p><p>"The kappa again," Zula said. "Have you heard of such a creature?" she asked Saburo.</p><p>"The local fisherman often speak of an ancient kappa that is said to live beneath a great magnolia tree at the mouth of the Jikko River, near the Namidakame Lagoon," the artisan replied.</p><p>"Seems like we have our next clue," Zula nodded.</p><p></p><p>__________________________________________________________</p><p></p><p>The companions made their way to the port, seeking to hire a ship traveling up the coast. The harbormaster was able to make arrangements, though he seemed a bit dubious about their stated destination.</p><p>"Do you know the pearl merchant who lives on the island?" Ameiko asked.</p><p>"Of course!" the man replied. "But his barge has not been seen here for over a month. Strange. It used to come every two weeks to transport supplies."</p><p>"Did you notice anything different the last time it was here?" Zula asked.</p><p>When the man hesitated in his response, Sandru slipped a few coins into his palm.</p><p>"Now that you mention it," he grinned, "I saw a young woman wearing a white veil and carrying a black samisen case board the barge."</p><p>"Thank you," Ameiko said. "You have been most helpful.</p><p></p><p>_____________________________________________________________</p><p></p><p></p><p>The voyage up the coast was peaceful and uneventful, but when their ship finally reached Namikadame Lagoon, the companions found the air strangely heavy, and a stifling cloak of silence seemed to hang oppressively over the land and water. Half-shrouded by mist, a dark island rose from the water and coral reefs. The colors of the landscape seemed washed out around the island, their hues drained by an unnatural gloominess. On the mainland, clearly visible on the bank above where the mouth of the river emptied into the lagoon, was a great magnolia tree.</p><p>"There," Ameiko indicated to the captain. "We need to put ashore there."</p><p></p><p>When the companions reached the shore beneath the tree, they were momentarily perplexed. There was no obvious lair or dwelling visible where an intelligent creature would live. It was not until Lucian recalled that kappa were supposedly fond of foods such as cucumber or horse meat, that they thought to use the bath salts within the vase Saburo had given them. Ameiko took the vase to the edge of the water and upended it, dumping the salts in. A few minutes later, the water stirred as a very strange-looking creature emerged. It resembled a humanoid turtle with a wrinkled, ape-like face, and an ashen ring of hair surrounding its bowl-shaped head, which was filled with water. It's shell was decorated with the symbol of the goddess Irori, a blue hand in a circle, and although the creature leaned on a gnarled wooden staff, there was something youthful and energetic about his movements. </p><p>"Hello," Zula said, stepping forward. "Are you Numataro-sama?"</p><p>"Indeed I am," the kappa smiled. "Who are you that asks?"</p><p>The thunder-caller made introductions.</p><p>"We are searching for a woman named O-Sayumi," she finished. "We have heard that you know her."</p><p>"Indeed I do," the old kappa smiled again, "but let us speak in more comfortable surroundings."</p><p></p><p>He led them down the bank to where a tangle of tree roots obscured a half-submerged cave. </p><p>"When O-Sayumi was just an infant," he began, "her mother was killed by a monstrous tiger sent by an evil wizard. Desperate to save her child, O-Sayumi's mother left her in a basket on the bank of a stream under a blooming honeysuckle bush, and then fled away from her. Fortunately, I found the baby before the tiger did, and took her to safety. She lived with me for several years, and I took it upon myself to teach her many of the ancient stories and tales of Minkai. I grew to love my Momo-chan, or as you would say, little butterfly, but I realized that a child needed more than I could give her. If nothing else, human companionship. So I took her to an orphanage in a monastery of Irori. The monks adopted her and taught her how to play the samisen, for which she showed exceptional talent. When she was older, she left the monks and traveled to Sakakabe, where she took the name O-Sayumi, and became a respected geisha."</p><p>"Can you think of any reason that she would have agree to travel with this pearl merchant?" Ameiko asked.</p><p>"No," Numataro replied, "but I do know that Yugureda Shosaito is more than just a merchant. He is a powerful wizard, whom I suspect may be the same one responsible for the death of O-Sayumi's mother."</p><p>"I see," Ameiko said quietly. "Our way forward seems clear. We thank you, Numataro-sama, and promise that we will do everything in our power to return O-Sayumi safely."</p><p>"Thank you," the kappa bowed, "and tell her to come visit her old uncle."