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Miscellaneous doodles (now with Tasteful Dwarven Erotica)
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<blockquote data-quote="Gulla" data-source="post: 3416485" data-attributes="member: 4272"><p>To quote a very good friend:</p><p></p><p>"Oh! Lord, I hate this damned machine</p><p>I wish that they would sell it!</p><p>It never does the things I want</p><p>it just does what I tell it!"</p><p></p><p>I just spent an hour writing comments on your pictures, and as I was proofreading it the browser crashed. I'll try recreating it, but with a totally different mood comments will not be the same, and this time I will not proofread anything <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f609.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=";)" title="Wink ;)" data-smilie="2"data-shortname=";)" /> </p><p></p><p>I am not a very experienced art critic. In fact I haven't tried my hand at this since we had two mandatory assignments in high school (which was back in the eighties...). Neither am I an artist, and normally my taste is strongly placed in art that "looks natural", but I do enjoy the occational "strange" picture. What I will try to do here is communicate how I feel when I look at (some of) the pictures, and what I see. Since formulating feelings is more that hard in my native Norwegian, I will not put any effort into being polite when trying in English. What I write is what I feel, but I don't try to be mean. After all remember that I like the pictures you make enough to write the comments to get more of them. <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f642.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":)" title="Smile :)" data-smilie="1"data-shortname=":)" /> </p><p></p><p>So starting again from the top...</p><p></p><p>The blood-llamas is a nice enough picture, bit nothing special (except the method, which I find highly amusing). The blooded snowfalkes under the blood-stained moon, on the other hand, I find chilling. It gives me a feeling of a murder mystery in a cold (maybe Norwegian) wilderness in winter where only the moon is a witness and the falling snow covers all tracks. Or maybe it is three of the new monster Blood-demon? Two of them beating up the third, just because they can? In a frosen layer of the Abyss with the bleeding moon being the only (and constant) source of light?</p><p></p><p>The candle is scary. It is like one of the trick-pictures with two different interpretations. Either it is a lizzard or salamander trapped in the light, crawling towards the flame. Or it is the shadow of a (young?) asian girl/woman looking to the left kneeling with a bright pin holding her hair back. It suggests a story if trapping souls and draining them for power (or heat of light) and it gives me a sad feeling of lonelyness. Somhow the burning of the candle is all the light there is for someone, and it is needed to keep the dark away, but at the same time it destroys something beautiful.</p><p></p><p>I'm no big fan of collages, but I like the scaly girl in number two. Maybe she could get her own picture somehow exploring her curiosity?</p><p></p><p>The first watercolour used to be my favorite until i examined all the pictures again and again to write the comments. Now I feel her right arm is a bit strange, but mostly I feel the picture doesn't really decide what it is. It tries to be both sad/blue and gay/fairy and a bit regal and mysterious. Sometimes that works very well, but this time I get a feeling of being undecided instead of the much better feeling of seeing more than one thing.</p><p></p><p>The second watercolour captures the "seeing many things" much better. I change my mind almost every time I look at it. Is it reflections in a broken mirror? Is it the partially clouded sky? Is it a dream of the moon? But I guess the image from an hour ago still is my favourite: I feel I am inside a very old church or temple built all in marble. Even the windows are very thin marble (like an opaque glass, with patterns in them). It is sunken into the ground and worn and tired. I look out through one of the highest windows, still barely over the ground and I can see the moon, and the shadows of history dancing. The strong warrior, fallen for his cause at last, his dark love lamenting him, and the eternal moon watching in silence.</p><p></p><p>The third watercolour matched my before-crash mood perfectly, but doesn't math so well now. I'll try to remember... It is a perfect picture for the end of a really sad love story. She has lost her love. He is gone and she has finaly found the solitude to let the sorrow in. She is oblivious to the beauty of the sun's beams shinging on and around her. Only her loss and broken heart are real to her. And as her tears fall into the silent water they don't make rings, they make broken hearts. Sad, and very very beautiful (I have stolen a copy fo my harddisk <img src="http://www.enworld.org/forum/images/smilies/paranoid.png" class="smilie" loading="lazy" alt=":uhoh:" title="Paranoid :uhoh:" data-shortname=":uhoh:" /> )</p><p></p><p>The three last watercolours don't come up to the first three for me, and the mammoths are just nice. Except the first one, but I have seen that one before? It is a lovely picture of trust, and maybe Faith (in the religious meaning). The fragile girl going without fear to the enormous, strange creature with a gift, and the love of the strong for the weak.</p><p></p><p>The flying car was used in the final of CDM this time, I think, and got much better treatment there than I can give it here. So that leaves us with the disturbing lines. I might agree with the judges, but to me the two charts/lines floating into wach other and seemingly destroying (at least seriously disturbing) each other is creepy. Even if I avoid the symbolism of having dark/brown flowing into and disrupting the orderly white (it feels too political, and I know too little of US politics and culture to go there). It just gives me the creeps to see this. It might be PirateCat's story of superheroes more or less flowing around, but I like it, and think there is a disturbing horror story behind there somewhere.</p><p></p><p>And then the Dwarven Erotica. I think the propotions of the dwarf are a bit off and he has far to little "fur", but seriously, we all know that is what dwarves do. They are no better than dragons, and if I remember my Nieblungenlied and Voluspå correctly there even is precedence for them <a href="http://en.wikipedia.org/wiki/Fafnir" target="_blank">becomming dragons because they lie on their gold</a></p><p></p><p>I hope that is enough comments to get a few more pictures? Pretty please?</p><p></p><p>Håkon</p><p>sending without proofreading in fear of another browsercrash</p></blockquote><p></p>
