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<blockquote data-quote="pezagent" data-source="post: 1271609" data-attributes="member: 15568"><p>Argh! Tarantino can't write his way out of a paper bag! </p><p></p><p>His success can be attributed more to Hollywood's failure--as studios hone and polish the latest blockbuster mediocrity becomes king. Honestly, if you want good dialog, go see a good, contemporary play like <em>House of Blue Leaves</em> and you'll start to understand that Tarantino's hogwash isn't dialog--it's pretentious scene writing 101--revealing the subtext. There's still no conflict or drama in his movies. It's all sophomoric "what if" fantasy. <em>Wouldn't it be cool if "this" actually happened like "this?"</em> Characters in Tarantino's films aren't characters--they're puppets. No soul, no depth, no drama, just surface-level BS. John Hughes was writing this stuff long before Tarantino came along. Only he kept <em>Sixteen Candles</em> rated PG. Replace Ringwald with Thurman and you've got <em>Sixteen Candles 2: Pulp Fiction.</em></p><p></p><p>As no other Hollywood film knows how to enter this territory (everybody is writing for the cliché, for a buck) QT comes off as some sort of "genius" when the truth is he's borrowed every scene he's ever written/shot from <em>some other movie.</em> You know that scene in Pulp Fiction where Uma ODs and they revive her by plunging a needle in her heart? That was taken from the Martin Scorsese documentary <em>American Boy: A Profile of Steven Prince</em> where Steven Prince is describing this event as it <em>actually happened</em> to him. (It's actually a very entertaining film.) Tarantino ripped it almost word for word. He's really just a cutNpaste boy. Just watching the previews for <em>Kill Bill</em> made me sick, as he borrows and steals blatantly from every movie ever made, including <em>Cats and Dogs.</em> Great dialog? Sense of character? Right. Especially with lines like: "Silly Rabbit?" I go to the movies to <em>escape</em> mediocrity and cliché, not to celebrate it.</p><p></p><p>Perhaps he should be writing speeches for the new Governator of California. Then he could <em>pulp him up.</em></p><p></p><p>/johnny <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f642.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":)" title="Smile :)" data-smilie="1"data-shortname=":)" /></p></blockquote><p></p>
[QUOTE="pezagent, post: 1271609, member: 15568"] Argh! Tarantino can't write his way out of a paper bag! His success can be attributed more to Hollywood's failure--as studios hone and polish the latest blockbuster mediocrity becomes king. Honestly, if you want good dialog, go see a good, contemporary play like [i]House of Blue Leaves[/i] and you'll start to understand that Tarantino's hogwash isn't dialog--it's pretentious scene writing 101--revealing the subtext. There's still no conflict or drama in his movies. It's all sophomoric "what if" fantasy. [i]Wouldn't it be cool if "this" actually happened like "this?"[/i] Characters in Tarantino's films aren't characters--they're puppets. No soul, no depth, no drama, just surface-level BS. John Hughes was writing this stuff long before Tarantino came along. Only he kept [i]Sixteen Candles[/i] rated PG. Replace Ringwald with Thurman and you've got [i]Sixteen Candles 2: Pulp Fiction.[/i] As no other Hollywood film knows how to enter this territory (everybody is writing for the cliché, for a buck) QT comes off as some sort of "genius" when the truth is he's borrowed every scene he's ever written/shot from [i]some other movie.[/i] You know that scene in Pulp Fiction where Uma ODs and they revive her by plunging a needle in her heart? That was taken from the Martin Scorsese documentary [i]American Boy: A Profile of Steven Prince[/i] where Steven Prince is describing this event as it [i]actually happened[/i] to him. (It's actually a very entertaining film.) Tarantino ripped it almost word for word. He's really just a cutNpaste boy. Just watching the previews for [i]Kill Bill[/i] made me sick, as he borrows and steals blatantly from every movie ever made, including [i]Cats and Dogs.[/i] Great dialog? Sense of character? Right. Especially with lines like: "Silly Rabbit?" I go to the movies to [i]escape[/i] mediocrity and cliché, not to celebrate it. Perhaps he should be writing speeches for the new Governator of California. Then he could [i]pulp him up.[/i] /johnny :) [/QUOTE]
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