</p><p></p><p>_____________________________________________________________</p><p></p><p>The ship's captain was reluctant to approach the island any further, as local rumor held that it was haunted. The companions decided that Lucian would fly across to the island and scout ahead, then return to the others after he'd found a suitable place where he could teleport them to. The entire island was about two miles long and a mile wide. In the exact center stood what might have once been a beautiful villa with a colorful tile roof, surrounded by pleasant gardens. However, it seemed that a cold shadow had crept over the place, leaving it a dull, gloomy husk of its former splendor. Two paths led from the villa towards the beach, one to a dock at which was moored a large barge, and the second towards a small village, which appeared abandoned to Lucian.</p><p></p><p>He returned to his companions and informed them of his findings. They elected to have him teleport them to an isolated spot out of view of the villa and the village. Once there, they began making their way towards the village. Zula, Ameiko and Boris went ahead of the others, moving quietly and stealthily across the barren landscape. The village itself consisted of a small cluster of mud-walled huts. Though there were no inhabitants, it quickly became obvious that it was not abandoned. Each of the huts contained simple implements for living, many of which appeared recently used. As they moved among the huts, Zula spotted a figure swimming and then diving out in the surf.</p><p>"Pearl divers," she said. "They must be out collecting."</p><p>It was then that Boris emerged from one of the huts, bouncing around excitedly.</p><p>"Come see what Boris find!" he giggled.</p><p>Inside, beneath a reed mat, was a trapdoor. It opened into a tunnel that appeared to run in the general direction of the villa. Zula smiled and patted the goblin on the head.</p><p>"Well done," she said. "It appears we have found our way inside."</p><p></p><p>__________________________________________________________</p><p></p><p>The tunnel led some five-hundred feet before opening into what appeared to be a cellar hewn in the rock. Stairs led up on one side, while a passageway on the other side led into darkness. The room was cool and moist, and smelled faintly of alcohol. Shelves stood in the corners, containing scores of ceramic bottles, glass vials, and small barrels of various sizes and shapes. Ameiko decided that she and Boris would scout ahead upstairs before the rest of the noisier crew followed.</p><p></p><p>Up the stairs, the pair found themselves in a hallway that wound between wooden walls broken at intervals by rice-paper sliding shoji doors. From behind several of these doors, they could hear the sounds of sweeping and low conversation. They bypassed these rooms until they came to a large, tatami-floored room whose walls were formed entirely of shoji screens. A lantern hung from the center of the ceiling, filling the room with yellow light. Under the lantern stood a traditional, four-legged shogi-ban table, with two pillows for players to sit upon and two small side tables for captured pieces. It was obvious from looking at the board that a game was in progress, with the black side winning. Before Ameiko could stop him, Boris moved to the board and began rearranging the pieces until the white side was victorious. A moment later, they both heard the sound of a shoji panel sliding open, and then the figure of a dark-clad, middle-aged man with a long moustache and beard, and wearing a tall courtier's hat emerged from the shadows of the corridor. He bowed politely, then indicated the shogi table with one long-nailed hand.</p><p>"As you can see," he said, "one side was winning the game. But was it the King or the Jade General?"</p><p>He threw back his head and laughed diabolically, then simply vanished.</p><p></p><p>An instant later, walls began emerging from the floor on all sides, until Ameiko and Boris each found themselves alone in a five-by-five cell made of translucent, mother-of-pearl barriers. </p><p>"Ameiko!" Boris called.</p><p>"I'm here!" he heard her answer, though her voice came from a distance. </p><p>Then the goblin caught a flicker of movement, as an incorporeal black-robed arm reached through one of the walls towards him. He ducked beneath it and shrieked.</p><p>"Ghost arms!" he screamed. "Trying to get Boris!"</p><p>Ameiko looked around her in panic, but couldn't see anything besides the walls of her cell. She gripped Suishen tightly in her hands.</p><p>"Do you have any ideas?" she asked the blade.</p><p>She sensed a mental shrug. 'I am a sword,' Suishen replied. 'Everything that I perceive needs to be cut.'