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<blockquote data-quote="El Mahdi" data-source="post: 4636621" data-attributes="member: 59506"><p>Wow! Excellent stuff Man!<img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f60e.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":cool:" title="Cool :cool:" data-smilie="6"data-shortname=":cool:" /></p><p> </p><p>I'd play these just to listen to, let alone play them during games. Very well done.</p><p> </p><p><em>Hall of Kings</em> felt like a mix of <em>Tangerine Dream</em> and <em>Harold Faltermeyer</em>. Like something that could have been on the <em>Legend</em> soundtrack, but a lot darker and edgier. Very moody, anthemic and regal!</p><p> </p><p><em>DarkenwoodXVII</em> is my favorite of the three. When I close my eyes and listen to this one I hear Dwarven hammers working at the forge. I'm not sure what you envisioned, or what the title meant for you, but with my eyes closed I envision the <em>Mines of Moria</em> before they were ruined. I can see the Dwarves living and working, but with a feeling of dread waiting just around the corner. The guitar sounds like <em>George Lynch</em> ala <em>Tooth and Nail</em>. This song could easily have been a never before released <em>Dokken</em> instrumental.</p><p> </p><p><em>Twilight In Palanthas</em> has a beautifully haunting <em>David Gilmour</em> feel to it. I can hear the sounds of nightime birds and insects as the sun goes down. The guitar gives a feeling of bittersweet as the day, and perhaps an age, come to a close.</p><p> </p><p> </p><p>All in all, very well done. Your arrangements are top notch. Your sense of rhythm and timing are excellent. And, your ability to capture a mood or feeling is very good. Do you have any pieces with a bit more of a driving tempo for fight scenes or chases? I'd be interested to hear what you can do when you shred it a bit. The only place where it was a little rough was in the mixing, but I could really only hear any imperfections when listening through headphones* - through regular speakers it sounded perfect. You should really look into some professional mixing and production, and then find a place to start selling it. I'd pay to download it.</p><p> </p><p> </p><p>Also, Welcome to ENWorld.</p><p> </p><p> </p><p> </p><p> </p><p>(*I was using my old Bose noise-cancelling headsets to listen, which are extremely sensitive. With those headsets, I can even hear where different tape tracks start and stop on <em>Boston</em>'s <em>Third Stage</em>. So don't sweat it too much.<img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f642.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":)" title="Smile :)" data-smilie="1"data-shortname=":)" />)</p></blockquote><p></p>
[QUOTE="El Mahdi, post: 4636621, member: 59506"] Wow! Excellent stuff Man!:cool: I'd play these just to listen to, let alone play them during games. Very well done. [I]Hall of Kings[/I] felt like a mix of [I]Tangerine Dream[/I] and [I]Harold Faltermeyer[/I]. Like something that could have been on the [I]Legend[/I] soundtrack, but a lot darker and edgier. Very moody, anthemic and regal! [I]DarkenwoodXVII[/I] is my favorite of the three. When I close my eyes and listen to this one I hear Dwarven hammers working at the forge. I'm not sure what you envisioned, or what the title meant for you, but with my eyes closed I envision the [I]Mines of Moria[/I] before they were ruined. I can see the Dwarves living and working, but with a feeling of dread waiting just around the corner. The guitar sounds like [I]George Lynch[/I] ala [I]Tooth and Nail[/I]. This song could easily have been a never before released [I]Dokken[/I] instrumental. [I]Twilight In Palanthas[/I] has a beautifully haunting [I]David Gilmour[/I] feel to it. I can hear the sounds of nightime birds and insects as the sun goes down. The guitar gives a feeling of bittersweet as the day, and perhaps an age, come to a close. All in all, very well done. Your arrangements are top notch. Your sense of rhythm and timing are excellent. And, your ability to capture a mood or feeling is very good. Do you have any pieces with a bit more of a driving tempo for fight scenes or chases? I'd be interested to hear what you can do when you shred it a bit. The only place where it was a little rough was in the mixing, but I could really only hear any imperfections when listening through headphones* - through regular speakers it sounded perfect. You should really look into some professional mixing and production, and then find a place to start selling it. I'd pay to download it. Also, Welcome to ENWorld. (*I was using my old Bose noise-cancelling headsets to listen, which are extremely sensitive. With those headsets, I can even hear where different tape tracks start and stop on [I]Boston[/I]'s [I]Third Stage[/I]. So don't sweat it too much.:)) [/QUOTE]
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