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Power Rankings: Weird Al's Top 26 Songs
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<blockquote data-quote="Snarf Zagyg" data-source="post: 9707408" data-attributes="member: 7023840"><p>When it comes to Weird Al in the popular consciousness, I think it's interesting to view him in terms of his popular hits. There's a lot of ways to measure this (especially in the later youtube/streaming years, or in the zeitgeist-y sense*), but the Billboard Hot 100 is a good proxy for what I am about to do to illustrate why I would <em>not </em>put <em>Fat </em>in my list.</p><p></p><p>*<em>The Saga Continues </em>was very zeitgeist-y, but not a Hot 100 song.</p><p></p><p>Note- Weird Al had eleven songs hit the top 100 in his career.</p><p></p><p>Weird Al was a fixture on Dr. Demento, and his first album actually had a top 100 single on it- the parody song <em>Ricky </em>(peaked at #63). But nothing prepared the world for his next two albums, released in quick succession-</p><p><em>3-D</em> and <em>Dare to be Stupid.</em></p><p>The lead single was <em>Eat It, </em>and it reached ... NUMBER 12!!! In addition, the success of <em>Eat It </em>created space for airplay of Weird Al, and caused a number of subsequent singles to hit the top 100.</p><p><em>King of Suede </em>(62)</p><p><em>I Lost on Jeopardy</em> (81)</p><p><em>Like a Surgeon</em> (47)</p><p></p><p>Which brings us to <em>Fat. </em>Did he have a great video? Yes, subject to the caveat I will discuss. Did it hit the top 100? Yes, but barely (blipped at #99). But IMO, it was a massive misstep. Because for most people (the non-nerds, back when nerd culture wasn't mainstream) ... Weird Al was a novelty act. Like Buckner & Garcia (Pac Man Fever).</p><p></p><p>Weird Al was the guy who sang parodies about Michael Jackson, except ... food. Get it? And now he has a parody of Michael Jackson ... with food! I'd also point out that while I don't ding comedy for being of its time, it's definitely not in the Hall of Fame for "Weird Al Songs that have Aged Well."</p><p></p><p><em>If</em> I was going to credit a song for re-establishing his popular cultural relevance, it wouldn't be <em>Fat</em>... in my opinion, that hurt it. It would be ... <em>Smells Like Nirvana</em>, which showed he really did have his finger on the pulse and peaked at #35.</p><p></p><p>Of course, I would argue that Weird Al's true moment of greatness was .... <em>White & Nerdy</em>. Released in 2006, he not only was capturing the wave of increased nerd relevancy, he had his first, and to date only, top 10 hit (#9).</p><p></p><p>Finally, there was the pop culture return of Weird Al with <em>Word Crimes</em> in 2014 (#39).</p><p></p><p>Whew. So, if I had to say that there were defining moments in Weird Al's career in music in terms of popular culture as marked by specific songs, they would be:</p><p></p><p>1. <em>Eat It</em>. Weird Al dares the world to be stupid.</p><p>2. <em>Smells Like Nirvana</em>. Weird Al proves that he isn't a novelty act and has staying power.</p><p>3. <em>White & Nerdy. </em>Weird Al gets a new generation weird just as that generation is already daring to be stupid.</p><p>4. <em>Word Crimes</em>. Weird Al reminds us that he's still got it.</p><p></p><p>And now? Now I am looking at everything I have just written, and wondering where it all went wrong for me. </p><p></p><p></p><p></p><p>(The only other charting songs I haven't mentioned are <em>Amish Paradise</em>, #53 in 1996, and <em>Canadian Idiot</em>, #82 in 2006)</p></blockquote><p></p>
[QUOTE="Snarf Zagyg, post: 9707408, member: 7023840"] When it comes to Weird Al in the popular consciousness, I think it's interesting to view him in terms of his popular hits. There's a lot of ways to measure this (especially in the later youtube/streaming years, or in the zeitgeist-y sense*), but the Billboard Hot 100 is a good proxy for what I am about to do to illustrate why I would [I]not [/I]put [I]Fat [/I]in my list. *[I]The Saga Continues [/I]was very zeitgeist-y, but not a Hot 100 song. Note- Weird Al had eleven songs hit the top 100 in his career. Weird Al was a fixture on Dr. Demento, and his first album actually had a top 100 single on it- the parody song [I]Ricky [/I](peaked at #63). But nothing prepared the world for his next two albums, released in quick succession- [I]3-D[/I] and [I]Dare to be Stupid.[/I] The lead single was [I]Eat It, [/I]and it reached ... NUMBER 12!!! In addition, the success of [I]Eat It [/I]created space for airplay of Weird Al, and caused a number of subsequent singles to hit the top 100. [I]King of Suede [/I](62) [I]I Lost on Jeopardy[/I] (81) [I]Like a Surgeon[/I] (47) Which brings us to [I]Fat. [/I]Did he have a great video? Yes, subject to the caveat I will discuss. Did it hit the top 100? Yes, but barely (blipped at #99). But IMO, it was a massive misstep. Because for most people (the non-nerds, back when nerd culture wasn't mainstream) ... Weird Al was a novelty act. Like Buckner & Garcia (Pac Man Fever). Weird Al was the guy who sang parodies about Michael Jackson, except ... food. Get it? And now he has a parody of Michael Jackson ... with food! I'd also point out that while I don't ding comedy for being of its time, it's definitely not in the Hall of Fame for "Weird Al Songs that have Aged Well." [I]If[/I] I was going to credit a song for re-establishing his popular cultural relevance, it wouldn't be [I]Fat[/I]... in my opinion, that hurt it. It would be ... [I]Smells Like Nirvana[/I], which showed he really did have his finger on the pulse and peaked at #35. Of course, I would argue that Weird Al's true moment of greatness was .... [I]White & Nerdy[/I]. Released in 2006, he not only was capturing the wave of increased nerd relevancy, he had his first, and to date only, top 10 hit (#9). Finally, there was the pop culture return of Weird Al with [I]Word Crimes[/I] in 2014 (#39). Whew. So, if I had to say that there were defining moments in Weird Al's career in music in terms of popular culture as marked by specific songs, they would be: 1. [I]Eat It[/I]. Weird Al dares the world to be stupid. 2. [I]Smells Like Nirvana[/I]. Weird Al proves that he isn't a novelty act and has staying power. 3. [I]White & Nerdy. [/I]Weird Al gets a new generation weird just as that generation is already daring to be stupid. 4. [I]Word Crimes[/I]. Weird Al reminds us that he's still got it. And now? Now I am looking at everything I have just written, and wondering where it all went wrong for me. (The only other charting songs I haven't mentioned are [I]Amish Paradise[/I], #53 in 1996, and [I]Canadian Idiot[/I], #82 in 2006) [/QUOTE]
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