</p><p>Ameiko almost sighed in exasperation, but then the simplicity of the idea struck her. She lifted the sword above her head, and then brought its flaming blade down, slashing at one of the walls. It shattered easily, producing a sound somewhere between broken glass and torn canvas. Beyond the wall, she saw an identical cell to the one she stood in. She stepped quickly into it, just as the wall she'd destroyed reformed behind her. A moment later, a shadowy hand reached through another wall and seized her arm. When it did, she felt a bone-numbing cold shoot through her, followed by a soul-deep weakness. She wrenched away from the arm, and slashed through another wall, leaping through to the room beyond.</p><p></p><p>Boris could hear the sound of walls shattering as Ameiko drew closer to his location. He drew his swords and slashed at one of his own walls, destroying it easily. As he did so, however, another of the arms came through the wall behind him and grabbed him by the shoulder. He went so weak, and so numb that he could not move. He stood there, wobbling on his feet, helpless.</p><p></p><p>Ameiko continued smashing through walls, dodging more of the incorporeal arms as she went. Finally, she broke another barrier and saw Boris, barely on his feet, in the room beyond. She jumped for him and grabbed him under one arm. Then she wheeled and hacked through another wall, and another after that. Beyond the last one, instead of another bare cell, she saw the original room they had been in. She jumped through, tumbling to the floor with Boris. When she looked behind her, the strange maze was gone. Instead, only the shogi board stood as it had before. </p><p>"I think it's time we rejoin the others," she said wearily.</p><p>Boris could only nod his head in agreement.</p></blockquote><p></p>
[QUOTE="JollyDoc, post: 6760247, member: 9546"] [b]Of Ninjas and Geisha[/b] 4 Abadius, 4716 - 10 Calistril, 4716 The remaining bandits were taken into custody to await Jiro's arrival and justice. In the mean time, the companions explored the fortress, looking for any enemies that might be laying in wait. In the cellar, they came across a half-dozen peasant girls locked in bamboo cages. Ameiko freed them all, and they prostrated themselves before her. She bade them rise, and offered them gainful employment in her service since they were familiar with the layout and running of the fortress. In another part of the building they found a forgotten shrine. Its walls were covered in faded, abstract decorations, and riddled with cavities and cracks. Stone display tables stood along two walls, bare but for rusty metal shards and blackened splinters of wood. A statue of a female samurai stood in a niche in the middle of another wall, her elaborate armor engraved with numerous cartouches filled with inscriptions. The statue once held a two-handed sword, but the stone blade had been sheared off, and many of the statue's features had been defaced or destroyed. Ameiko recognized the statue as a representation of Shizuru, the Tian goddess of ancestors, honor, swordplay and the sun. Tiny inscriptions inside the cartouches on the statue were in Minkaian, and seemed to be the names of Samurai, followed by expressions of thanks, and prayers for good luck. One of these names was Hirabashi Akikaza, Jiro's ancestor. Written nearby was a single inscription with no author's name: "Empress of Heaven, touch me with your grace!" Instinctively, Ameiko reached out one hand and touched the cartouche. When she did, all of the cartouches on the statue flashed with light, and then a large, cylindrical pit opened in the center of the room, revealing a repository for many weapons, still sharp and shiny after half a millennium. Among them was a katana with the Tien characters for Hirabashi engraved along the blade. _______________________________________________________ Jiro and his ronin arrived at Seinaru Heikiko two days later, having defeated the roaming bandits and killed their subchief. The samurai was pleased at the work the heroes had accomplished at the fortress in the mean time. When Ameiko presented him with his family sword, he immediately dropped to one knee and bowed before her. "You are the rightful heir to the Jade Throne," he announced for all to hear, "and I pledge my service to you until the Jade Regent is defeated!" One by one, his warriors came to kneel before the would-be empress, each pledging themselves to her. "The fortress will make an excellent base of operations," Jiro explained after the procession had ended. "We will send for the settlers whose land we protected to repair the damage and expand the defenses. I believe that with some time and training, Hatsue and I should be able to organize them into a militia. Now, my Lady, come. We have much to discuss. ______________________________________________________________ "The Jade Regent is amassing troops," Jiro began without preamble as he seated himself at one of the tables in the great hall. With the emperor in hiding, and the governor of the capital accused of treason, Minkai has become alienated from the other nations of Tian Xia, creating a long-lasting trade crisis. The merchant clans in