[QUOTE="Gulla, post: 3416485, member: 4272"] To quote a very good friend: "Oh! Lord, I hate this damned machine I wish that they would sell it! It never does the things I want it just does what I tell it!" I just spent an hour writing comments on your pictures, and as I was proofreading it the browser crashed. I'll try recreating it, but with a totally different mood comments will not be the same, and this time I will not proofread anything ;) I am not a very experienced art critic. In fact I haven't tried my hand at this since we had two mandatory assignments in high school (which was back in the eighties...). Neither am I an artist, and normally my taste is strongly placed in art that "looks natural", but I do enjoy the occational "strange" picture. What I will try to do here is communicate how I feel when I look at (some of) the pictures, and what I see. Since formulating feelings is more that hard in my native Norwegian, I will not put any effort into being polite when trying in English. What I write is what I feel, but I don't try to be mean. After all remember that I like the pictures you make enough to write the comments to get more of them. :) So starting again from the top... The blood-llamas is a nice enough picture, bit nothing special (except the method, which I find highly amusing). The blooded snowfalkes under the blood-stained moon, on the other hand, I find chilling. It gives me a feeling of a murder mystery in a cold (maybe Norwegian) wilderness in winter where only the moon is a witness and the falling snow covers all tracks. Or maybe it is three of the new monster Blood-demon? Two of them beating up the third, just because they can? In a frosen layer of the Abyss with the bleeding moon being the only (and constant) source of light? The candle is scary. It is like one of the trick-pictures with two different interpretations. Either it is a lizzard or salamander trapped in the light, crawling towards the flame. Or it is the shadow of a (young?) asian girl/woman looking to the left kneeling with a bright pin holding her hair back. It suggests a story if trapping souls and draining them for power (or heat of light) and it gives me a sad feeling of lonelyness. Somhow the burning of the candle is all the light there is for someone, and it is needed to keep the dark away, but at the same time it destroys something beautiful. I'm no big fan of collages, but I like the scaly girl in number two. Maybe she could get her own picture somehow exploring her curiosity? The first watercolour used to be my favorite until i examined all the pictures again and again to write the comments. Now I feel her right arm is a bit strange, but mostly I feel the picture doesn't really decide what it is. It tries to be both sad/blue and gay/fairy and a bit regal and mysterious. Sometimes that works very well, but this time I get a feeling of being undecided instead of the much better feeling of seeing more than one thing. The second watercolour captures the "seeing many things" much better. I change my mind almost every time I look at it. Is it reflections in a broken mirror? Is it the partially clouded sky? Is it a dream of the moon? But I guess the image from an hour ago still is my favourite: I feel I am inside a very old church or temple built all in marble. Even the windows are very thin marble (like an opaque glass, with patterns in them). It is sunken into the ground and worn and tired. I look out through one of the highest windows, still barely over the ground and I can see the moon, and the shadows of history dancing. The strong warrior, fallen for his cause at last, his dark love lamenting him, and the eternal moon watching in silence. The third watercolour matched my before-crash mood perfectly, but doesn't math so well now. I'll try to remember... It is a perfect picture for the end of a really sad love story. She has lost her love. He is gone and she has finaly found the solitude to let the sorrow in. She is oblivious to the beauty of the sun's beams shinging on and around her. Only her loss and broken heart are real to her. And as her tears fall into the silent water they don't make rings, they make broken hearts. Sad, and very very beautiful (I have stolen a copy fo my harddisk :uhoh: ) The three last watercolours don't come up to the first three for me, and the mammoths are just nice. Except the first one, but I have seen that one before? It is a lovely picture of trust, and maybe Faith (in the religious meaning). The fragile girl going without fear to the enormous, strange creature with a gift, and the love of the strong for the weak. The flying car was used in the final of CDM this time, I think, and got much better treatment there than I can give it here. So that leaves us with the disturbing lines. I might agree with the judges, but to me the two charts/lines floating into wach other and seemingly destroying (at least seriously disturbing) each other is creepy. Even if I avoid the symbolism of having dark/brown flowing into and disrupting the orderly white (it feels too political, and I know too little of US politics and culture to go there). It just gives me the creeps to see this. It might be PirateCat's story of superheroes more or less flowing around, but I like it, and think there is a disturbing horror story behind there somewhere. And then the Dwarven Erotica. I think the propotions of the dwarf are a bit off and he has far to little "fur", but seriously, we all know that is what dwarves do. They are no better than dragons, and if I remember my Nieblungenlied and Voluspå correctly there even is precedence for them [URL=http://en.wikipedia.org/wiki/Fafnir]becomming dragons because they lie on their gold[/URL] I hope that is enough comments to get a few more pictures? Pretty please? Håkon sending without proofreading in fear of another browsercrash [/QUOTE]
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