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Rap and Hip-Hop at the game table?
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<blockquote data-quote="Zoatebix" data-source="post: 1417750" data-attributes="member: 11401"><p>Don't forget about Judas Priest and the suicide/subliminal message lawsuit. I had to watch a documentary on that back in 10th-grade comparative politics. The band members were all really sweet British guys... with tatoos and stuff.</p><p></p><p>[almost ringo-starr-parody liverpoolish accent] </p><p>"So then the attourney brought out the ghetto" with the accent on the syllable 'to,' "blaster, and started playing one of our songs"</p><p>[/almost ringo-starr-parody liverpoolish accent]</p><p></p><p>Those poor guys... I'm really glad they won the case.</p><p></p><p>So closer to the original topic - banned from the group for carrying a CD to the table ArthurQ!? Say it ain't so!</p><p></p><p>Look, let's go back to the first group I sugeested - Blackalicious.</p><p></p><p></p><p>Quirky, funny, <strong>spiritual</strong>! Not about money, women, cars, sex, drugs, etc.! One of the tracks on Blazing Arrow samples from the Nighmare Before Christmas, for crissakes!</p><p>(well, I think that's what it's from...)</p><p></p><p>Back to mixing musical styles for effect in general - I'd like to get back to the films I mentioned in my really long post (from page 2, maybe?). Has anyone else seen the Terrence Malick films, or listened to the Escaflowne or Cowboy Bebop soundtracks and care to comment? Do they think the low-key pop distracted from the warsaw philharmonic tracks on Escaflowne, or that the Melenesian Chorus jarred against the orchestra in The Thin Red Line, or that the Jazz and the Metal and the Choral didn't go together in Cowboy Bebop?</p><p></p><p>Okay, I guess Escaflowne is more 'on topic' because it's fantasy... but they're all pretty diverse mixes. I'd have to say that "The Unanswered Question" vs Faure's Requiem (both classical music) is more jarring than rap vs any other kind of pop.</p><p></p><p>Okay, that's it - no more longish posts for me - only short ones.</p><p>-z</p></blockquote><p></p>
[QUOTE="Zoatebix, post: 1417750, member: 11401"] Don't forget about Judas Priest and the suicide/subliminal message lawsuit. I had to watch a documentary on that back in 10th-grade comparative politics. The band members were all really sweet British guys... with tatoos and stuff. [almost ringo-starr-parody liverpoolish accent] "So then the attourney brought out the ghetto" with the accent on the syllable 'to,' "blaster, and started playing one of our songs" [/almost ringo-starr-parody liverpoolish accent] Those poor guys... I'm really glad they won the case. So closer to the original topic - banned from the group for carrying a CD to the table ArthurQ!? Say it ain't so! Look, let's go back to the first group I sugeested - Blackalicious. Quirky, funny, [b]spiritual[/b]! Not about money, women, cars, sex, drugs, etc.! One of the tracks on Blazing Arrow samples from the Nighmare Before Christmas, for crissakes! (well, I think that's what it's from...) Back to mixing musical styles for effect in general - I'd like to get back to the films I mentioned in my really long post (from page 2, maybe?). Has anyone else seen the Terrence Malick films, or listened to the Escaflowne or Cowboy Bebop soundtracks and care to comment? Do they think the low-key pop distracted from the warsaw philharmonic tracks on Escaflowne, or that the Melenesian Chorus jarred against the orchestra in The Thin Red Line, or that the Jazz and the Metal and the Choral didn't go together in Cowboy Bebop? Okay, I guess Escaflowne is more 'on topic' because it's fantasy... but they're all pretty diverse mixes. I'd have to say that "The Unanswered Question" vs Faure's Requiem (both classical music) is more jarring than rap vs any other kind of pop. Okay, that's it - no more longish posts for me - only short ones. -z [/QUOTE]
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