Akafuto, Enganoka and Sakakabe resent the economic decline more than anyone. Most of the daimyo are also unhappy, as they are obliged to pay surplus taxes for the upkeep of the Typhoon Guard, a mercenary force who now serve as the Jade Regent's private army. The nobles also see the officers of the Typhoon Guard as dangerous rivals for positions in the imperial bureaucracy. But it is the common people who suffer the most, for many nobles are squeezing their extra dues from their subjects. In this current climate, stirring a rebellion in the northwestern provinces of Enganoka and Sakakabe would not be impossible, but we will need much more support." "You have some ideas, I suppose?" Zula asked, arching one eyebrow. "Just so," Jiro nodded. "We will need to contact powerful representatives of Minkai's military, merchants and even criminal underground, either to sway them to our side, or at least to ensure their neutrality in the coming conflict." "Criminals?" Ameiko asked dubiously. "There are many ninja clans in Minkai," Jiro explained, "and while perhaps distasteful, their aid in the rebellion would be helpful. Even if you do not wish to hire them, you should at least make an attempt to convince them not to serve the Jade Regent." "Where would we find their representatives?" Sandru asked. "Start in Enganoka," Jiro replied. "There, you should visit the Kuroi Yane market. I have heard that three regular customers of a restaurant there are actually high-ranking ninja, sometimes referred to as nokizarusan, or the "three monkeys on the roof," or simply the "Three Monkeys." Every month, with the new moon, these three meet to discuss matters between the clans, and it is said that this is the only time one can speak with them for any reason other than hiring their services." "Interesting," Sandru mused. "I've had dealings with the less savory elements of the trade market on several occasions. We'll have to tread very lightly here. What about the legitimate merchant clans?" "That, too, will take some delicate handling," Jiro smirked. "The best way to gain the support of the merchants is through the geisha of Minkai, who know many secrets that can be used to manipulate the empire's merchants and nobility. I recommend visiting the Kiniro Kyomai teahouse in downtown Sakakabe. The owner is a very skilled and respected geisha named O-Kohaku, who happens to be a niece of the late governor of Kasai, and very likely hates the Jade Regent for killing her uncle. Many people discontent with the rule of the Jade Regent frequent the Kiniro Kyomai. Befriending the geisha would give you the chance to contact and persuade them to join our cause. If you decide to approach O-Kohaku, I suggest using flattery. She appreciates expensive gifts." "So criminals and whores?" Zula said, shaking her head. "What's next? Cultists?" Jiro just smiled. "Do not be so quick to dismiss those who dwell in the shadow of greatness," he said. "For it is they who often see what those above them wish to keep hidden. Which brings me to my third suggestion for an alliance. One of the Jade Regent's most zealous supporters is the current governor of Enganoka, a man named Sikutsu Sennaka. He is cruel, efficient and powerful, and anyone who tries to give voice to dissent in the province has been ruthlessly persecuted. He also exerts a strong influence over Minkai's military, and the adjacent provinces through terror, espionage, and blackmail. No one in this area is likely to rise against the Jade Regent as long as Sennaka lives, but once he is removed from power, we will have a much better chance of gaining the support of Minkai's samurai. He is well-guarded, however, and an open attack is likely doomed to failure. You need to find a way to ambush him, or take him unawares and unguarded. My advice is to contact the ninja clans and the geisha first before taking on Sennaka." Ameiko contemplated and processed all that Jiro had told them. Then, with a nod of her head, she looked up and addressed her companions. "We shall go to Sakakabe first," she declared, "and meet with O-Kohaku. It may be that she can offer us insight on how to treat with the Three Monkeys as well." Jiro nodded his approval. "I caution you against attracting too much attention on your journeys," he said. "Keep as low of a profile as possible." "We are in agreement," Ameiko replied. "Very well then, we leave on the morrow." __________________________________________________________ Sakakabe was built on a series of steep terraces that extended from the port to the top of the hills, where the richest houses were built. The entertainment district, or hanamachi, was built on one of the highest terraces, centered on a large street called the Way of the Songbirds. Two gates stood at either end of the street, manned by armed guards who checked all visitors to ensure that no beggars entered. They were suspicious of the companions, as well they might be of heavily armed foreigners, but a few gold coins slipped to them by Sandru ensured entry to the avenue beyond. Inside the gates, the entertainment district was a pleasant area of niche shops, small gardens, a few shrines and upscale teahouses, including the famous Kiniro Kyomai, easily indentifiable by its ornate roof and brightly polished gutters. When the companions approached the gate, they were met by a young and exceptionally polite geisha wearing a flowery, long-sleeved kimono, who introduced herself as O-Hakami. "We have come to seek audience with O-Kohaku," Zula said, bowing slightly. "We are great admirers of the geisha, and we have brought her a gift." O-Hakami smiled and bowed, then instructed the group to follow her. She led them to an inner garden, which was only semi-private, and was under constant surveillance by district guards. After several minutes, another geisha, older and more regal, though no less beautiful, entered the garden. "I am O-Kohaku," she said in greeting, inclining her head. "Please, sit. O-Hakami," she turned to the younger geisha, "bring tea." The younger woman hurried to comply, and returned moments later with the service. She then went and sat in a corner of the garden, occasionally strumming a samisen. "Now," O-Kohaku said, "what brings such strangers so far from home to my humble establishment? Do you wish to hire my geisha?" "Not exactly," Zula smiled. "Hirabashi Jiro sends his regards." A slight smile quirked the geisha's lips. "Ah, the samurai who served my late uncle," she said. "I had wondered what had become of him after he and his unruly swords-for-hire were kicked out of the district last year." Zula cleared her throat, not sure what to make of that. "Yes, well," she continued, "you may be interested to know that Jiro has joined our cause." "And what cause would that be, dear?" O-Kohaku asked indulgently. "To place the rightful heir, the last scion of House Amatatsu, upon the Jade Throne," the thundercaller replied, indicating Ameiko. O-Kohaku's hand flew to her throat, and her eyes went wide in mock astonishment. "Imperial politics are of little interest to provincial entertainers such as myself," she declared. Zula sensed something beneath her words, however. "Nevertheless," she said, "we could use your assistance. Jiro tells us that you have influence among the nobility and the merchant clans." The geisha remained silent for a moment, and then sighed deeply. "I am no friend of the Jade Regent," she said at length, "but my hopes of seeing Emperor Shigure back on the throne have faded. The Jade Regent will soon become the legitimate ruler of Minkai. Even here, far from the capital, everyone is too afraid of governor Sennaka to do anything that might disrupt the status quo." "We have plans for him as well," Zula said, her eyes cold and uncompromising. O-Kohaku weighed her words for a moment. "You boast much," she said, "yet can you follow through with your words, I wonder? Still, I will allow you to prove the sincerity of your intentions." "Here it comes," Sandru grumbled under his breath. O-Kohaku pretended not to notice. "One of my most talented and respected geisha has gone missing," she said. "O-Sayumi is adored by the local nobility, and has even received gifts from Sikutsu Sennaka's younger brother, Itsuru. She recently agreed to entertain a pearl merchant named Yugureda Shosaito, and traveled to his private island for a week-long stay, but has not returned." "What does the merchant have to say?" Zula asked. "He claims she never arrived," O-Kohaku replied. "And what do you think?" Zula asked. "I fear that she may be being held against her will," the geisha said quietly. "He had made such offers in the past, but O-Sayumi had always refused. She felt that he was obsessed with her. Why she suddenly changed her mind, I cannot say, but I feel that both Yugureda's fascination with her, and her changer of heart, have their roots in their past." "Where is this island?" Sandru interrupted. "It lies perhaps seventy miles northwest of here," O-Kohaku said. "His home there is called Shinju-no-Ie. The island rises from a coral reef in Namidakame Lagoon, at the mouth of the Jikko River. Yugureda has a private barge that would deliver his pearl shipments to the docks here. It was upon that barge that O-Sayumi departed." "You must find her!" O-Hakami suddenly interjected, leaping up from where she'd been seated. "She was my mentor! My friend!" O-Kohaku gave the apprentice a stern look "O-Sayumi's disappearance has been blow to our finances and reputation," she said. "If you find her and return her, I will arrange meetings for you with powerful individuals who can help you with your cause." "We will do what we can," Ameiko promised. ______________________________________________________________ O-Hakami led the companions out of the teahouse, and as soon as they were out of sight and hearing of O-Kohaku, she turned and whispered to them, fear in her eyes. "I fear for my mentor," she said. "Yugureda Shosaito is a dangerous man, so cold as to seem like he is dead!" "What more can you tells about O-Sayumi?" Zula asked. "She was such a gifted samisen player," the young geisha smiled. "She even owned a magical one! She would sometimes play for hours alone in her room. I once peeked at her as she played, and she seemed to be in some kind of trance. I was frightened, for as I watched, I thought I saw the shadow of a huge, prowling tiger on the shoji doors! Many believed that she was a seer. She seemed to know much of the past, present and future. It was not uncommon for nobles and merchants to come here and ask for her advice on matters that would not normally fall under the expertise of a geisha." "Did she say anything to you about her trip?" Zula pressed. "Not really," O-Hakami replied. "Before she left, however, she did give me a small package. She told me to give it to an honorable person who would look for her if she did not return. I now feel that she meant all of you." She withdrew a paper packet from her sleeve and handed it to Ameiko, who unwrapped it, finding a folded sheet of rice paper inside, along with a small carrying case. "That is her inro," O-Hakami said curiously, indicating the case. Ameiko unfolded the paper and read aloud, "I must discover what lies inside of myself to enter your place through dark and shadowed gates, but the reflection is not me." "What does it mean?" Sandru asked. Ameiko shrugged. "Perhaps the inro holds some answer," O-Hakami answered. "I believe the geisha carving represents O-Sayumi, and the letter said to discover what lies inside." The inro was a small ivory box with four segments, held closed with a silk cord, a sliding fastener, and a decorative toggle. The segments were engraved with a depiction of a geisha playing the samisen. The toggle was carved into the likeness of a strange turtle-like humanoid holding a vase in its webbed hands, and a six-petaled magnolia flower was carved on the bottom of it. "I've heard of that kind of creature," Lucian offered. "It's called a kappa." O-Hakami nodded. "It may represent Numataro-sama," she said. "He was someone O-Sayumi often talked about and referred to as her uncle. She said he lived under a great magnolia tree." The segments of the inro formed three small compartments, and there was a maker's mark stamped inside the lid. "That is the mark of Saburo," O-Hakami said. "He is a local artisan oft sought after for his crafting skill." Inside the compartments, the inro contained three odd items: an empty silkworm cocoon in the lower compartment; two interlocking stone rings, one of yellow calcite and one of blue lapis lazuli, in the middle compartment; and three camphorwood beads on a cord ring in the upper compartment. O-Hakami had no explanation for the significance of these items. "Well, I guess we have our work cut out for us," Zula sighed. "Perhaps we should start with this Saburo fellow." _______________________________________________________ Saburo's workshop was not far from the entertainment district, and displayed vases of all shapes and sizes in a small window on the street. He recognized the inro immediately, and expressed his concern for the missing geisha. "Are you going to find her?" he asked. When Ameiko answered in the affirmative, he told the companions to wait a moment, for he had another object he'd crafted for her. He went into a back room, and when he emerged again, he carried a bulbous, long-necked vase with an unusually deep recess in the bottom. The shape of the vase matched that of the inro's toggle, and was painted in the likeness of a smiling kappa. Inside, it contained a pound of cucumber-scented bath salts. "The kappa again," Zula said. "Have you heard of such a creature?" she asked Saburo. "The local fisherman often speak of an ancient kappa that is said to live beneath a great magnolia tree at the mouth of the Jikko River, near the Namidakame Lagoon," the artisan replied. "Seems like we have our next clue," Zula nodded. __________________________________________________________ The companions made their way to the port, seeking to hire a ship traveling up the coast. The harbormaster was able to make arrangements, though he seemed a bit dubious about their stated destination. "Do you know the pearl merchant who lives on the island?" Ameiko asked. "Of course!" the man replied. "But his barge has not been seen here for over a month. Strange. It used to come every two weeks to transport supplies." "Did you notice anything different the last time it was here?" Zula asked. When the man hesitated in his response, Sandru slipped a few coins into his palm. "Now that you mention it," he grinned, "I saw a young woman wearing a white veil and carrying a black samisen case board the barge." "Thank you," Ameiko said. "You have been most helpful. _____________________________________________________________ The voyage up the coast was peaceful and uneventful, but when their ship finally reached Namikadame Lagoon, the companions found the air strangely heavy, and a stifling cloak of silence seemed to hang oppressively over the land and water. Half-shrouded by mist, a dark island rose from the water and coral reefs. The colors of the landscape seemed washed out around the island, their hues drained by an unnatural gloominess. On the mainland, clearly visible on the bank above where the mouth of the river emptied into the lagoon, was a great magnolia tree. "There," Ameiko indicated to the captain. "We need to put ashore there." When the companions reached the shore beneath the tree, they were momentarily perplexed. There was no obvious lair or dwelling visible where an intelligent creature would live. It was not until Lucian recalled that kappa were supposedly fond of foods such as cucumber or horse meat, that they thought to use the bath salts within the vase Saburo had given them. Ameiko took the vase to the edge of the water and upended it, dumping the salts in. A few minutes later, the water stirred as a very strange-looking creature emerged. It resembled a humanoid turtle with a wrinkled, ape-like face, and an ashen ring of hair surrounding its bowl-shaped head, which was filled with water. It's shell was decorated with the symbol of the goddess Irori, a blue hand in a circle, and although the creature leaned on a gnarled wooden staff, there was something youthful and energetic about his movements. "Hello," Zula said, stepping forward. "Are you Numataro-sama?" "Indeed I am," the kappa smiled. "Who are you that asks?" The thunder-caller made introductions. "We are searching for a woman named O-Sayumi," she finished. "We have heard that you know her." "Indeed I do," the old kappa smiled again, "but let us speak in more comfortable surroundings." He led them down the bank to where a tangle of tree roots obscured a half-submerged cave. "When O-Sayumi was just an infant," he began, "her mother was killed by a monstrous tiger sent by an evil wizard. Desperate to save her child, O-Sayumi's mother left her in a basket on the bank of a stream under a blooming honeysuckle bush, and then fled away from her. Fortunately, I found the baby before the tiger did, and took her to safety. She lived with me for several years, and I took it upon myself to teach her many of the ancient stories and tales of Minkai. I grew to love my Momo-chan, or as you would say, little butterfly, but I realized that a child needed more than I could give her. If nothing else, human companionship. So I took her to an orphanage in a monastery of Irori. The monks adopted her and taught her how to play the samisen, for which she showed exceptional talent. When she was older, she left the monks and traveled to Sakakabe, where she took the name O-Sayumi, and became a respected geisha." "Can you think of any reason that she would have agree to travel with this pearl merchant?" Ameiko asked. "No," Numataro replied, "but I do know that Yugureda Shosaito is more than just a merchant. He is a powerful wizard, whom I suspect may be the same one responsible for the death of O-Sayumi's mother." "I see," Ameiko said quietly. "Our way forward seems clear. We thank you, Numataro-sama, and promise that we will do everything in our power to return O-Sayumi safely." "Thank you," the kappa bowed, "and tell her to come visit her old uncle." _____________________________________________________________ The ship's captain was reluctant to approach the island any further, as local rumor held that it was haunted. The companions decided that Lucian would fly across to the island and scout ahead, then return to the others after he'd found a suitable place where he could teleport them to. The entire island was about two miles long and a mile wide. In the exact center stood what might have once been a beautiful villa with a colorful tile roof, surrounded by pleasant gardens. However, it seemed that a cold shadow had crept over the place, leaving it a dull, gloomy husk of its former splendor. Two paths led from the villa towards the beach, one to a dock at which was moored a large barge, and the second towards a small village, which appeared abandoned to Lucian. He returned to his companions and informed them of his findings. They elected to have him teleport them to an isolated spot out of view of the villa and the village. Once there, they began making their way towards the village. Zula, Ameiko and Boris went ahead of the others, moving quietly and stealthily across the barren landscape. The village itself consisted of a small cluster of mud-walled huts. Though there were no inhabitants, it quickly became obvious that it was not abandoned. Each of the huts contained simple implements for living, many of which appeared recently used. As they moved among the huts, Zula spotted a figure swimming and then diving out in the surf. "Pearl divers," she said. "They must be out collecting." It was then that Boris emerged from one of the huts, bouncing around excitedly. "Come see what Boris find!" he giggled. Inside, beneath a reed mat, was a trapdoor. It opened into a tunnel that appeared to run in the general direction of the villa. Zula smiled and patted the goblin on the head. "Well done," she said. "It appears we have found our way inside." __________________________________________________________ The tunnel led some five-hundred feet before opening into what appeared to be a cellar hewn in the rock. Stairs led up on one side, while a passageway on the other side led into darkness. The room was cool and moist, and smelled faintly of alcohol. Shelves stood in the corners, containing scores of ceramic bottles, glass vials, and small barrels of various sizes and shapes. Ameiko decided that she and Boris would scout ahead upstairs before the rest of the noisier crew followed. Up the stairs, the pair found themselves in a hallway that wound between wooden walls broken at intervals by rice-paper sliding shoji doors. From behind several of these doors, they could hear the sounds of sweeping and low conversation. They bypassed these rooms until they came to a large, tatami-floored room whose walls were formed entirely of shoji screens. A lantern hung from the center of the ceiling, filling the room with yellow light. Under the lantern stood a traditional, four-legged shogi-ban table, with two pillows for players to sit upon and two small side tables for captured pieces. It was obvious from looking at the board that a game was in progress, with the black side winning. Before Ameiko could stop him, Boris moved to the board and began rearranging the pieces until the white side was victorious. A moment later, they both heard the sound of a shoji panel sliding open, and then the figure of a dark-clad, middle-aged man with a long moustache and beard, and wearing a tall courtier's hat emerged from the shadows of the corridor. He bowed politely, then indicated the shogi table with one long-nailed hand. "As you can see," he said, "one side was winning the game. But was it the King or the Jade General?" He threw back his head and laughed diabolically, then simply vanished. An instant later, walls began emerging from the floor on all sides, until Ameiko and Boris each found themselves alone in a five-by-five cell made of translucent, mother-of-pearl barriers. "Ameiko!" Boris called. "I'm here!" he heard her answer, though her voice came from a distance. Then the goblin caught a flicker of movement, as an incorporeal black-robed arm reached through one of the walls towards him. He ducked beneath it and shrieked. "Ghost arms!" he screamed. "Trying to get Boris!" Ameiko looked around her in panic, but couldn't see anything besides the walls of her cell. She gripped Suishen tightly in her hands. "Do you have any ideas?" she asked the blade. She sensed a mental shrug. 'I am a sword,' Suishen replied. 'Everything that I perceive needs to be cut.' Ameiko almost sighed in exasperation, but then the simplicity of the idea struck her. She lifted the sword above her head, and then brought its flaming blade down, slashing at one of the walls. It shattered easily, producing a sound somewhere between broken glass and torn canvas. Beyond the wall, she saw an identical cell to the one she stood in. She stepped quickly into it, just as the wall she'd destroyed reformed behind her. A moment later, a shadowy hand reached through another wall and seized her arm. When it did, she felt a bone-numbing cold shoot through her, followed by a soul-deep weakness. She wrenched away from the arm, and slashed through another wall, leaping through to the room beyond. Boris could hear the sound of walls shattering as Ameiko drew closer to his location. He drew his swords and slashed at one of his own walls, destroying it easily. As he did so, however, another of the arms came through the wall behind him and grabbed him by the shoulder. He went so weak, and so numb that he could not move. He stood there, wobbling on his feet, helpless. Ameiko continued smashing through walls, dodging more of the incorporeal arms as she went. Finally, she broke another barrier and saw Boris, barely on his feet, in the room beyond. She jumped for him and grabbed him under one arm. Then she wheeled and hacked through another wall, and another after that. Beyond the last one, instead of another bare cell, she saw the original room they had been in. She jumped through, tumbling to the floor with Boris. When she looked behind her, the strange maze was gone. Instead, only the shogi board stood as it had before. "I think it's time we rejoin the others," she said wearily. Boris could only nod his head in agreement. [/QUOTE]
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